Post by Seb on Feb 23, 2024 5:45:22 GMT
Christine Ellen Hynde (September 7, 1951)
Vocal Range: G2 - E6
Associated Acts: Pretenders (1978 - present), JP, Chrissie and the Fairground Boys
{Discography}Fidelity (JP, Chrissie and the Fairground Boys) (2010): D3 - E5
Stockholm (2014): A2 - B4
Valve Bone Woe (2018): D3 - C5
Standing in the Doorway: Chrissie Hynde Sings Bob Dylan (2021): B2 - G4
Pretenders:
Pretenders (1980): D3 - C♯5 - C♯6
Pretenders II (1981): B2 - B♭5 - E6
Learning to Crawl (1984): D3 - C5
Get Close (1986): B2 - C♯5
Packed! (1990): A2 - G5 - B5
Last of the Independents (1994): A2 - E5 - A5
¡Viva El Amor! (1999): B2 - E♭5 - B5
Loose Screw (2002): C3 - E♭5 - G5
Break Up the Concrete (2008): A2 - B4 - F♯5
Alone (2016): B2 - C5 - E5
Hate for Sale (2020): G2 - B♭4 - E♭5
Relentless (2023): C3 - B4 - C♯5
Stockholm (2014): A2 - B4
Valve Bone Woe (2018): D3 - C5
Standing in the Doorway: Chrissie Hynde Sings Bob Dylan (2021): B2 - G4
Pretenders:
Pretenders (1980): D3 - C♯5 - C♯6
Pretenders II (1981): B2 - B♭5 - E6
Learning to Crawl (1984): D3 - C5
Get Close (1986): B2 - C♯5
Packed! (1990): A2 - G5 - B5
Last of the Independents (1994): A2 - E5 - A5
¡Viva El Amor! (1999): B2 - E♭5 - B5
Loose Screw (2002): C3 - E♭5 - G5
Break Up the Concrete (2008): A2 - B4 - F♯5
Alone (2016): B2 - C5 - E5
Hate for Sale (2020): G2 - B♭4 - E♭5
Relentless (2023): C3 - B4 - C♯5
Significant High Notes:
E6 ("Bad Boys Get Spanked")
C♯6 ("Jealous Dogs", "The Wait")
B5 ("No Guarantee", "One More Time")
B♭5 ("Bad Boys Get Spanked")
A5 ("I'm a Mother", "Rebel Rock Me")
G♯5 ("One More Time")
G5 ("Fools Must Die", "Louie Louie", "Sense of Purpose")
F♯5 ("Don't Cut Your Hair", "I'll Stand By You" Live at the Camden Roadhouse 2022, "The English Roses", "Millionaires", "No Guarantee")
E5 ("Australia", "Bad Boys Get Spanked", "Creep" Live at The White Room 1996, "The English Roses", "Gotta Wait", "Higher and Higher", "Holy Commotion", "Millionaires", "Money Talk", "What You Gonna Do About It")
E♭5 ("I Hurt You" Demo, "Love Can Build a Bridge", "One More Time" (0:42), "Where Has Everybody Gone", "You Can't Hurt a Fool", "You Know Who Your Friends Are")
D5 ("977", "Australia", "Bad Boys Get Spanked", "Boots of Chinese Plastic", "Creep" Live at The White Room 1996, Downtown (Akron)", "I'll Stand by You", "Loving You Is All I Know", "Money Talk", "Money (That's What I Want)" Live at US Festival 1983, "Up the Neck" Live at Central Park 1980, "What You Gonna Do About It", "You Can't Hurt a Fool")
C♯5 ("Big Bad Cat", "Brass in Pocket", "Chill Factor", "Don't Lose Faith in Me", "Downtown (Akron)", "Fairground Luck", "Higher and Higher", "How Glad I Am", "Hold a Candle to This" Alternate version, "Hollywood Perfume", "Luck be a Lady", "Lust for Life", "Money Talk", "Nite Klub", "Pack It Up", "Saving Grace", "Vainglorious")
C5 ("1969", "977", "Alone" Live on Conan 2016, "Breakfast in Bed", "Birds of Paradise", "Clean Up Woman", "Creep" Live at The White Room 1996, "Don't Lose Faith in Me", "Goin' Back", "Hold a Candle to This", "Holy Commotion", "I Can't Control Myself", "I Go to Sleep", "I Wish You Love", "I'm a Mother", "Kinda Nice, I Like It", "Live and Let Die", "Lovers of Today", "Loving You Is All I Know", "Money (That's What I Want)" Live at US Festival 1983, "Nails in the Road", "Precious" Various live performances, "Room Full of Mirrors", "Spiritual High (State of Independence) Pt. 2", "Straight Ahead", "Talk of the Town", "Tattooed Love Boys", "Thin Line Between Love and Hate", "Up the Neck", "Where Has Everybody Gone", "Windows of the World")
