Tommy Giles Rogers (7,025 views)

[kuyashii]

Tommy Giles Rogers, Jr.
Associated Acts: Between the Buried and Me (2000-currently), Solo (2005-currently), From Here On (1999-unknown), Prayer for Cleansing (as a guitarrist, 1999-2000)
Vocal Range: D2-A5

High Notes

A5 ("Cemetary Gates")
G♯5 ("Aspirations" Live at Nashvile 2008)
G5 ("Attackin'", "Gup Gown", "Never Seen/ Future Shock")
F♯5 ("Backwards Marathon", "Fossil Genera - A Feed from Cloud Mountain", "Telos")
F5 ("Extremophile Elite")
E5 ("All Bodies", "Reverb Island", "Star of Sirrah", "Voice of Trespass")
E♭5 ("Human is Hell (Another One With Love)")
D5 ("The Coma Machine", "Disease, Injury, Madness", "Famine Wolf", "The Future is Behind Us", "Medic" Alternate Version, "Memory Palace", " Prehistory", "Reverb Island", "Silent Flight Parliament", "Sleep Shake", "Yellow Eyes")
C♯5 ("Alaska", "All Bodies", "Change", "Desk Seeking Spades", "The Future is Behind Us", "Go Centipede", "Human is Hell (Another One With Love)", "Sea of Skin", "Telos")
C5 ("Aquatic Race", "Armchair Travel", "Blot", "Bycicle Race", "Eris", "Famine Wolf", "Foam Born: (A) The Backtrack", "Hammilton Anxiety Scale", "Kickstart My Heart", "M3", "The Proverbial Bellow", "Velcro Kid")
B4 ("All Bodies", "Attackin'", "Bad Habits", "Blot", "Change", "Eris", "Future of the Year", "Kickstart My Heart", "King Redeem - Queen Serene", "M3", "Memory Palace", "Modern Noise", "Mordecai", "Mr. Bird", "Never Seen/ Future Shock", "Prehistory", "Selkies: The Endless Obsession", "Specular Reflection", "Strangers in a Paranoid Mind", "Turn On the Darkness", "Wander Drug", "We Stand Corrected")
B♭4 ("Awake from Death", "Bohemian Rhapsody", "Cemetary Gates", "Famine Wolf", "Fix the Error", "The Future is Behind Us", "Goodbye to Everything", "Immersion Highway", "Mutilated World", "Option Oblivion", "Rapid Calm", "Sleep Shake", "The Tank", "Three of a a Perfect Pair", "Turn On the Darkness", "We Stand Corrected", "We Wander Lonely")
A4 ("All Bodies", "Ants of the Sky", "Bad Habits", "Bloom", "The Coma Machine", "Change", "Dim Ignition", "The Double Helix of Extinction", "Extremophile Elite", "Famine Wolf", "Fossil Genera - A Feed from Cloud Mountain", "Goodbye to Everything", "The Grid", "The Future is Behind Us", "Hamilton Anxiety Scale", "House Organ", "Hypoxia", "I Appear Disappear", "Immersion Highway", "Lay Your Ghosts to Rest", "lkcvjvhljbvj≥˜∆˚nnnjmkjijm", "Lunar Wilderness", "M3", "Medic" Alternate Version, "Melting City", "Millions", "Mirrors", "Mutilated World", "Never Seen/ Future Shock", "Option Oblivion", "The Proverbial Bellow", "Reject Fallicon" "Revolution in Limbo", "Silent Flight Parliament", "Slow Gold Becoming", "Specular Reflection", "Stare into the Abyss", "Telos", "Velcro Kid", "Voice of Trespass", "Yellow Eyes")
G♯4 ("Ants of the Sky", "Astral Body", "Augment of Re-Birth", "The Black Box", "Bloom", "Cemetary Gates", "Comdemned to the Gallows", "The Ectopic Stroll", "Extremophile Elite", "Famine Wolf", "The Grid", "Indonesia", "Life in Velvet", "Melting City", "Millions", "Mordecai", "Rapid Calm", "Selkies: The Endless Obsession", "Shevanel Cut a Flip" Live at Nashvile 2008, "Silent Flight Parliament", "Slumber Party", "Star of Sirrah", "Sun of Nothing", "Swim to the Moon", TC-Helicon VoiceLive Touch 2 Demo, "Turbulent", "Turn On the Darkness", "We Stand Corrected")

