Post by falsetokaiba on Sept 23, 2019 18:33:46 GMT
Paul Kelly (? - present)
Years Active: Solo (2012 - present)
Vocal Range: E2 - F4
{Vocal Analysis}
Paul Kelly possesses a naturally deep baritone voice notably tinged with his native accent which equips him for performing Irish country music. He shows complete comfort in dipping down into the upper second octave without any notable change in technique, and with a lower larynx approach is able to sustain solid low notes down to E2, suggesting he could likely go lower if required. Kelly's upper register is a lot more conservative, being content to stay in his mid-range most of the time, and so far has only displayed tentative interest in belting with highs up to F4, and can sound a little unsure even in this territory if required to display agility. Nevertheless, he has a functional singing voice for his style of music unlikely to cause him any problems or difficulty in maintaining, so presumably will be on the musical circuit in Ireland for some time to come.
Written by falsetokaiba
Paul Kelly possesses a naturally deep baritone voice notably tinged with his native accent which equips him for performing Irish country music. He shows complete comfort in dipping down into the upper second octave without any notable change in technique, and with a lower larynx approach is able to sustain solid low notes down to E2, suggesting he could likely go lower if required. Kelly's upper register is a lot more conservative, being content to stay in his mid-range most of the time, and so far has only displayed tentative interest in belting with highs up to F4, and can sound a little unsure even in this territory if required to display agility. Nevertheless, he has a functional singing voice for his style of music unlikely to cause him any problems or difficulty in maintaining, so presumably will be on the musical circuit in Ireland for some time to come.
Written by falsetokaiba
Significant High Notes:
F4 "July", "Tang's Hauling"
E4 "Summertime", "Would You Go With Me"
E♭4 "Dark Side of the Moon", "Tang's Hauling"
D4 "Brexit", "The Dealer", "The Hangover", "The Hooley", "July", "So In Love", "Summertime", "Town of Carraroe"
C♯4 "Cut the Grass", "The Dealer", "On the Market", "Lean On Me", "Lost Love"
C4 "The Hangover", "So In Love", "Would You Go With Me"
B3 "Cut the Grass", "Lean On Me", "Lost Love"
Significant Low Notes:
D3 "Each Tear Becomes A Rose", "Lean On Me", "Summertime"
C♯3 "So In Love", "This Crazy Love"
B2 "Brexit", "Dark Side of the Moon", "Do Wah Ditty", "Eagles Fly High", "The Hooley", "Lean On Me", "This Crazy Love"
B♭2 "Tang's Hauling"
A2 "Eagles Fly High", "The Hangover", "So In Love", "Summertime", "Town of Carraroe", "Would You Go With Me"
G2 "On the Market"
E2 "Do Wah Ditty", "Would You Go With Me"
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
{Questionable Notes}
C5 ("Would You Go With Me" [2])
A4 ("Lean On Me" [2])
G♯4 ("Eagles Fly High" [2])
G4 ("Lean On Me" [2])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
C5 ("Would You Go With Me" [2])
A4 ("Lean On Me" [2])
G♯4 ("Eagles Fly High" [2])
G4 ("Lean On Me" [2])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Album Ranges}On the Market (2016): E2-F4
