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Post by Yojojo on Feb 24, 2024 19:00:24 GMT
Rank singers by how much wanking of their range they do. Just for comparison: F tier is Pete Burns of Dead or Alive, S tier is Lord Crobath.
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Post by Yojojo on Mar 2, 2024 21:42:40 GMT
Out of the few threads I've done (will update as we go)
Jschlatt: E tier. He's shown a good 3 octaves of range, but he yelled a non-melodic chest C5 one time and he can totally get below E2 so I think big guy's still holding out on us.
Damien Haas: F tier. I really expected a little more range from this guy to be honest. He's a baritone who hasn't gotten below the bass clef yet, AND his highest melodic falsetto note than a C#5. Come on, man, you're getting outdone by Ian Hecox here!
That being said, Hatsune Miku is a very solid contender for A tier.
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Post by Homelander on Mar 2, 2024 22:16:44 GMT
Lewis Capaldi - B tier
Andy Gibb - D tier
Barry Gibb - B tier
Robin Gibb - C tier
Maurice Gibb - F tier
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Post by avi on Mar 27, 2024 1:50:42 GMT
I don't appreciate the Lord Crobath slander, first of all. Secondly:
Stephan Jenkins: A tier. I would've said maybe B without that first demo tape but it's genuinely ridiculous how many terrible notes he tries to hit on that thing.
Justin Courtney Pierre: A tier, his extremities are indeed extreme and he has questionable notes from G1 to E6
Nick Zander: B tier, especially for such a small discography, he finds ways to throw in high and low notes even when there's not much reason to
Hozier (partial): C tier, his early stuff has lots of weird high whistle notes but lately he's just been singing well
Ben Barlow: I'm gonna say D tier because he's never hit a note just for the sake of it, but he's done some crazy shit
Kari Gray: F tier, she never did anything with her range lol
Nick Frosst: F- tier? Like if he was to range wank right now I would be thrilled
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Post by fountain30 on Aug 29, 2024 21:59:19 GMT
Of the artists I've watched Nova Miller immediately comes to mind and I'm sure this one would be universally agreed on. 100% S Tier.
She does a lot of stuff like this for absolutely no reason whatsoever:
And this:
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asamic500
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Post by asamic500 on Aug 29, 2024 23:44:59 GMT
She does cause she can let's u see try young woman
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Post by Macca on Aug 30, 2024 0:08:54 GMT
She does cause she can let's u see try young woman Hate to be that guy but: r/IHadAStroke |
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Post by Yojojo on Aug 30, 2024 0:28:36 GMT
She does cause she can let's u see try young woman
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asamic500
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Post by asamic500 on Aug 30, 2024 0:44:22 GMT
Exactly
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Post by Yojojo on Aug 30, 2024 2:04:07 GMT
Current kerfuffle aside, here's the rest of my threads.
Anthony Padilla: E tier - High baritone with a D4 threshold, but a decent enough exploration of lower range. Idk what else do I say, it's just tall Smosh man
Tay Zonday: C tier - Lower end? A lot of booming 2nd octave and shitty squashed 1st octave. Higher end? F4 if he's feeling adventurous. The cusp of four octaves is still way more than expected for haha funny chocolate rain guy.
Chris Villain: D tier - The reverse of Tay. Hits a hard floor at A2, but more than capable of flashy 5th octave vocal wizardry. Would be C tier if he used his falsetto for 6th octave chicanery, but alas.
Neil Cicierega: D tier - Up one tier for Spirit Phone alone tbh. Used to average of G2-D4 each song, falsetto C5 in the back. Spirit Phone saw him use that G4-Bb4 belting range quite a bit, and even got a mixed Eb5 out of him.
SungWon Cho: E tier - Weird lack of melodic notes below F2 for his Markiplier-esque voice (because of Goofy covers, but still). His exploration of his high chest range is ok I guess, mainly because I doubt he's getting above G#4.
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Post by Homelander on Aug 30, 2024 17:52:52 GMT
Father John Misty: D tier
He basically uses C3 - D4 for most of his songs, if even that. He has gone up to A4 and down to G2 with modal voice, but he could certainly go lower and high than that if he wanted to.
Leo Sayer: B tier
Despite being able to hit modal F♯5s, Leo Sayer could probably go beyond that. His voice is just super high, so it's not like fifth-octave notes are a challenge for him at all. He also demonstrates very little of his lower range.
Andy Gibb: D tier
He easily could have had an F2 - C5 range if he wanted to, but he stayed firmly within his comfort zone 99% of the time.
Barry Gibb: B tier
He doesn't have a ton of natural range, but he does try to push his limits from time to time.
Maurice Gibb: F tier
Despite having the potential to produce both first and upper fourth octave notes, he simply chooses not to, using falsetto for anything above A4 and seldom going below G2, even though he is very comfortable and strong down to D2 and has multiple C2s that sound quite easy as well.
Robin Gibb: C tier
Robin possessed a very wide natural range, easily spanning from F2 - D5 in modal voice, and being able to extend quite far beyond both extremities. The problem is that he simply never left his comfort zone, similar to Andy.
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Post by fountain30 on Aug 31, 2024 16:33:43 GMT
She does cause she can let's u see try young woman Lmao, what? She certainly can, and it's certainly impressive the first two or three times, but after that it starts to feel unnecessary. |
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Post by Yojojo on Aug 31, 2024 16:47:17 GMT
She does cause she can let's u see try young woman Lmao, what? She certainly can, and it's certainly impressive the first two or three times, but after that it starts to feel unnecessary. It's okay, he can't hurt you now... |
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Post by fountain30 on Aug 31, 2024 23:26:30 GMT
Lmao, what? She certainly can, and it's certainly impressive the first two or three times, but after that it starts to feel unnecessary. It's okay, he can't hurt you now... LOL  |
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Post by blazejecar2 on Sept 3, 2024 12:15:45 GMT
Mark Knopfler F tier, Dale Thompson S tier
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Post by VocalDudeGuy on Sept 3, 2024 14:59:06 GMT
Chris Cornell: B-Tier
It's no secret that His high range saw a lot of exploration and he wasn't shy about showing off. F#5 was a relatively common note for him and it was pretty much guranteed he would hit it in a live show at some point (of course this was less so the case the more time passed.) His live shows are also known to some crazy notes that weren't on the album version of the song (Ugly Truth G5's and Big Dumb Sex F#5's for a couple examples.) Despite this, his high range rarely seemed comical or silly (Cold Bitch and Birth Ritual may be some expections to this rule), and its not super rare to find a male singer who has technically gone higher than he ever has (even if its just a medicore falsetto note.)
I'd like to put him in A-Tier, but what knocks some points for me is that despite his lowest note being C2, and quite a compotent one, he BARELY explored his range below F#2, with him having less than 10 notes in the C2-F2 area. Even if you wanted to include all his spoilered notes below F#2 (baring the Part of Me E2 as its obiviously not him) you still get only 14 notes.
Layne Staley: C-Tier
While his early glam days had some range wanking going on, one he hit it big with Facelift and chose a more Chesty approach to his singing, he mostly stuck to the C#3-Bb4 for black notes. He explored the 5th octave a decent amount with falsetto, and B4-C5 black notes weren't super uncommon either. Beyond that however, you'd pretty much only have select live moments for black/green notes beyond C5. His 2nd octave notes are also relatively uncommon, but not notably so.
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Post by Homelander on Sept 4, 2024 0:00:27 GMT
Nick Drake: F tier
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