Post by clem on Dec 2, 2019 21:36:07 GMT
Years Active: 1996 - Present
Associated Acts: A Wilhelm Scream
Vocal Range: B2-C♯5
{Album Ranges}"Mute Print" (2004):
"Ruiner" (2005): B2-C5 clem
"Career Suicide" (2007): F♯3-C♯5 clem
"Party Crasher" (2013): D3-C♯5 clem
"Ruiner" (2005): B2-C5 clem
"Career Suicide" (2007): F♯3-C♯5 clem
"Party Crasher" (2013): D3-C♯5 clem
Significant High Notes:
C♯5 ("Get Mad, You Son of a Bitch!", "The Horse", "Our Ghosts (Contemporary/Consensual)", "Wild Turkey")
C5 ("Born a Wise Man", "Check Request Denied", "Die While We're Young", "God Loves a Liar", "The King is Dead", "We Built This City! (On Debts and Booze)")
B4 ("5 to 9", "Boat Builders", "Devil Don't Know", "Get Mad, You Son of a Bitch!", "Hairy Scarecrow", "Ice Man Left a Trail", "Jaws 3, People 0", "The Kids Can Eat a Bag of Dicks", "Killing It", "Mercy Day for Mr. Vengeance", "Me vs. Morrissey in the Pretentiousness Contest (The Ladder Match)", "Pardon Me, Thanks a Lot", "Route 40 One Six", "Sassaquin")
B♭4 ("Born a Wise Man", "Die While We're Young", "I Wipe My Ass With Showbiz", "The King is Dead", "Number One", "The Soft Sell", "These Dead Streets", "Walkin' with Michael Douglas", "We Built This City! (On Debts and Booze)", "Wild Turkey")
A4 ("5 to 9", "Born a Wise Man", "Career Suicide", "Check Request Denied", "Cold Slither II", "Devil Don't Know", "Die While We're Young", "Get Mad, You Son of a Bitch!", "God Loves a Liar", "Gut Sick Companion", "Hairy Scarecrow", "The Horse", "I Wipe My Ass With Showbiz", "Jaws 3, People 0", "Killing It", "The King is Dead", "The Last Laugh", "Mercy Day for Mr. Vengeance", "Me vs. Morrissey in the Pretentiousness Contest (The Ladder Match)", "Sassaquin", "We Built This City! (On Debts and Booze)", "When I Was Alive: Walden III", "Wild Turkey")
G♯4 ("Boat Builders", "Cold Slither II", "Get Mad, You Son of a Bitch!", "Ice Man Left a Trail", "The Kids Can Eat a Bag of Dicks", "Our Ghosts (Contemporary/Consensual)", "Pardon Me, Thanks a Lot", "Sassaquin", "The Soft Sell")
G4 ("Cancer Dream", "Career Suicide", "Devil Don't Know", "Gut Sick Companion", "The Last Laugh", "Number One", "These Dead Streets", "Walkin' with Michael Douglas", "When I Was Alive: Walden III")
Significant Low Notes:
G3 ("Devil Don't Know", "The Last Laugh", "Less Bright Eyes, More Deicide", "Number One", "Walkin' with Michael Douglas")
F♯3 ("The Horse")
F3 ("The King is Dead", "Walkin' with Michael Douglas")
E3 ("The Last Laugh", "Sassaquin")
E♭3 ("Boat Builders")
D3 ("The King is Dead", "The Last Laugh", "Mercy Day for Mr. Vengeance")
B2 ("Mercy Day for Mr. Vengeance")
{Questionable Notes}B4 ("Cold Slither II"[2a])
B♭4 ("Congratulations"[2a], "Ice Man Left a Trail"[3a])
G3 ("Cancer Dream"[2a])
F3 ("The Soft Sell"[2a])
D3 ("Less Bright Eyes, More Deicide"[2a])
B2 ("Mercy Day for Mr. Vengeance"[2a])
C♯3 ("In Vino Veritas II"[2a])
A2 ("God Loves a Liar"[2a])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
Notes that are possibly another vocalist.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
Distorted screams with unclear pitch.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
B♭4 ("Congratulations"[2a], "Ice Man Left a Trail"[3a])
G3 ("Cancer Dream"[2a])
F3 ("The Soft Sell"[2a])
D3 ("Less Bright Eyes, More Deicide"[2a])
B2 ("Mercy Day for Mr. Vengeance"[2a])
C♯3 ("In Vino Veritas II"[2a])
A2 ("God Loves a Liar"[2a])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
Notes that are possibly another vocalist.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
Distorted screams with unclear pitch.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
