Post by Goober on Nov 13, 2024 23:46:20 GMT
Michael Melchiondo Jr. (September 25, 1970)
Also Known As: Dean Ween, Deaner
Associated Acts: Ween, Moistboyz, The Dean Ween Group, Z-Rock Hawaii, Mop
Voice Type: Dean Ween from Ween
Vocal Range: A1 - C6
Significant High Notes:
C6 ("Emily")
B♭5 ("Big Jilm" Live Atlanta 2003)
G♯5 ("Big Jilm" Live Chicago 2003, "It's Gonna Be A Long Night", "I Drink A Lot" Live, "Pumpin' For the Man")
G5 ("I Got's A Weasel", "Old Queen Cole")
F♯5 ("Piss up a Rope")
F5 ("Big Jilm" Live Chicago 2003)
E5 ("Big Jilm" Live Lexington 2002, "I Got's A Weasel", "Pumpin' For The Man" Live Orlando 2000)
E♭5 ("Leave Deaner Alone")
D5 ("Bundle of Joy", "My Own Bare Hands" Live Terminal 5 2007)
C♯5 ("Blackjack")
C5 ("I'll Take It (and Break It)", "Sorry Charlie")
B4 ("It's Gonna Be A Long Night", '"With My Own Bare Hands")
B♭4 ("Big Jilm", "Baby")
A4 ("I Got's A Weasel", "It's Gonna Be A Long Night" Live 9:30 Club 2004, "King Henry", "Yellow Pontiac")
G♯4 ("Bums", "Dr. Rock", "Love Theme from "Skinheads Kicking Your Ass"")
G4 ("Baby", "Blackjack", "The Blarney Stone" Live Chicago 2003, "Gum", "It's Gonna Be A Long Night" Live 9:30 Club 2004, "Old Queen Cole", "Piss Up a Rope" Live New Brunswick 1996, "Push Th' Little Daisies" Live On Cameo)
F♯4 ("It's Gonna Be A Long Night", "With My Own Bare Hands",
F4 ("Freebird" Live On Cameo, "I'll Take It (and Break it)", "Leave Deaner Alone", "Reggaejunkiejew", "With My Own Bare Hands", "Yellow Pontiac")
E4 ("Baby Bitch" Live On Cameo, "Charlie Brown", "Don't Let The Moon Catch You Crying", "I Got to put the Hammer Down", "Loving U Thru It All", "Piss up a Rope", "Put the Coke on My Dick" Live On Cameo, "She Fucks Me" Live Chicago 2003)
D4 ("Bundle of Joy", "I Saw Gener Cryin' In His Sleep", "Piss up a Rope", "Someone Greased the Fatman")
Significant Low Notes:
C3 ("The Blarney Stone", "Don't Let The Moon Catch You Crying", "Piss up a Rope", "Sweetheart In The Summer")
B2 ("She Fucks Me" Live Chicago 2003)
A2 ("Frank" Live New Hope 2019, "King Henry", "Loving U Thru It All", "She Fucks Me" Live Chicago 2003, "Sorry Charlie", "Strap On That Jammy Pack")
G2 ("Help Me Scrape The Mucus Off My Brain", "Little Birdy", "Pandy Fackler", "Pussy on My Pillow", "She Fucks Me" Live Brooklyn Bowl 2023, "Sorry Charlie")
F2 ("Alone", "Baby", "Little Birdy", "Mercedes Benz", "The Mollusk" Live Lambertville 2014)
E2 ("Angel Flying Too Close To The Ground" Live On Cameo, "Loving U Thru It All", "Mercedes Benz")
E♭2 ("Alone", "Big Jilm")
D2 ("Happy Colored Marbles" Various Live Performances, "King Henry", "Sarah" Live On Cameo)
C♯2 ("Big Jilm", "Eye For An Eye", "King Henry")
C2 ("Baby", "You Were There")
B1 ("You Were There")
A1 ("Eye For An Eye")
{Questionable Notes}E♭7 ("Outroview" [2][6])
E6 ("Opus 51 Fugue Trilogy in A" Bold As Boognish Version [2][5])
E♭6 ("Outroview" [2])
F5 ("Gum" [1])
A2 ("I'll Be Your Jonny on the Spot" [2])
A1 ("King Henry" [1][5])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks notes that are likely inhaled.
.......................................................E6 ("Opus 51 Fugue Trilogy in A" Bold As Boognish Version [2][5])
E♭6 ("Outroview" [2])
F5 ("Gum" [1])
A2 ("I'll Be Your Jonny on the Spot" [2])
A1 ("King Henry" [1][5])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks notes that are likely inhaled.
Blue marks falsetto or whistle notes
Green marks harsh/distorted notes..
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
