Post by Platypus on Oct 30, 2022 23:01:18 GMT
Travis Albert Ryan (19.12.1974 - )
Associated Acts: Cattle Decapitation, Murder Construct
Vocal Range: C♯2 - G♯5
{Album Ranges}
with Cattle Decap
To Serve Man (2002): Didn't bother
Humanure (2004): C3 - C5 - F♯5
Karma.Bloody.Karma (2006): F♯2 - G♯5
The Harvest Floor (2009): N/A - E♭5 - G5
Monolith of Inhumanity (2012): F♯2 - E♭5 - G♯5
The Anthropocene Extinction (2015): F♯2 - D5 - G♯5
Death Atlas (2019): F♯2 - C♯5 - G♯5
with Murder Construct
Murder Construct (2010): N/A - B4 - F♯5
Results Redux (2012): N/A - E5 - F5
with Cattle Decap
To Serve Man (2002): Didn't bother
Humanure (2004): C3 - C5 - F♯5
Karma.Bloody.Karma (2006): F♯2 - G♯5
The Harvest Floor (2009): N/A - E♭5 - G5
Monolith of Inhumanity (2012): F♯2 - E♭5 - G♯5
The Anthropocene Extinction (2015): F♯2 - D5 - G♯5
Death Atlas (2019): F♯2 - C♯5 - G♯5
with Murder Construct
Murder Construct (2010): N/A - B4 - F♯5
Results Redux (2012): N/A - E5 - F5
Significant High Notes:
G♯5 ("Absolute Destitute", "Clandestine Ways (Krokodil Rot)", "Forced Gender Reassignment" live San Fransisco 2012, "Finish Them", "The Geocide", "Karma.Bloody.Karma", "Kingdom of Tyrants", "The New Dawn", "Vulturous")
G5 ("Be Still Out Bleeding Hearts", "Bring Back the Plague", "Forced Gender Reassignment", "In Axestasy", "A Living, Breathing Piece of Defecating Meat", "Mammals in Babylon", "Of Human Pride & Flatulence", "One Day Closer to the End of the World", "One Thousand Times Decapitation", "The Prophets of Loss", "Regret & The Grave", "Your Disposal" live San Fransisco 2012)
F♯5 ("Applied Human Defragmentation", "Dead Set on Suicide", "Do Not Resuscitate", "End of An Error", "An Exposition of Insides", "The Monolith", "Not Suitable for Life", "Pacific Grim", "Plagueborne", "The Product Alive", "The Ripe Beneath The Rind", "Success Is... (Hanging by the Neck)", "Tooth Enamel and Concrete", "Your Disposal")
F5 ("A Body Farm", "Carrion Whispers", "Control", "The Earthling", "The Gardeners of Eden", "Into The Public Bath", "Mercy, Mercy", "No Light and No Life", "No Savior", "Submission", "We Are Horrible People", "You People")
E5 ("Entropy Eternal", "Gold Digger", "Mutual Assured Destruction")
E♭5 ("Apex Blasphemy", "Applied Human Defragmentation", "Circo Inhumanitas", "The Earthling", "The Gardeners of Eden", "Lips & Assholes", "Manufactured Extinct", "Regret & The Grave", "The Ripe Beneath The Rind", "Your Disposal")
D5 ("The Fifth Trumpet", "Humanure", "Kill The Poor, Then Fuck The Poor, Then Bill Their Families", "Kingdom of Tyrants", "One Day Closer to the End of the World", "Resultados")
C♯5 ("Descent", "Droppin' Bombs While Droppin' Bombs While Droppin' Bombs", "Feign Ignorance", "Kingdom of Tyrants", "Lifestalker", "Of Human Pride & Flatulence", "The Product Alive", "Sunday Mourning", "Time's Cruel Curtain", "With All Disrespect", "You People")
C5 ("Bring Back the Plague", "Circo Inhumanitas", "Control", "The Earthling", "Lifestalker", "My Daughter Is A Piece Of Ass", "No Light and No Life", "Red All Over", "See Sex Tape", "Where's My Apology?", "A Widow's Applause (Delicious)")
