Post by Bes on Nov 25, 2021 7:36:30 GMT
Michelle Zauner (March 29, 1989)
Vocal Range: D3 - G5
Member Of: Little Big League (2011 - 2014, 2016), Japanese Breakfast (2013 - present), Bumper (2020)
Years Active: 2005 - Present
{Discography}
Little Big League
These Are Good People (2013): F♯3 - E5
Tropical Jinx (2014): E3 - G5
Japanese Breakfast
Psychopomp (2016): F♯3 - D5
Soft Sounds from Another Planet (2017): E3 - F♯5
Jubilee (2021): D3 - E5
Bumper
pop songs 2020 (2020) [EP]: F3 - C♯5
Little Big League
These Are Good People (2013): F♯3 - E5
Tropical Jinx (2014): E3 - G5
Japanese Breakfast
Psychopomp (2016): F♯3 - D5
Soft Sounds from Another Planet (2017): E3 - F♯5
Jubilee (2021): D3 - E5
Bumper
pop songs 2020 (2020) [EP]: F3 - C♯5
Significant High Notes:
G5 ("Boyish" Japanese Breakfast version)
F♯5 ("Sucker")
E5 ("Dixie Gun", "Lindsey", "Paprika", "Till Death")
E♭5 ("Paprika", "Road Head")
D5 ("12 Steps", "Be Sweet", "Boyish" Japanese Breakfast version, "Dreams", "Jane Cum", "Lindsey", "My Very Own You", "Never Have I Ever Walked Away When the Time Was Right", "Property Line", "Settlers", "Soft Sounds from Another Planet", "Tokyo Drift", "Triple 7")
C♯5 ("2042", "Better the Mask", "Brackish Water", "Dixie Gun", "Glider", "In Hell", "Never Have I Ever Walked Away When the Time Was Right", "Posing in Bondage" Jubilee Version, "Road Head", "Sportswriting","The Woman That Loves You", "Till Death", "You Can Get It")
C5 ("12 Steps", "Be Sweet", "Black Light", "Dark Matter", "Essentially", "Glider", "Main Menu" Sable soundtrack, "My Very Own You", "Red Brick", "Say It Ain't So", "Slide Tackle", "Tactics", "The Body Is a Blade", "Triple 7")
B4 ("12 Steps", "2042", "Better the Mask", "Boyish", "Brackish Water", "Dreams", "Everybody Wants to Love You", "Head Over Heels", "In Air", "In Heaven", "In Hell", "Jane Cum", "Jimmy Fallon Big!", "Kokomo, IN", "Lindsey", "Miss AC", "Never Have I Ever Walked Away When The Time Was Right", "Paprika", "Posing In Bondage", "Property Line", "Road Head", "Savage Good Boy", "Say It Ain't So", "Settlers", "Sit", "Soft Sounds from Another Planet", "Sportswriting", "Summer Wounds", "The Body Is a Blade", "Till Death", "Tokyo Drift", "Triple 7", "You Can Get It")
B♭4 ("Ballad 0", "Black Light", "Dark Matter", "Glider", "Main Menu" Sable soundtrack, "Old Time Fun", "Sportswriting", "Till Death")
A4 ("12 Steps", "2042", "Be Sweet", "Better the Mask", "Black Light", "Boyish", "Diving Woman", "Dreams", "Essentially", "Everybody Wants to Love You", "Head Over Heels", "In Air", "In Heaven", "In Hell", "Jimmy Fallon Big!", "Kokomo, IN", "Lindsey", "Machinist", "Miss AC", "My Very Own You", "Never Have I Ever Walked Away When The Time Was Right", "Red Brick", "Savage Good Boy", "Sit", "Slide Tackle", "Soft Sounds from Another Planet", "Sucker", "Summer Wounds", "Tactics", "The Body Is a Blade", "The Woman That Loves You", "Tropical Jinx")
Significant Low Notes:
A3 ("12 Steps", "2042", "Be Sweet", "Better the Mask", "Black Light", "Boyish", "Deer Head", "Diving Woman", "Dixie Gun", "Head Over Heels", "In Air", "In Heaven", "Jane Cum", "Lindsey", "Machinist", "Main Menu" Sable soundtrack, "Miss AC", "My Very Own You", "Old Time Fun", "Property Line", "Red Brick", "Savage Good Boy", "Say It Ain't So", "Sit", "Slide Tackle", "Soft Sounds from Another Planet", "Tactics", "The Woman That Loves You", "Tokyo Drift", "Triple 7", "Tropical Jinx")
G♯3 ("Dark Matter", "In Hell", "Kokomo, IN", "Main Menu" Sable soundtrack, "Paprika", "Rugged Country", "Sucker", "Take It to a Weird Sad Place")