B4 ("2000 Miles", "All My Dreams", "Australia", "Birds of Paradise", "Boots of Chinese Plastic", "Brass in Pocket", "California", "Chill Factor", "Christmas Soon", "Dance!", "Domestic", "Don't Cut Your Hair", "Dragway 42", "The English Roses", "Fairground Luck", "Forever Young", "Goin' Back", "Happy", "Higher and Higher", "Hold a Candle to This", "Hollywood Perfume", "House of Cards", "How Do I Miss You", "How Much Did you Get for your Soul", "Human", "I Can't Control Myself", "I Hurt You", "I Put a Spell on You", "I Wish You Love", "I'll Stand by You", "If It Makes You Happy", "Jealous Dogs", "Kid", "Let's Get Lost", "Light of the Moon", "Like in the Movies", "The Losing", "Louie Louie", "Love Colours", "Love's a Mystery", "Luck be a Lady", "Lust for Life", "Meanwhile", "Money (That's What I Want)" Live at US Festival 1983, "Nails in the Road", "Never Drink Again", "Nite Klub", "No Guarantee", "Nothing Breaks Like a Heart", "One More Time", "Pack It Up", "The Phone Call", "Precious", "Private Life", "Rebel Rock Me", "Saving Grace", "Sense of Purpose", "Sweet Nuthin'", "Talk of the Town", "Tattooed Love Boys", "Thin Line Between Love and Hate", "Thumbelina", "Time", "Tradition of Love", "Tombstone Blues", "The Wait", "What You Gonna Do About It", "Who's Who", "Windows of the World", "You Know Who Your Friends Are")
B♭4 ("Absent Minded Me", "All My Dreams", "Baby It's You/A Message to Michael", "Big Bad Cat", "Bold as Love", Clean Up Woman", "Didn't Want to Be This Lonely", "Domestic", "Don't Lose Faith in Me", "The Homecoming", "I Hurt You", "If There Was a Man", "Just Let It Go", "I Go to Sleep", "I Wish You Love", "Lie to Me", "Live and Let Die", "May This Be Love", "Message of Love", "Nails in the Road", "River Man", "Sabre Dance" (3:29) Live at the Marquee Club 1979, "Tequila" Regents Parks demo, "Waiting in Vain" Live at Oracabessa Bay 1999, "You Can't Let Go", "You Can't Hurt a Fool", "You or No One")
A4 ("2000 Miles", "Absent Minded Me", "Angel of the Morning", "Alone" Live on Conan 2016, "Australia", "Baby It's You/A Message to Michael", "Baby's Breath", "Back on the Chain Gang", "Birds of Paradise", "Bless You", "Blue Eyed Sky", "Bold as Love", "Born for a Purpose", "Brass in Pocket", "Break Up the Concrete", "Breakfast in Bed", "California", "Caroline, No", "Chord Lord", "Criminal", "Dance!", "Day After Day", "Don't Get Me Wrong", "Don't Hang Up", "Dragway 42" (2:32), "The English Roses", "Fairground Luck", "Forever Young", "Get Out of London", "Hate for Sale", "Higher and Higher", "Hold a Candle to This", "Hollywood Perfume", "Holy Commotion", "Human", "I Can't Control Myself", "I Go to Sleep", "I Got You Babe", "I Put a Spell on You", "I Shall Be Released", "I'll Stand by You", "I'm a Fool to Want You", "If There Was a Man", "Jealous Dogs", "Just Let It Go", "Kinda Nice, I Like It", "Legalise Me", "Let It Be", "Let the Sun", "Let's Make a Pact", "Lie to Me", "Light of the Moon", "Like in the Movies", "Look Away", "The Losing", "Love Colours", "Love's a Mystery", "Loving You Is All I Know", "Luck be a Lady", "Lust for Life", "Maybe Love Is in NYC", "Meanwhile", "Middle of the Road", "Millionaires", "Money Talk", "Mystery Achievement", "Neither of Us Can See", "Never Be Together", "Never Drink Again", "Night in My Veins", "Nothing Breaks Like a Heart", "The Nothing Maker", "One Thing Never Changed", "Pack It Up", The Phone Call", "Precious", "Private Life", "The Promise of Love", "Rabo de Nube", "Revolution", "Roadie Man", "Rosalee", "Sabre Dance", "Saving Grace", "Sense of Purpose", "Show Me", "Spiritual High (State of Independence) Pt. 2", "Stop Your Sobbing", "Sweet Nuthin'", "Tattooed Love Boys", "Thumbelina", "Time", "Turf Accountant Daddy", "Up the Neck", "The Wait", "Thin Line Between Love and Hate", "Walk Away", "Walk Like a Panther", "Waste Not Want Not", "Watching the Clothes", "What You Gonna Do About It", "When Will I See You", "Where Has Everybody Gone", "Who's Who", "Windows of the World", "Worlds Within Worlds", "You Can't Hurt a Fool", "You Didn't Have to")
