Post by sylvia!! on Oct 1, 2024 22:14:46 GMT
Jane Remover (born September the 26th, 2003)
Vocal Range: D2 - E5
{Vocal Summary}Electronic music sensation and QUEEN Jane Remover (accredited for popularising/inventing dariacore). Decided that making prog pop into genre-bending glitched out bliss simply wasn't good enough and proved her salt doing the same stuff with shoegaze and, recently, fun alt r&b. One of the most original artists to blossom out of the hyperpop scene.
Her vocals are strange and often reserved. A lot of her career has been spent around her somewhat dejected lower register, with highs not being as developed and mainly being reserved for falsetto. Since Census Designated though, she's started exploring her higher register which is surprisingly flexible for someone who hadn't showcased too much dynamics with it until recently.
Her vocals are strange and often reserved. A lot of her career has been spent around her somewhat dejected lower register, with highs not being as developed and mainly being reserved for falsetto. Since Census Designated though, she's started exploring her higher register which is surprisingly flexible for someone who hadn't showcased too much dynamics with it until recently.
Significant High Notes:
E5 ("Dream Sequence")
D5 ("Backseat Girl", "Dream Sequence")
C♯5 ("Always Have Always Will", "Dream Sequence", "Fling", "Magic I Want U", "Video")
C5 ("Contingency Song")
B4 ("Always Have Always Will", "Contingency Song", "Uncanny long arms", "Video")
B♭4 ("Backseat Girl", "Flash in the Pan", "Fling", "Holding a Leech", "homeswitcher", "Lips", "Video")
A4 ("52 Blue Mondays", "Backseat Girl", "Census Designated", "Dream Sequence", "Flash in the Pan", "How To Teleport", "Misplace")
G♯4 ("Eyes off the Wheel, I'm a Star", "Idling Somewhere", "Lips", "Pretender", "Search Party", "Uncanny long arms", "Your Clothes")
G4 ("Backseat Girl", "beast friend", "Cage Girl / Cam Girl", "Census Designated", "Goldfish", "Holding a Leech", "How To Teleport", "It's A Vicious Cycle")
F♯4 ("Always Have Always Will", "Cage Girl / Cam Girl", "Contingency Song", "Kodak Moment", "Magic I Want U", "Royal Blue Walls")
F4 ("Census Designated", "Champ", "Flash in the Pan", "Lips", "Movies for Guys")
E4 ("52 Blue Mondays", "Can You Tell?", "Dream Sequence", "homeswitcher" live, "It's A Vicious Cycle", "Pretender", "Royal Blue Walls", "Video")
Significant Low Notes:
E♭3 ("Eyes off the Wheel, I'm a Star", "Fling", "let down", "Magic I Want U", "Uncanny long arms")
D3 ("Backseat Girl", "Census Designated", "Flash in the Pan", "How To Teleport", "Kodak Moment")
C♯3 ("Buzzcut, Daisy", "Cage Girl / Cam Girl", "Fling", "homeswitcher", "Magic I Want U")
C3 ("beast friend", "Cage Girl / Cam Girl", "It's A Vicious Cycle", "Lips")
B2 ("Contingency Song", "Dream Sequence", "Let's Go Home", "Royal Blue Walls", "Uncanny long arms")
B♭2 ("Backseat Girl", "cartridge", "Holding a Leech", "Movies for Guys")
A2 ("Buzzcut, Daisy", "Can You Tell?", "dysphoria", "Kodak Moment", "Misplace", "Pretender", "Royal Blue Walls", "Video")
G♯2 ("Champ", "homeswitcher", "Idling Somewhere", "Let's Go Home", "Lips", "Search Party", "seventeen", "Your Clothes")
G2 ("52 Blue Mondays", "beast friend", "Can You Tell?", "Champ", "Eyes off the Wheel, I'm a Star", "Goldfish", "How to Lie", "let down", "Movies for Guys")
F♯2 ("52 Blue Mondays", "Let's Go Home", "Misplace", "woodside gardens 16 december 2012")
F2 ("Backseat Girl", "Idling Somewhere", "Movies for Guys")
D2 ("Backseat Girl", "Contingency Song")
{Questionable Notes}E5 ("How to Lie" [4])
E♭5 ("Backseat Girl" [2])
C♯5 ("Search Party" [2], "woodside gardens 16 december 2012" [2])
C5 ("Movies for Guys" [2])
E♭2 ("Champ" [5])
.......................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
E♭5 ("Backseat Girl" [2])
C♯5 ("Search Party" [2], "woodside gardens 16 december 2012" [2])
C5 ("Movies for Guys" [2])
E♭2 ("Champ" [5])
.......................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Discography}Jane Remover
Teen Week (2021)*: F♯2 - B♭4
Frailty (2021): F2 - F4 - A4
Census Designated (2023): D2 - C5 - D5
Italics mark EPs
Grey marks compilations
* Teen Week is pitched up in certain songs, notewatching may be inaccurate
..................................................Teen Week (2021)*: F♯2 - B♭4
Frailty (2021): F2 - F4 - A4
Census Designated (2023): D2 - C5 - D5
Italics mark EPs
Grey marks compilations
* Teen Week is pitched up in certain songs, notewatching may be inaccurate
• Blue denotes falsetto and whistle passages.
• Green denotes harshly distorted passages.
• Grey denotes fried/growled/other low note technique passages.
• Boldface denotes outstanding passages.
• Italics denote non-melodic and spoken passages.
• Underlines denote obscured and background passages.