B4 ("Alone at the Landfill", "Be Still Out Bleeding Hearts", "Can't Get To Heaven Fast Enough", "The Carcass Derrick", "Cloacula: The Anthropophagic Copromantik", "Descent", "Destroy Babylon", "Does This Cross Make Me Look Fat?", ""Experts"", "Feign Ignorance", "The Gardeners of Eden", "The Geocide", "Grab Em By The Pussy", "It's Just Business", "Kingdom of Tyrants", "Last Night In Sweden", "Lips & Assholes", "Make America Great Again", "Mammals in Babylon", "Mexican Judges Don't Count", "The New Dawn", "No Light and No Life", "Old People Are Gay", "One Day Closer to the End of the World", "Plagueborne", "Regret & The Grave", "Submission", "Take The Hebe Outta Holocaust", "Vulturous", "We Are Horrible People", "Your Disposal")
B♭4 ("Apex Blasphemy", "A Body Farm", "Breast Feeding Is Gay", "Bring Back the Plague", "Can You Believe It?", "The Carbon Stampede", "Circo Inhumanitas", "Compelled by Mediocrity", "Dead Set on Suicide", "Droppin' Bombs While Droppin' Bombs While Droppin' Bombs", "Exorcism", "The Fifth Trumpet", "For All My Friends!!!", "Forced Gender Reassignment", "The Hand Shake", "I Alone Can Fix It", "Manufactured Extinct", "The Monolith", "The Next Lie", "Not Suitable for Life", "Nuclear Football Photo-Op", "Pacific Grim", "The Prophets of Loss", "Reduced to Paste", "The Ripe Beneath The Rind", "Sick People Are Gay", "Sonny's Burning", "Take The Hebe Outta Holocaust", "There's My African American!", "Time's Cruel Curtain", "Total Gore?", "Unbaptism", "Unintelligent Design", "Victory Lap", "What's A Few Dead Kids Between Business Partners?", "With All Disrespect")
A4 ("Alone at the Landfill", "Ave Exitium", "Bring Back the Plague", "Carrion Whispers", "End of An Error", "The Fat Picture", "Gold Digger", "Kill The Poor, Then Fuck The Poor, Then Bill Their Families", "A Living, Breathing Piece of Defecating Meat", "No Question, No Comment", "One Day Closer to the End of the World", "Race Detector", "Resultados", "Riot Receipt", "Sunday Mourning", "The Trump Rule", "A Widow's Applause (Delicious)")
Significant Low Notes:
D3 ("Chummified", "The Geocide")
C♯3 ("Be Still Out Bleeding Hearts")
C3 ("Bukkake Tsunami", "Exorcism")
B2 ("Burnt to a Crisp", "See Sex Tape", "Vulturous")
B♭2 ("The Unerasable Past")
A2 ("The Geocide", "The Monolith", "Vulturous")
G♯2 ("Ave Exitium", "Finish Them", "The Unerasable Past")
G2 ("Absolute Destitute")
F♯2 ("Ave Exitium", "The Monolith", "One Day Closer to the End of the World", "Unintelligent Design")
C♯2 ("Descent")
{Questionable Notes}
B♭5 ("The Prophets of Loss" [4])
G♯5 ("Compelled by Mediocrity" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
I've tried my best to be as accurate as possible with this thread, but given the nature of Travis' vocals I'd take the findings in this thread with a generous pinch of salt.
B♭5 ("The Prophets of Loss" [4])
G♯5 ("Compelled by Mediocrity" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
I've tried my best to be as accurate as possible with this thread, but given the nature of Travis' vocals I'd take the findings in this thread with a generous pinch of salt.
.......................................................
Blue marks falsetto or whistle notes.
Grey marks growled notes with a reasonably clear pitch
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