G♯4 ("All My Dreams", "Back on the Chain Gang", "Big Bad Cat", "California", "Chill Factor", "Chord Lord", "Day After Day", "Domestic", "Don't Cut Your Hair", "Don't Lose Faith in Me", "Dragway 42", "Everyday Is Like Sunday", "Fairground Luck'", "Full Moon, Dirty Hearts", "Goodbye", "Gotta Wait", "Happy", "The Homecoming", "How Do I Miss You", "I Wish You Love", "I'm a Mother", "Junkie Walk", "Just Let It Go", "Kid", "Let the Sun", "The Losing", "Love Can Build a Bridge", "Love Colours", "Lovers of Today", "My Baby", "My City Was Gone", "Mystery Achievement", "No Return", "One More Time", "Pack It Up", "Revolution", "Roadie Man", "Room Full of Mirrors", "Shame is the Name", "Smelly Cat", "Tequila", "The Wait", "Tombstone Blues", "When Will I See You", "You Know Who Your Friends Are", "Your Fairground")
G4 ("2000 Miles", "977", "Absent Minded Me", "Alone", "Baby It's You/A Message to Michael", "Baby's Breath", "Back Down", "Back on the Chain Gang", "Blue Eyed Sky", "Born for a Purpose", "Caroline, No", "Christmas Soon", "Clean Up Woman", "Complex Person", "Copa", "Criminal", "Dark Sunglasses", "Death Is Not Enough", "Didn't Want to Be This Lonely", "Don't Fall Apart on Me Tonight", "Don't Get Me Wrong", "Don't Hang Up", "Every Mother's Son", "Everyday Is Like Sunday", "Forever Young", "From the Heart Down", "Full Moon, Dirty Hearts", "Goin' Back", "Hate for Sale", "Holy Commotion", "How Glad I Am", "How Much Did you Get for your Soul", "House of Cards", "Human", "Hymn to Her", "I Can't Control Myself", "I Didn't Know When to Stop", "I Got You Babe", "I Put a Spell on You", "I Remember You", "I'm a Fool to Want You", "If It Makes You Happy", "If There Was a Man", "In a Miracle", "Jealous Dogs", "Kid", "The Last Ride", "Let the Sun", "Lie to Me", "Lightning Man", "Light of the Moon", "Live and Let Die", "Look Away", "Louie Louie", "Lovers of Today", "Loving You Is All I Know", "May This Be Love", "Murder in My Heart for the Judge", "My Love Life", "The Needle and The Damage Done", "Neither of Us Can See", "Never Do That", "Never Drink Again", "Night in My Veins", "Not a Second Time", "Nothing Breaks Like a Heart", "The Nothing Maker", "Once I Loved", "One More Day", "A Plan Too Far", "Popstar", "Postcard from London", "Private Life", "Que reste-t-il de nos amours ?", "Rabo de Nube", "River Man", "Roadie Man", "Sabre Dance", "Samurai", "Show Me", "Spiritual High (State of Independence) Pt. 2", "Stop Your Sobbing", "Straight Ahead", "Sweetheart Like You", "Talk of the Town", "Thin Line Between Love and Hate", "Time the Avenger", "Tradition of Love", "Turf Accountant Daddy", "Vocal" Live at Proms 2014, "Waiting in Vain" Live at Oracabessa Bay 1999, "Walk Like a Panther", "Waste Not Want Not", "When I Change My Life", "Where Has Everybody Gone", "Who's Who", "Wild Is the Wind", "You Can't Let Go", "You Didn't Have to", "You or No One", "You're the One")
Significant Low Notes:
G3 ("1969", "Absent Minded Me", "Australia", "Baby It's You/A Message to Michael", "Back Down", "Big Bad Cat", "Birds of Paradise", "Blue Eyed Sky", "Born for a Purpose", "The Buzz", "Clean Up Woman", "Copa", "Criminal", "Crying In Public", "Dance!", "Dark Sunglasses", "Death Is Not Enough", "Didn't Want to Be This Lonely", "Don't Cut Your Hair", "Don't Fall Apart on Me Tonight", "Don't Get Me Wrong", "Down the Wrong Way", "The English Roses", "Every Mother's Son", "Forever Young", "From the Heart Down", "Get Out of London", "Goin' Back", "Goodbye", "Hello, Young Lovers", "Holy Commotion", "Human", "I Can't Control Myself", "I Hate Myself", "I Think", "If It Makes You Happy", "If There Was a Man", "If You Let Me", "Jealous Dogs", "The Last Ride", "Let It Be", "Let the Sun", "Light of the Moon", "Live and Let Die", "Look Away", "Louie Louie", "Loving You Is All I Know", "May This Be Love", "Maybe Love Is in NYC", "Merry Widow", "Middle of the Road", "Never Be Together", "Never Do That", "No Return", "Not a Second Time", "The Nothing Maker", "One More Day", "Popstar", "Postcard from London", "Precious", "Rabo de Nube", "Roadie Man", "Sense of Taste", "Standing in the Doorway", "Stop Your Sobbing", "Talk of the Town", "Thin Line Between Love and Hate", "Time the Avenger", "Tradition of Love", "Turf Accountant Daddy", "Up the Neck", "Watching the Clothes", "When I Change My Life", "Who's Who", "Wild Is the Wind", "You Can't Let Go", "You Don't Know What Love Is")
F♯3 ("977", "All My Dreams", "Angel of the Morning", "Biker", "Bless You", "Brass in Pocket", "California", "Caroline, No", "Chord Lord", "Day After Day", "Domestic", "The English Roses", "Hello, Young Lovers", "Hollywood Perfume", "The Homecoming", "How Do I Miss You", "I Got You Babe", "I Should Of", "In the Summertime", "Let's Make a Pact", "Love Can Build a Bridge", "Love Colours", "Love Minus Zero / No Limit", "Love's a Mystery", "Lovers of Today", "The Man You Are", "Money (That's What I Want)", "My Baby", "My City is Gone", "Mystery Achievement", "No Guarantee", "Once I Loved", "Private Life", "Rebel Rock Me", "Revolution", "Rosalee", "Tequila", "Time", "The Wait", "Vainglorious", "The Wait", "Where Has Everybody Gone", "Worlds Within Worlds", "You Don't Know What Love Is", "You Know Who Your Friends Are")
F3 ("Almost Perfect", "Baby It's You/A Message to Michael", "Back Down", "Birds of Paradise", "Born for a Purpose", "Breakfast in Bed", "Clean Up Woman", "Copa", "Everyday Is Like Sunday", "Holy Commotion", "Hymn to Her", "I Can't Control Myself", "I Think", "I'm a Fool to Want You", "Louie Louie", "A Love", "Message of Love", "Murder in My Heart for the Judge", "Nails in the Road", "Popstar", "Room Full of Mirrors", "Sense of Taste", "Stop Your Sobbing", "Sweetheart Like You", "Tequila" Regents Parks demo, "You Can't Hurt a Fool", "You or No One", "You're the One")
E3 ("The Adulteress", "Angel of the Morning", "Australia", "Bad Boys Get Spanked", "Blind Willie McTell", "Bold as Love", "Break Up the Concrete", "The Buzz", "Caroline, No", "Chill Factor", "Creep" Live at The White Room 1996, "Criminal", "Crying In Public", "Downtown (Akron)", "Dragway 42", "The English Roses", "Every Mother's Son", "Fools Must Die", "Forever Young", "Get Out of London", "Hate for Sale", "Hold a Candle to This", "House of Cards", "I Didn't Know When to Stop", "I Get Along Without You Very Well (Except Sometimes)", "I Got You Babe", "I Hurt You", "I'm a Fool to Want You", "In a Miracle", "In the Summertime", "Jealous Dogs", "Junkie Walk", "Kinda Nice, I Like It", "Nails in the Road", "The Last Ride", "Let's Make a Pact", "Look Away", "Lovers of Today", "Luck be a Lady", "May This Be Love", "Maybe