Post by TheCMRecluse on Jan 20, 2024 7:40:09 GMT
Ryland Raus
Associated Acts: Widdlesworth (2003-2006), Inhale Exhale (2005–2013), ROYALTIES (2015-present), Attack Attack! (2021–present), World Gone Cold (2022-present)
Vocal Range: A2-G♯5 (2 octaves, 11 notes)
Vocal Type: Non-Invincible Tenor Who Needs A Spaceship (Instead He Got Problems)
{Vocal Summary}
Metalcore and post-hardcore have a lot in common when it comes to the uncompromising nature of the music when it comes to its vocalists. And Ohio resident, Ryland Raus, is definitely a vocalist who does as he pleases. Fronting projects such as Inhale Exhale, the supergroup, World Gone Cold and being a new member of the crabcore band Attack Attack!, has this man showing his strengths as a vocalist and being able to expand more of what he could do compared to the start of his career. Raus is a tenor who has a lot of power in his voice using it for harsh and clean vocals. In the past, his highs only got around the start of the lower fifth octave and only screamed higher notes; however, as his career went he started to belt a bit higher notes sung with a lot of control and excellent breath control. As his melodic register grew however, his screams began to get more mid range which can be either him preferring to take the route or voice change. His lower register however is mostly sparsely used. Despite mostly having rare or not-as-well-known projects, Raus is still a very persistent vocalist who most likely has some new things to show in the future.
Metalcore and post-hardcore have a lot in common when it comes to the uncompromising nature of the music when it comes to its vocalists. And Ohio resident, Ryland Raus, is definitely a vocalist who does as he pleases. Fronting projects such as Inhale Exhale, the supergroup, World Gone Cold and being a new member of the crabcore band Attack Attack!, has this man showing his strengths as a vocalist and being able to expand more of what he could do compared to the start of his career. Raus is a tenor who has a lot of power in his voice using it for harsh and clean vocals. In the past, his highs only got around the start of the lower fifth octave and only screamed higher notes; however, as his career went he started to belt a bit higher notes sung with a lot of control and excellent breath control. As his melodic register grew however, his screams began to get more mid range which can be either him preferring to take the route or voice change. His lower register however is mostly sparsely used. Despite mostly having rare or not-as-well-known projects, Raus is still a very persistent vocalist who most likely has some new things to show in the future.
{Discography Checked}
Inhale Exhale
Genre: Metalcore/mathcore/post-hardcore
Studio albums
The Lost. The Sick. The Sacred (2006) E♭3-F3-B4-G♯5
I Swear… (2008) F3-C5-E♭5
Bury Me Alive (2009) D3-C5-D5
Movement (2012) C3-F3-C5-F5
World Gone Cold
Genre: Alternative metal/post-hardcore
EPs
World Gone Cold EP (2023) A2-E3-E5
Inhale Exhale
Genre: Metalcore/mathcore/post-hardcore
Studio albums
The Lost. The Sick. The Sacred (2006) E♭3-F3-B4-G♯5
I Swear… (2008) F3-C5-E♭5
Bury Me Alive (2009) D3-C5-D5
Movement (2012) C3-F3-C5-F5
World Gone Cold
Genre: Alternative metal/post-hardcore
EPs
World Gone Cold EP (2023) A2-E3-E5
Significant High Notes:
G♯5 ("Redemption")
F♯5 ("Frail Dreams & Rude Awakenings")
F5 ("Party Drama", "Tonight We Die Together")
E5 ("Aesthetics", "Attention", "Burn", "Dance All Night", "Opposites Attract", "Rose Among The Ashes", "Your Walls... My Words")
E♭5 ("A Call To The Faithful", "Again", "Apology", "Carpe Diem", "Drink Till We Drop", "I Needed A Spaceship (Instead I Got Problems)")
D5 ("Ain't No Trip To Cleveland", "Apology", "By Grace", "I Live The Bad Life (You Make It Worse)", "Left To Save", "No One Is Invincible", "Reality", "Rooms")
C♯5 ("A Dark Place For Your Mind To Be", "A Poise For Poison", "GUILTY PLEASURE", "It's Myself Vs. Being A Man", "Low", "Mirage In The Middle Of Summer", "Opposites Attract", "See You Later", "The Collectors", "The Impatient Will Suffer", "This City", Under Sheets Stained In Blood")
C5 ("1 AM", "A Dark Place For Your Mind To Be", "An Era", "Better Her Than Me", "Condemned", "Did You Ever Have A Touch To Lose?", "ENVY", "Fiction", "Fluvanna", "I'll Die With No Friends And A Grin On My Face", "I Needed A Spaceship (Instead I Got Problems)", "Is The Fact That I'm Trying To Do It, Doing It For You?", "It's Myself Vs. Being A Man", "Intentions", "Knowledge = Priceless", "No One Is Invincible", "Over And Out", "Rooms", "See You Later", "Straight Up" [Paula Abdul cover live at Throwdown at the Campground], "The Impatient Will Suffer", "The Lost. The Sick. The Sacred.", "The Words That We Have Chosen", "Touch Of Deception")
B4 ("By Grace", "Explosions")
B♭4 ("A Dark Place For Your Mind To Be", "A Poise For Poison", "Aesthetics", "Ain't No Trip To Cleveland", "Back To School" (Deftones cover live Chi Cheng Benefit, 2010), "Carpe Diem", "Dance All Night", "Fluvanna", "GUILTY PLEASURE", "I Live The Bad Life (You Make It Worse)", "I'll Die With No Friends And A Grin On My Face", "Low","Mirage In The Middle Of Summer", "Party Drama", "Redemption", "Rooms", "Rose Among The Ashes", "Tonight We Die Together", "The Lost. The Sick. The Sacred.", "Thin Black Lines", "The Words That We Have Chosen", "Under Sheets Stained In Blood", "Your Walls... My Words")
A4 ("The Collectors")
G♯4 ("Dance All Night", "Is The Fact That I'm Trying To Do It, Doing It For You?", "Touch Of Deception")
G4 ("By Grace", "Fluvanna", "Frail Dreams & Rude Awakenings")
Significant Low Notes:
F3 ("Aesthetics", "An Era", "Knowledge = Priceless", "Left To Save", "Over And Out", "Party Drama", "Sons Of Tomorrow (To Noah James)", "The Lost. The Sick. The Sacred.")
E3 ("Apology", "Dance All Night", "Reality")
E♭3 ("A Call To The Faithful", "ENVY")
D3 ("Attention", "Better Her Than Me", "ENVY")
C♯3 ("Opposites Attract")
C3 ("1 AM", "A Poise For Poison")
B2 ("Apology")
A2 ("Burn")
.......................................................
Blue marks falsetto or whistle notes.
Green marks harsh, distorted notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.