Post by TheCMRecluse on Aug 18, 2023 8:02:12 GMT
Vince Lichlyter
Associated Acts: Jonah33 (2002-2008, 2014-present) Solo work (2014-present)
Vocal Range: B1-C5 (3 octaves, 1 note)
Vocal Type: Working Baritone Hands
{Vocal Summary}
Mood can be used in music to elevate emotion in music. Original Seattle resident, Vince Lichlyter of the Arkansas based alternative rock-metal band, Jonah33 definitely has a lot of it channeling deep feelings in his music with passion and perseverance from a traumatic youth. His voice has been described as passionate and raspy and definitely grunge influenced almost sounding like the greats like Lanegan, Vedder or even Cobain. High register is decent being able to even rasp up the high belting he can do with minimal issue and in later in his career in the band included screaming in his highs. His lower register is strong as well though with minimal rasp being able to sing mid-range to lower with moody melodies and even a lead in to as if having a few seconds about to lash out with his highs. He can also go to hit notes with his low register in seconds going lower or back a little higher depending on his control. While his influences are evident, I still believe that Lichlyter still stands at his own as a man with a lot of love for Jesus and with a lot of passion in his musicality I do not see this man stopping in giving music for reflection and catharsis.
Mood can be used in music to elevate emotion in music. Original Seattle resident, Vince Lichlyter of the Arkansas based alternative rock-metal band, Jonah33 definitely has a lot of it channeling deep feelings in his music with passion and perseverance from a traumatic youth. His voice has been described as passionate and raspy and definitely grunge influenced almost sounding like the greats like Lanegan, Vedder or even Cobain. High register is decent being able to even rasp up the high belting he can do with minimal issue and in later in his career in the band included screaming in his highs. His lower register is strong as well though with minimal rasp being able to sing mid-range to lower with moody melodies and even a lead in to as if having a few seconds about to lash out with his highs. He can also go to hit notes with his low register in seconds going lower or back a little higher depending on his control. While his influences are evident, I still believe that Lichlyter still stands at his own as a man with a lot of love for Jesus and with a lot of passion in his musicality I do not see this man stopping in giving music for reflection and catharsis.
{Discography Check}
Solo work
Genre: Country/folk rock
Helium Revisited EP (2014) B1-E2-F♯4
Jonah33
Genre: Alternative metal/post-grunge/hard rock
EPs
Dead Man Walking EP (2014) B♭2-A4-B♭4
Studio albums
Jonah33 (2003) F2-B4
The Strangest Day (2005) F2-B4
The Heart Of War (2007) E2-B♭2-B4-C5
Solo work
Genre: Country/folk rock
Helium Revisited EP (2014) B1-E2-F♯4
Jonah33
Genre: Alternative metal/post-grunge/hard rock
EPs
Dead Man Walking EP (2014) B♭2-A4-B♭4
Studio albums
Jonah33 (2003) F2-B4
The Strangest Day (2005) F2-B4
The Heart Of War (2007) E2-B♭2-B4-C5
Significant Low Notes:
C5 ("Bravery", "Bullets", "Scream")
B4 ("Bullets", "Mystery", "Scream", "Solution", "Watching You Die")
B♭4 ("Beautiful", "Blood Is Thicker", "Brand New Way To Live", "Fire At Will", "Last One Standing", "No Song Left To Sing", "Super Soldier" by Hardie Avenue, "This Is It (You Instead Of Me)", "The Strangest Day", "White Flag")
A4 ("All That Matters", "Burning Clean", "Desensitized", "Father's Song", "Goodbye Religion", "He Said", "Lost" by Fight The Fade, "Need To Let Go", "Silence Never Speaks", "Tell Me", "The Strangest Day", "Too Much Of Me", "Working Man Hands")
G♯4 ("All For You", "Blood Is Thicker", "Death And The Life", "Everybody Knows", "Mystery", "Search Me Know Me", "Solution")
G4 ("Bravery", "Dead Man Walking", "Drink It In", "Dreams Come True" by Hardie Avenue, "Faith Like That", "God Of My Life", "It's Been An Honor (A Soldier's Cry)", "Need To Let Go", "Please", "Scream", "Silence Never Speaks", "Sweetly Broken" [Jeremy Riddle cover], "The Difference")
Significant Low Notes:
D3 ("All That Matters", "Bullet From A Gun", "No Regrets", "The Difference")
C♯3 ("Black And White", "Death And The Life", "Desensitized", "Let Me Stand", "Run")
C3 ("Blood Is Thicker", "Burning Clean", "Everybody Knows", "Never Alone", "No Song Left To Sing", "Scream", "The Strangest Day", "White Flag", "Who Am I")
B2 ("20/20", "All For You", "American Dream", "Drink It In", "Solution", "Sweetly Broken" [Jeremy Riddle cover], "Tell Me", "This Is All I Have To Give" by Todd Agnew)
B♭2 ("Bravery", "Dead Man Walking", "Dying To Live", "Last One Standing", "Note To Self")
A2 ("He Said", "Shine", "Silence Never Speaks", "This Is It (You Instead Of Me)")
G♯2 ("All For You", "Faith Like That", "Goodbye Religion")
G2 ("Father's Song", "It's Been An Honor (A Soldier's Cry)", "Too Much Of Me")
F♯2 ("Search Me Know Me")
F2 ("Beautiful", "Need To Let Go")
E2 ("Never Alone", "Things I Need To Say")
B1 ("20/20")
{Questionable Notes}
F5 ("Brand New Way To Live"[4])
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
F5 ("Brand New Way To Live"[4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks falsetto or whistle notes.
Green marks harsh, distorted notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