Low Notes

E3 ("Ad a dglgmut", "Armchair Travel", "B): The Decade of Statues", "Church Friends", "The Day I Tried to Live", "Exordium", "Extremophile Elite", "Human is Hell (Another One With Love)", "Memory Palace", "Monochrome", "Nocturnal Haven", "Option Oblivion", "The Proverbial Bellow", "Reverb Island", "Silent Flight Parliament", "Specular Reflection", "Star of Sirrah", "Turbulent", "Wander Drug")
E♭3 ("Attackin'", "Backwards Marathon", "Comdemned to Live", "The Devil Net", "Human is Hell (Another One With Love)", "King Redeem - Queen Serene", "Little 15", "M3", "The Tank", "Turn On the Darkness", "We Stand Corrected", "Yellow Eyes")
D3 ("The Coma Machine", "Gazer", "Immersion Highway", "I Win", "Life in Velvet", "Little 15", "Medic" Alternate Version, "Mr. Sunshine", "Mutilated World", "Rapid Calm", "Slow Gold Becoming", "The Tank")
C♯3 ("All Bodies", "Ants of the Sky", "The Black Box", "Comdemned to the Gallows", "Desert of Song", "Dim Ignition", "Extremophile Elite", "Geek U.S.A", "Goodbye to Everything", "Modern Noise", "Mr. Sunshine", "Reject Fallicon", "Revolution in Limbo", "Selkies: The Endless Obsession", "Specular Reflection", "Turbulent", "Turn On the Darkness", "Vertical Beta 461", "White Walls")
C3 ("Acid Test", "Armchair Travel", "Blot", "Bohemian Rhapsody", "Everyone is Everywhere", "Immersion Highway", "Melting City", "Node", "Sleep Shake", "The Tank", "Velcro Kid", "We Stand Corrected", "We Wander Lonely")
B2 ("Backwards Marathon", "Blot", "Cemetary Gates", "Comdemned to the Gallows", "The Day that the World Breaks Down", "Disease, Injury, Madness", "The Ectopic Stroll", "Foam Born: (A) The Backtrack", "The Grid", "Human is Hell (Another One With Love)", "Lay Your Ghosts to Rest", "lkcvjvhljbvj≥˜∆˚nnnjmkjijm", "Memory Palace", "Mirrors", "Mr. Bird", "Never Seen/ Future Shock", "Option Oblivion", "Prehistory", "Reverb Island", "Reject Fallicon", "Revolution in Limbo", "Sea of Machines", "Silent Flight Parliament", "The Source will Flow", "Stare into the Abyss", "Strangers in a Paranoid Mind", "Velcro Kid", "Voice of Trespass", "Yellow Eyes")
B♭2 ("Bay of Dreams", "Blot", "Bycicle Race", "Cemetary Gates", "Node", "Rapid Calm", "Telos", "Turbulent")
A2 ("Beware the Leopard (Jagwar)", "Bohemian Rhapsody", "The Coma Machine", "Desk Seeking Spades", "The Double Helix of Extinction", "Eris", "Go Centipede", "House Organ", "Human is Hell (Another One With Love)", "I Appear Disappear", "Immersion Highway", "Incomplete", "M3", "Milan", "Nocturnal Haven", "The Proverbial Bellow", "Sea of Machines", "Suspend the Death Watch", "Voice of Trespass", "Yellow Eyes")
G♯2 ("The Coma Machine", "Dim Ignition", "The Ectopic Stroll", "Eris", "Goodbye to Everything", "Fossil Genera - A Feed from Cloud Mountain", "House Organ", "I Appear Disappear", "King Redeem - Queen Serene", "Lost Perfection: a) Coulrophobia", "Replay", "Reverb Island", "Silent Flight Parliament", "Swim to the Moon")
G2 ("Blueberry Queen", "The Coma Machine", "The Double Helix of Extinction", "Human is Hell (Another One With Love)", "Millions", "Memory Palace", "The Proverbial Bellow", "Siphon the Bad Blood", TC-Helicon VoiceLive Touch 2 Demo, "We Stand Corrected", "Yellow Eyes")
F♯2 ("Awake from Death", "Famine Wolf", "House Organ", "Medic", "Bad Habits", "Prequel to the Sequel", "Revolution in Limbo", "The Proverbial Bellow", "Specular Reflection")
F2 ("Sun of Nothing")
E2 ("Acid Test", "Famine Wolf", "The Future is Behind Us", "Prequel to the Sequel", "The Proverbial Bellow", "Turbulent", "Weather Mood/Panic Start")
E♭2 ("We Stand Corrected")
D2 ("I Win", "Millions")

Underlines mark notes that are obscured in the song mix.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities (all examples hyperlinked).

