Anacrusis
Vocal Adept
Offline
Posts: 118
Likes: 262
Join Date: November 2021
|
Post by Anacrusis on Aug 18, 2023 20:44:43 GMT
i actually think that C#6 might not need to be italicized. i personally am ehhh on its coutability but its in the key of the song, he jumps up to it and does a scale down with the following A5 being about as long as the C#6. the cracking sort of thing of his voice in the clip is odd but the note is kind of implemented into the melody in my opinion? idk its ur thread ur opinion possesses more gravitas than my own in this instance, that's just my 2 cents. i don't listen to enough live performances of welcome to tally hall to say this from a position of authority Good point. I un-italicized the C#. It was just my first instinct because it appears that Joe may have aimed for B5, but overshot and hit the other note instead. However, he still had control throughout the run, so that doesn't really matter. Plus, C# does fit the key, so for that reason alone, making it non-melodic is kind of superfluous. Also, I don't listen to many live recordings either, so I'm always interested to see what we can find through those. Although either way, I put my threads up for adoption in the Index a while back, so I gather someone's gonna take these...eventually...I hope. As my history's shown over the last year, I'm really not active much anymore. Plus, I have the feeling most people here could do a much better job with this thread. |
|
Plasmariel
Vocal Novice
Offline
Posts: 10
Likes: 8
Join Date: August 2023
|
Post by Plasmariel on Aug 19, 2023 2:07:19 GMT
Great job with the findings everyone, I really appreciate the attention to the matter. I think the second B5 I mentioned should also def be added to the serious list, it's a great powerful note.
|
|
Anacrusis
Vocal Adept
Offline
Posts: 118
Likes: 262
Join Date: November 2021
|
Post by Anacrusis on Aug 19, 2023 3:05:25 GMT
Great job with the findings everyone, I really appreciate the attention to the matter. I think the second B5 I mentioned should also def be added to the serious list, it's a great powerful note. I really wanna add that note, too...but technically, since it's part of the same song as the other B5, I can't make a separate listing for it. Amazing, though, that he can replicate the note so often. That's one thing I've learned from this discussion. I know some of these notes are screams, but he must really know what he's doing to be so consistent up there. |
|
Plasmariel
Vocal Novice
Offline
Posts: 10
Likes: 8
Join Date: August 2023
|
Post by Plasmariel on Aug 19, 2023 4:27:27 GMT
Great job with the findings everyone, I really appreciate the attention to the matter. I think the second B5 I mentioned should also def be added to the serious list, it's a great powerful note. I really wanna add that note, too...but technically, since it's part of the same song as the other B5, I can't make a separate listing for it. Amazing, though, that he can replicate the note so often. That's one thing I've learned from this discussion. I know some of these notes are screams, but he must really know what he's doing to be so consistent up there. He's got great control and consistency, it's almost crazy. I'm not familiar with his vocal background, if any of you could enlighten me on his training beforehand, I'd like to know! |
|
|
|
Post by Macca on Jan 23, 2024 16:13:13 GMT
B2's & F♯4's in this performance of Why Don't We Do It In The Road There's a B4 but can't tell if it's him or not.
I'm surprised not to see this G♯4 in the thread and it's a bold in my opinion.
E2 in Lady Madonna
|
|
Anacrusis
Vocal Adept
Offline
Posts: 118
Likes: 262
Join Date: November 2021
|
Post by Anacrusis on Jan 27, 2024 1:48:13 GMT
B2's & F♯4's in this performance of Why Don't We Do It In The Road There's a B4 but can't tell if it's him or not. Judging by the movements of their mouths, it looks like each of Rob, Zubin, and Joe (in that order) does a solo verse before they all sing together. Unfortunately, after that point, I really can't tell who hits what. I hear an A4 ("no one REAL-ly wants ya") and then a B4 right after ("WHY don't we..."). But to be fair, I feel those could've been anyone. I'll be adding these notes to their respective threads: Joe: B2, F#4 ("Why don't we..." during his verse) Rob: B2 Zubin: B2, E4 I'm surprised not to see this G♯4 in the thread and it's a bold in my opinion. I never saw that skit before. That G# most definitely will be bolded. Thank you. Thanks! I missed that note. I'm also counting it as an Eb since it sounds closer to that for me. This whole cover seems to fluctuate between A and Ab (I guess b/c it's a capella), so I've adjusted a few of the pitches I had listed accordingly. |
|