G3 ("12 Steps", "Ballad 0", "Boyish", "Essentially", "Head Over Heels", "In Air", "Jane Cum", "Old Time Fun", "Say It Ain't So", "Tactics", "Triple 7", "Tropical Jinx")
F♯3 ("2042", "Better the Mask", "Boyish" Little Big League version, "Brackish Water", "Deer Head", "Dixie Gun", "In Heaven", "Heft", "Miss AC", "Paprika", "Posing For Cars", "Property Line", "Road Head", "Rugged Country", "Savage Good Boy", "Sit", "Sportswriting", "Sucker", "Take It To A Weid Sad Place", "The Body Is a Blade", "Tokyo Drift")
F3 ("Black Light", "Old Time Fun", "Red Brick", "Slide Tackle")
E3 ("2042", "Deer Head", "In Hell", "Kokomo, IN", "Machinist", "Paprika", "Posing for Cars", "Sucker", "Tropical Jinx")
D3 ("Posing for Cars")
{Description}
Fronting the acclaimed experimental pop band Japanese Breakfast, Michelle Zauner's vocals are an essential part of the group's hazy and lo-fi yet pristine and glossy sound. She possesses a high-placed voice with a bright soprano timbre that provides ease in her upper register. With that said, Zauner seldom hits notes above D5, as she stays comfortably around the upper 4th octave and lower 5th octave with a full yet light sounding tone and some solid belted notes around that area. Among her best high moments are the emotive D5s in "Jane Cum", easy sustained C♯5s on "Road Head" and, most notably, strong belting up to E5 in "Paprika". Her approach has become more refined from album to album, having a more raw, scattershot delivery in her previous group, Little Big League. Zauner also makes consistent use of her lower register in the upper to middle 3rd octave. Considering her high vocal placement, she's displayed decent tone and weight down to E3, altogether making for a dynamic and natural yet pleasant and ethereal sounding voice.
Fronting the acclaimed experimental pop band Japanese Breakfast, Michelle Zauner's vocals are an essential part of the group's hazy and lo-fi yet pristine and glossy sound. She possesses a high-placed voice with a bright soprano timbre that provides ease in her upper register. With that said, Zauner seldom hits notes above D5, as she stays comfortably around the upper 4th octave and lower 5th octave with a full yet light sounding tone and some solid belted notes around that area. Among her best high moments are the emotive D5s in "Jane Cum", easy sustained C♯5s on "Road Head" and, most notably, strong belting up to E5 in "Paprika". Her approach has become more refined from album to album, having a more raw, scattershot delivery in her previous group, Little Big League. Zauner also makes consistent use of her lower register in the upper to middle 3rd octave. Considering her high vocal placement, she's displayed decent tone and weight down to E3, altogether making for a dynamic and natural yet pleasant and ethereal sounding voice.
{Bolded Notes}
E5 ("Paprika")
D5 ("Jane Cum")
C♯5 ("Road Head', "The Woman that Loves You")
C5 ("Glider")
B4 ("Boyish", "Brackish Water", "Lindsey", "Sportswriting", "You Can Get It")
F♯3 ("Heft")
E3 ("Kokomo, IN", "Sucker")
E5 ("Paprika")
D5 ("Jane Cum")
C♯5 ("Road Head', "The Woman that Loves You")
C5 ("Glider")
B4 ("Boyish", "Brackish Water", "Lindsey", "Sportswriting", "You Can Get It")
F♯3 ("Heft")
E3 ("Kokomo, IN", "Sucker")
{Questionable Notes}
E5 ("Jane Cum" [1], "Soft Sounds from Another Planet" [5])
F♯3 ("Summer Wounds [1])
E3 ("In Air" [5])
D3 ("Old Time Fun" [5], "Red Brick" [1])
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
E5 ("Jane Cum" [1], "Soft Sounds from Another Planet" [5])
F♯3 ("Summer Wounds [1])
E3 ("In Air" [5])
D3 ("Old Time Fun" [5], "Red Brick" [1])
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.