SPOILER: Click to show

{Questionable Notes}C7 ("Malpractice"⁵)
G♯5 ("Bloom"¹, "I Win"⁵)
C♯5 ("Prequel to the Sequel"²)
D2 "Weather Mood/Panic Start"¹)
C♯2 ("Extremophile Elite"⁴, "Swim to the Moon"³)
C2 ("Everyone is Everywhere"⁴, "The Grid"⁴)
B1 ("Everybody Dies"⁵)
B♭1 (TC-Helicon VoiceLive Touch 2 Demo⁵)
G1 ("Beware the Leopard (Jagwar)"⁵)
E1 ("Glide"⁵)

Green marks heavily distorted/harsh notes.
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.

SPOILER: Click to show

{Discography, Range by Release & Other Info}
Between the Buried and Me's 2002 self-titled album doesn't contain any clean singing by Tommy and the álbum Hope from a Bleedying Sky by From Here On (recorded in 1999, released in 2005) doesn't have any "significant" notes.

Between the Buried and Me - The Silent Circus (2003) (G♯2-B4)
Giles - Giles (2005) (G♯2-G5) PLEASE FOR THE SAKE OF YOUR SANITY STAY AWAY FROM THIS
Between the Buried and Me - Alaska (2005) (C♯3-F♯5)
Between the Buried and Me - The Anatomy Of (2006) (B♭2-A5)
Between the Buried and Me - Colors (2007) (E2-C♯5)
Between the Buried and Me - The Great Misdirect (2009) (G♯2-F♯5)
Thomas Giles - Pulse (2011) (F♯2-D5)
Between the Buried and Me - The Parallax: Hypersleep Dialogs (2011) (F♯2-B4)
Between the Buried and Me - The Parallax II: Future Sequence (2012) (G♯2-F♯5)
Thomas Giles - Modern Noise (2014) (G2-C5)
Between the Buried and Me - Coma Ecliptic (2015) (E2-D5)
Thomas Giles - Velcro Kid (2016) (E2-C5)
Between the Buried and Me - Automata Pt. 1 (2018) (F♯2-E5)
Between the Buried and Me - Automata Pt. 2 (2018) (E2-E5)
Thomas Giles - Don't Touch the Outside (2018) (D2-B♭4)

Guest Appearances:
August Burns Red – "Indonesia" (Constellations, 2009)
The Safety Fire – "Beware the Leopard (Jagwar)" (Mouth of Swords, 2013)
Abnormal Thought Patterns – "Nocturnal Heaven" (Altered States of Counsciousness, 2015)
Ayreon – "Star of Sirrah", "Aquatic Race", "Condemned to Live", "Sea of Machines", "The Day the World Breaks Down", "The Source Will Flow", "Bay of Dreams" (The Source, 2017)

Other Info:
The performances of "Aspirations" and "Shevanel Cut a Flip” are from the 2008 Colors_LIVE DVD.

Tommy Giles Rogers, Jr. is the lead vocalist and keyboardist of the north american progressive metal band Between the Buried and Me. Tommy is mostly known for switching between frightening, aggressive harsh vocals and his angelic, mellow tenor voice, as well as his usage of densely layered vocal harmonies (which has increased in recent years and can be heard at its best expression on the Parallax II album). He started as a screamer only (and as shown on BTBAM's self-titled album, his screams and growls were extremely forced and awkward sounding) but eventually he improved a lot both on his harsh and on clean vocals department - the latter whose he started using on their second album, The Silent Circus. While his clean voice lowered a bit as he aged, his voice retained a mellow, clear and boy-ish tone, but in recent years he also developed a solid low register he can extend down to interesting depths (actually the low notes section is bigger than the highs one, which is certainly unusual for a tenor!).

SPOILER: Click to show

{Vocal Range Video}

If you have any questions concerning the whereabouts of a note or has notes I happened to miss, feel free to say anything!

[Rodney Blazershorts]

"Lkcvjclhjbvj=DÂ"ºnnnjmkjijm"

I'm going to assume you want to change that lol

[clem]

You could bold that A5 imo.

[kuyashii]

Sept 26, 2019 21:58:57 GMT Rodney Blazershorts said:

"Lkcvjclhjbvj=DÂ"ºnnnjmkjijm"

I'm going to assume you want to change that lol

The name of the song is "lkcvjvhljbvj≥˜∆˚nnnjmkjijm" (Not kidding, it is). I think the name got messed up due to some formatting error. Dunno if you're pointing out the formating mess-ups or just asking if this is really a thing but I fixed it 

Sept 26, 2019 22:04:50 GMT clem said:

You could bold that A5 imo.

