Post by SailorBlue on Nov 29, 2021 7:08:27 GMT
Scott Anderson
Vocal Range: E2 - C♯5
Voice Type: Unregistered Hypercam 2 2007
Associated Acts: Rainbow Butt Monkeys (1990 - 1997), Finger Eleven (1997 - Present)
{Album Ranges}Finger Eleven:
Tip (1997): B♭2 - B4 - C♯5
The Greyest of Blue Skies (2000): B2 - G♯4 - C♯5
Finger Eleven (2003): G♯2 - C5
Them vs. You vs. Me (2007): A2 - B4
Life Turns Electric (2010): E2 - A4
Five Crooked Lines (2015): E2 - B4
Rainbow Butt Monkeys:
Letters From Chutney (1995): B2 - A4
Tip (1997): B♭2 - B4 - C♯5
The Greyest of Blue Skies (2000): B2 - G♯4 - C♯5
Finger Eleven (2003): G♯2 - C5
Them vs. You vs. Me (2007): A2 - B4
Life Turns Electric (2010): E2 - A4
Five Crooked Lines (2015): E2 - B4
Rainbow Butt Monkeys:
Letters From Chutney (1995): B2 - A4
Significant High Notes:
C♯5 ("Bones + Joints", "Thin Spirits")
C5 ("Good Times", "Other Light")
B4 ("I'll Keep Your Memory Vague", "Panic Attack", "Save Your Breath", "Stay and Drown", "Swallowtail", "Wolves and Doors")
B♭4 ("Absolute Truth", "Awake and Dreaming", "Broken Words", "Come On, Oblivion", "Glimpse", "Other Light", "Paralyzer", "Sad Exchange", "Save Your Breath", "Wake Up Demons")
A4 ("As Far as I Can Spit", "Brat", "Cookin' in the Kitchen", "Don't Look Down", "Dropping", "Easy Life", "Falling On", "Last Scene of Struggling", "Lost For Words", "Lost My Way", "Sacrifice", "Sense of a Spark", "Spiderprints", "Stay in Shadow", "Thousand Mile Wish")
G♯4 ("Above", "Absent Elements", "Complicated Questions", "Conversations", "Costume For a Gutterball", "Danananana", "Drag You Down", "Famous", "First Time", "Five Crooked Lines", "For the Ocean", "Gods of Speed", "Good Times", "Last Scene of Struggling", "Living in a Dream", "Murder My Mind's Eye", "Obvious Heart", "Panic Attack", "Sad Exchange", "Shudder", "Sick of it All", "Slow Chemical", "Stay and Drown", "Talking to the Walls", "Tearing Disguises", "Thin Spirits", "Tip", "Unspoken", "Wake Up Demons")
G4 ("Blackout Song", "Cake", "Change the World", "Cookin' in the Kitchen", "Don't Look Down", "Let's Pretend", "Lost My Way", "Good Times", "Lost For Words", "Love's What You Left Me With", "My Carousel", "Paralyzer", "Sacrifice", "Scrumpy", "Sensory Eraser", "So-So Suicide", "St. Louis", "Stone Soul", "Whatever Doesn't Kill Me", "Wolves and Doors")
F♯4 ("Absent Elements", "Any Moment Now", "Awake and Dreaming", "Bones + Joints", "Circles", "Complicated Questions", "Condenser", "Costume For a Gutterball", "Criminal", "Gather & Give", "Glimpse", "Let's Pretend", "Not Going to Be Afraid", "Pieces Fit", "Slow Chemical", "Sense of a Spark", "Suffocate", "Swallowtail", "Talking to the Walls", "Temporary Arms", "Window Song")
Significant Low Notes:
E3 ("Ain't No Sunshine" Various Live Performances, "Any Moment Now", "Blackout Song", "Circles", "Condenser", "Cookin' in the Kitchen", "Costume For a Gutterball", "Famous Last Words", "Let's Pretend", "Lost For Words", "A New Forever", "Paralyzer", "Pieces Fit", "Sick of it All", "Talking to the Walls", "Them vs. You vs. Me", "Tip", "Wolves and Doors")
E♭3 ("Absent Elements", "Absolute Truth", "Broken Words", "Come On, Oblivion", "First Time", "Other Light", "Paralyzer" Acoustic Version, "Quicksand", "Save Your Breath", "Shudder", "Song For an Awkward Moment", "Suffocate", "Temporary Arms", "Thin Spirits")
D3 ("Dropping", "Easy Life", "Let's Pretend", "My Carousel", "Sacrifice", "Walking in My Shoes")
C♯3 ("Bones + Joints", "Complicated Questions", "Costume For a Gutterball", "Gods of Speed", "I'll Keep Your Memory Vague", "Sad Exchange", "Scrumpy", "Swallowtail", "Tearing Disguises", "Therapy", "Unspoken", "Window Song")
C3 ("Brat", "Whatever Doesn't Kill Me")
B2 ("Cookin' in the Kitchen", "Criminal", "Gather & Give", "I'll Keep Your Memory Vague", "Scrumpy", "Sense of a Spark", "Stay and Drown", "Thousand Mile Wish", "Window Song")
B♭2 ("Awake and Dreaming", "Come On, Oblivion", "Swallowtail" Acoustic Version, "Thin Spirits" Live Toronto 2017)
A2 ("Easy Life", "Lost For Words", "Pieces Fit", "Talking to the Walls", "Tearing Disguises")
G♯2 ("Five Crooked Lines", "Last Scene of Struggling", "Murder My Mind's Eye", "Obvious Heart", "One Thing")
G2 ("Them vs. You vs. Me")
F♯2 ("Look at Me", "Murder My Mind's Eye", "Not Going to Be Afraid")
E2 ("Love's What You Left Me With", "A New Forever", "Not Going to Be Afraid")
{Questionable Notes}C6 ("Good Times" [2])
B♭5 ("Good Times" [2])
D5 ("Circles" [1], "Cookin' in the Kitchen" [1])
G♯2 ("Costume For a Gutterball" [1])
G2 ("Gather & Give" [4], "Sacrifice" [4])
F♯2 ("Come On, Oblivion" [4], "Last Scene of Struggling" [4], "Pieces Fit" [4])
E2 ("Talking to the Walls" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
B♭5 ("Good Times" [2])
D5 ("Circles" [1], "Cookin' in the Kitchen" [1])
G♯2 ("Costume For a Gutterball" [1])
G2 ("Gather & Give" [4], "Sacrifice" [4])
F♯2 ("Come On, Oblivion" [4], "Last Scene of Struggling" [4], "Pieces Fit" [4])
E2 ("Talking to the Walls" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.