Post by sylvia!! on Jan 8, 2022 4:20:36 GMT
Bren Lukens (born August 15th, 1992)
Associated Acts: BTFL/Solo (2012), Modern Baseball (2010-2016)
Vocal Range: D2 - F♯5
{Vocal Summary}Not particularly standout in the range department, but with what little range they had they proved that you don't really need sky-scraping highs and ear-piercing screams to make music that speaks to your heart. You don't need to sound unique and hell, you don't need to prove yourself every given second so long as you can make your music connect with people and show the audience the person you are - and that's exactly what Bren Lukens voice is: a relatable presence in a sea of at times over-the-top and needlessly raucous music scene. Power to Bren, hope they're doing okay.
Significant High Notes:
F♯5 ("Your Graduation" live at Union Transfer 2015)
D5 ("Hey, I Will Runaway Into the Dark With You")
C♯5 ("The Weekend" live at the House of Blues 2014)
C5 ("The Weekend" live at the House of Blues 2014)
B4 ("3x5", "Just Another Face" live in Sydney 2017, "Revenge of the Nameless Ranger")
B♭4 ("@chlo3k", "240", "Fine Great", "Hope", "Old Gospel Choir", "Seasonal Small Town Dreams", "Sports")
A4 ("3x5", "Breathing in Stereo", "How Do I Tell A Girl I Want To Kiss Her", "Just Another Face", "Let's Just Share A Milkshake & Get Tattoos", "Sports", "The Weekend" BTFL Version)
G♯4 ("240", "Alpha Kappa Fall of Troy Part Deux", "Casket", "Charlie Black", "Re-Done", "Revenge of the Nameless Ranger", "Rock Bottom", "See Ya, Sucker", "Timmy Bowers", "The Weekend" live at the House of Blues 2014)
G4 ("Apple Cider, I Don't Mind", "@chlo3k", "Fine, Great", "How Do I Tell A Girl I Want To Kiss Her", "Infinity Exposed", "Old Gospel Choir", "See Ya, Sucker", "Short", "Sports", "Stranger Rising" "The Waterboy Returns")
F♯4 ("Apple Cider, I Don't Mind", "Beholder", "Breathing in Stereo", "Hope", "I Think I Was In Your Profile Picture Once" BTFL Version, "Just Another Face", "Let's Just Share A Milkshake & Get Tattoos", "Senior Year", "Timmy Bowers", "The Thrash Particle", "The Weekend" BTFL Version, "What If", "Your Graduation")
F4 ("Casket", "Hey, I Will Runaway Into the Dark With You", "Hours Outside in the Snow", "Infinity Exposed", "Old Gospel Choir", "Rock Bottom", "Stranger Rising", "The Weekend")
Significant Low Notes:
D3 ("...And Beyond", "Hey, I Will Runaway Into the Dark With You", "Just Another Face", "Let's Just Share A Milkshake & Get Tattoos")
C♯3 ("Bart to the Future Part 2", "Hope", "I Think I Was In Your Profile Picture Once", "Re-Do", "Re-Done", "Timmy Bowers")
C3 ("Casket", "Death 4 My Birthday", "How Do I Tell A Girl I Want To Kiss Her", "See Ya, Sucker", "The Waterboy Returns")
B2 ("3x5", "Beholder", "Let's Just Share A Milkshake & Get Tattoos", "Re-Do", "Revenge of the Nameless Ranger", "Sports", "The Thrash Particle", "Your Graduation")
B♭2 ("@chlo3k", "Fine, Great", "Old Gospel Choir", "Re-Done", "See Ya, Sucker")
A2 ("Coals", "The Thrash Particle", "The Weekend" BTFL Version)
G♯2 ("Hours Outside in the Snow", "Look Out", "Re-Done", "Timmy Bowers")
G2 ("Death For My Birthday", "How Do I Tell A Girl I Want To Kiss Her", "Infinity Exposed", "Mass Re-Done", "The Waterboy Returns")
F♯2 ("Just Another Face", "Your Graduation")
F2 ("Look Out", "Old Gospel Choir", "Re-Done")
D2 ("Hey, I Will Runaway Into the Dark With You")
{Questionable Notes}C5 ("Fine, Great" [2])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Discography}Modern Baseball
Sports (2012): F2 - B♭4
You're Gonna Miss It All (2014): F2 - B♭4
MOBO Presents: The Perfect Cast feat. Modern Baseball (2015): G2 - B4
Holy Ghost (2016): F♯2 - A4
Rarities (2010-2016): G2 - G4
BTFL
Dude, Your Love Life Has Some Serious Issues (2012): G2 - B4
Italics mark EPs
Grey marks compilations
..................................................Sports (2012): F2 - B♭4
You're Gonna Miss It All (2014): F2 - B♭4
MOBO Presents: The Perfect Cast feat. Modern Baseball (2015): G2 - B4
Holy Ghost (2016): F♯2 - A4
Rarities (2010-2016): G2 - G4
BTFL
Dude, Your Love Life Has Some Serious Issues (2012): G2 - B4
Italics mark EPs
Grey marks compilations
• Blue denotes falsetto and whistle passages.
• Green marks harshly distorted and screamed notes
• Boldface denotes outstanding passages.
• Italics denote non-melodic and spoken passages.
• Underlines denote obscured and background passages.