Not sure to be honest, sounds rather wimpy and somewhat flat lol He might have more boldable notes (I really like the "The Proverbial Below F♯2s for instance, maybe the "Blot" B4 might go too) so if you guys feel like more stuff by him is worth bolding, you're free to say! I consider the stuff I put in his range video his most notable notes, but if you guys know anything else I didn't put there and you consider to be good, feel free to bring them up too!. I'll probably remake it by the end of the year (until I got a better internet connection I never bothered with video quality, but now I'm actually able to watch videos with better resolutions I'm pretty unhappy with the way my videos ended up as 480p but I don't have the project file on Sony Vegas so I'll have to start from scratch in order to render them in a better quality).

[Rodney Blazershorts]

It was the formatting, I genuinely hadn't the slightest clue what in the fuck it was supposed to be but I know what =DÂ" typically means for proboards.

[Zedd Squared]

Thread's still looking quite nice overall but how about those solid backing B1s from Blot? The backing C2s in Everyone is Everywhere seem quite clear to my ears too.

[kuyashii]

@blot I'm leaning towards the B1 being an Illusion (and so did Platypus). I get the impression that those are B2s and there's another vocal track with just vocal fry cackle underneath it. Those are right at the beginning if everyone else wants to give it a listen.

www.youtube.com/watch?v=Eb-wl5E8PH8

@everyone is Everywhere lol I completely forgot about that song. Hmmm to be honest I kept hearing different things on those (from G1 to Eb2) but in addition, IIRC people said those didn't carry that much tone? Those are around @0:29 @0:38 @1:20 @1:28

www.youtube.com/watch?v=xbk9OOLn2c0

I might add those to the Questionable Notes though, I wasn't a fan of the idea back when I remade the thread (I'm still not a fan though :P ) so I didn't even bothered with it at the time. I added what I could remember from the top of my mind so I ended up forgetting a lot of stuff.

[Zedd Squared]

I can kinda hear how the Blot clip might be suspicious but I'd be interested in hearing more perspectives because I still make out some 1st octave tone in that, though it's probably more of a controlled fry note if that makes any sense. Also, I'd bold the D2 from Millions and possibly the E2 from Weather Mood/Panic Start personally. In general I feel like he must have more bolds but last I was listening to his stuff I wasn't really focusing on that so I'll have to check again.

[kuyashii]

Recently Tommy did a guest appearance on this song from a documentary called We Stand Corrected: Dannemora. I'm not exactly sure what the song is about, but it's pretty nice and it has a pretty good vocal performance from him. There are some brief but scarily solid singing down to Eb2 on the backing vocals (0:53 and 2:50, totally worth bolding imo) and some neat Bb4s on the chorus. There are some backing vocal B4s through it as well

www.youtube.com/watch?v=h-TaPCSpkqo

[Zedd Squared]

Dayuum those might be the best lows I've heard from Tommy, though it would've been nice if they were lead vocal but either way you can tell he's really been working that low range of his lately.

[kuyashii]

Added the notes from BTBAM's Colors II. Spanning E2-G5 is his rangiest album so far! It still plays rather safe most of the time as most high singing centers around A4-B4 on lead vocals (the G5 is an odd background slide Tommy sings for no reason lol), but the low singing is again the highlight with some very cool stuff (namely the E2 stacatto bits in "The Future is Behind Us" and the "Age Defeats, Age Defiles..." part in "Revolution in Limbo"). The harsh vocals are probably the biggest surprise because they sound really aggressive and intense, specially compared to what he was doing since Coma Ecliptic (which sounds okay, but most of the time his screams sound rather flat and punchless but that might had to do with the production as well).

The album itself was a pretty hard listen since it harkens back hard at the very unpredictable and chaotic songwriting style of the original Colors album which I'm not exactly fond of (I often lose my interest in the songs midway because they go through countless short sections and the songs lose their cohesiveness) but it has its moments. The production is flawless though, all instruments sounds absolutely perfect, I'm absolutely in love with the guitar tones!

[Goober]

Malpractice cover thats not in the thread 
Edit: Just saw it in questionable notes, Still some notes that can be added to the thread though. 

[TheCMRecluse]

What I like about him is that he can go through almost throat-shredding growls/screams and then sound so clean when singing in a few seconds. While not the best singer, he can still sound similar to the recording, one of the few vocalists to always sound consistent

[TheCMRecluse]

www.youtube.com/watch?v=nOcJ6ND8Bwk&t=381s&ab_channel=InsideOutMusicTV

Song that's a collaboration with Haken guitarist Charlie Griffiths. Impressive notes in the background especially low notes