Post by IhateMana on Sept 24, 2019 8:04:34 GMT
Anna Michaela Ebba Electra von Hausswolff (September 6 1986)
Vocal Range: D3 - F♯6
{Vocal Summary}Coldwave songstress Anna von Hausswolff has been making waves in the underground very early into her career. Her music is defined by soft, frosty atmospheres and structures that nod towards drone and doom metal, a whole lotta organ, and her distinct, emotive soprano voice.
Though having drawn comparisons from critics to names everywhere from Kate Bush to Nico and every Siouxsie Sioux in between, Hausswolff's voice is very much her own and could easily be picked out of a police line up (of… voices). Naturally high-placed, Hausswolff possesses remarkable agility throughout her registers, including up into the 6th octave. She has a youthfully bright timbre, but possesses a surreal rasp that offsets expectations in quite an ominous way.
Though having drawn comparisons from critics to names everywhere from Kate Bush to Nico and every Siouxsie Sioux in between, Hausswolff's voice is very much her own and could easily be picked out of a police line up (of… voices). Naturally high-placed, Hausswolff possesses remarkable agility throughout her registers, including up into the 6th octave. She has a youthfully bright timbre, but possesses a surreal rasp that offsets expectations in quite an ominous way.
Significant High Notes
F♯6 ("The Mysterious Vanishing Of Electra")
F6 ("Ugly And Vengeful")
E6 ("Discovery", "The Mysterious Vanishing Of Electra")
E♭6 ("Ugly And Vengeful")
D6 ("Lost At Sea", "The Mysterious Vanishing Of Electra")
C6 ("Come Wander With Me/Deliverance", "The Mysterious Vanishing Of Electra", "An Oath", "Pomperipossa")
B5 ("Come Wander With Me/Deliverance")
B♭5 ("Lost At Sea")
G♯5 ("Track Of Time")
G5 ("Come Wander With Me/Deliverance", "Funeral For My Future Children", "Lost At Sea")
F5 ("The Book", "Deathbed", "Lost At Sea", "Sova")
E5 ("Above All", "Funeral For My Future Children", "Liturgy Of Light", "Track Of Time")
E♭5 ("The Book", "Come Wander With Me/Deliverance", "I Am Leaving", "Ocean", "Pills", "Singing From The Grave", "Ugly And Vengeful")
D5 ("Harmonica", "Red Sun", "Sova")
C♯5 ("The Book", "Evocation", "Gloomy Sunday", "Stranger", "Ugly And Vengeful")
C5 ("Come Wander With Me/Deliverance", "Funeral For My Future Children", "Liturgy Of Light", "The Miraculous", "The Mysterious Vanishing Of Electra", "An Oath", "Old Beauty/Du Kan Nu Dö", "Pomperipossa", "Singing From The Grave", "The Truth, The Glow, The Fall")
B4 ("Discovery", "Move On", "Track Of Time", "Ugly And Vengeful")
Significant Low Notes
B3 ("The Hope Of Only Empty Men", "Källans återuppståndelse", "Sun Rise", "Track Of Time")
B♭3 ("Mountains Crave", "An Oath", "Pills", "Something Is Missing")
A3 ("Above All", "Discovery", "The Hope Of Only Empty Men", "Källans återuppståndelse", "Move On", "The Truth, The Glow, The Fall")
G♯3 ("The Book", "Goodbye", "Harmonica", "I Am Leaving", "Pomperipossa", "Something Is Missing", "Track Of Time", "Ugly And Vengeful")
G3 ("Above All", "Gloomy Sunday", "Liturgy Of Light", "Lost At Sea", "Ocean", "Old Beauty/Du Kan Nu Dö", "Pills", "Red Sun", "Stranger")
F♯3 ("The Book", "Gloomy Sunday", "I Am Leaving")
F3 ("Goodbye", "Ugly And Vengeful")
E3 ("Stranger")
D3 ("Discovery")
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Underlines indicate notes in backing vocals/harmonies or otherwise obscured
Boldface indicates notes that are particularly notable examples of this singer's capabilities
{Album Ranges}
Singing From The Grave - (F♯3 - D6)
Ceremony (F3 - G5)
The Miraculous (D3 - E6)
Dead Magic (F3 - F♯6)
All Thoughts Fly (N/A)
Singing From The Grave - (F♯3 - D6)
Ceremony (F3 - G5)
The Miraculous (D3 - E6)
Dead Magic (F3 - F♯6)
All Thoughts Fly (N/A)