Post by aphelion on Aug 22, 2020 0:46:37 GMT
Robert Swire-Thompson (November 5 1982-)
Associated Acts: Anscenic (1999-), Pendulum (2002-), Knife Party (2011-)
Vocal Range: A2-D5 (2 Octaves + 5 Semitones)
Significant High Notes:
D5 ("The Catalyst (Pendulum Remix)"
C♯5 ("Ghosts 'n' Stuff", "Granite", "Nothing For Free")
C5 ("9,000 Miles", "Comprachicos", "The Tempest")
B4 ("Different", "Crush", "Monophobia", "Showdown", "The Tempest")
B♭4 ("9,000 Miles", "Nothing For Free", "Watercolour")
A4 ("The Catalyst (Pendulum Remix)", "Crush", "Granite", "Higher Than Love" Unreleased, "Propane Nightmares")
G♯4 ("Breathe", "Encoder", "Mutiny, "Nothing For Free", "Self vs Self", "Watercolour", "Witchcraft")
G4 ("9,000 Miles", "Different", "Hold Your Colour" Live Brixton Academy 2009, "I'm Not Alone (Pendulum Remix)", "The Island, Pt. 1 (Dawn)", "Propane Nightmares")
Significant Low Notes:
E3 ("Crush", "Different", "Visions")
E♭3 ("Watercolour")
D3 ("Comprachicos", "I'm Not Alone (Pendulum Remix)" )
C♯3 ("Crush", "Granite", "Nothing For Free")
C3 ("The Tempest", "I'm Not Alone (Pendulum Remix)")
A2 ("Crush")
{Questionable Notes}
F#5 ("Showdown" [2])
B♭2 ("The Other Side" [4])
F2 ("The Other Side" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
F#5 ("Showdown" [2])
B♭2 ("The Other Side" [4])
F2 ("The Other Side" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
*Underlines mark notes in backing vocals or otherwise muffled/obscured in the mix.
*Blue marks especially disconnected sounding head voice/falsetto and whistle voice notes.
*Green marks distorted notes.
*Boldface indicates notes that are notable examples of this singer's capabilities.
*Italics mark spoken notes.