Love Is in NYC", "Middle of the Road", "My Baby", "My City is Gone", "Neither of Us Can See", "Never Do That", "Not a Second Time", "The Nothing Maker", "Once I Loved", "Pack It Up", "Perfect Lover", "The Phone Call", "A Plan Too Far", "Porcelain", "Precious", "Private Life", "Que reste-t-il de nos amours ?", "Rabo de Nube", "Revolution", "Samurai", "Saving Grace", "Show Me", "Straight Ahead", "Talk of the Town", "Tattooed Love Boys", "Thin Line Between Love and Hate", "Torniquet (Cynthia Ann)", "Turf Accountant Daddy", "Vainglorious", "The Wait", "Walk Like a Panther", "Waste Not Want Not", "When I Change My Life", "When Will I See You", "Windows of the World", "Worlds Within Worlds", "Your House is on Fire", "You're a Big Girl Now", "You're the One")
E♭3 ("All My Dreams", "Copa", "Domestic", "Every Grain of Sand", "Gotta Wait", "How Glad I Am", "Legalise Me", "Luck be a Lady", "Merry Widow", "Message of Love", "Roadie Man", "Waiting in Vain" Live at Oracabessa Bay 1999, "You or No One")
D3 ("Alone", "Biker", "Birds of Paradise" Live in Santa Monica 1981, "Born for a Purpose", "Break Up the Concrete", "California", "Caroline, No", "Chord Lord", "Criminal", "Dance!", "Down the Wrong Way", "Dragway 42", "Forever Young", "From the Heart Down", "House of Cards", "I Didn't Know When to Stop", "I Hate Myself", "I Hurt You" Demo, "I Think", "I'm a Mother", "Junkie Walk", "The Last Ride", "Lightning Man", "Look Away", "May This Be Love", "Murder in My Heart for the Judge", "My Baby", "My City Was Gone", "Neither of Us Can See", "Never Be Together", "Never Do That", "Not a Second Time", "Nothing Breaks Like a Heart", "The Nothing Maker", "No Return", "The Phone Call", "A Plan Too Far", "Popstar", "Precious", "The Promise of Love", "River Man", "Samurai", "Stop Your Sobbing", "Sweetheart Like You", "Talk of the Town", "Time", "Time the Avenger", "Tomorrow is a Long Time", "Watching the Clothes", "When I Change My Life" Demo, "Who's Who", "You Can't Let Go", "You Can't Hurt a Fool", "You Don't Know What Love Is", "You're the One")
C♯3 ("Alone", "A Love", "Copa", "Luck be a Lady", "Just Let It Go", "Vainglorious", "You Can't Hurt a Fool", "Your House is on Fire", "You're a Big Girl Now")
C3 ("Break Up the Concrete", "I Think", "I'm a Mother", "Kinda Nice, I Like It", "Sweetheart Like You", "You Can't Hurt a Fool", "You or No One")
B2 ("The Adulteress", "Alone", "Dance!", "Dragway 42", "Hate for Sale", "Hold a Candle to This", "House of Cards", "I Hate Myself"/live at Count Basie Theater 2016, "A Plan Too Far", "Turf Accountant Daddy", "You're a Big Girl Now")
B♭2 ("All My Dreams", "Born for a Purpose")
A2 ("The Adulteress" live at Deaf Institute 2023, "Hold a Candle to This", "Hollywood Perfume", "House of Cards", "Rosalee")
G2 ("Turf Accountant Daddy")
..................................................
• Blue denotes falsetto and whistle passages.
• Boldface denotes outstanding passages.
• Italics denote non-melodic and spoken passages.
• Underlines denote obscured and background passages.
{Vocal Summary}"...distinctive voices in rock are trained through years of many things: frustration, fear, loneliness, anger, insecurity, arrogance, narcissism, or just sheer perseverance – anything but a teacher."
Well, can't argue with Chrissie Hynde on that, seeing just how distinctive her voice has proven to be. Among its main characteristics are a naturally low placement that lends itself to effortless notes around the lower 3rd octave (even the upper 2nd octave sounds rather easy for her despite not receiving as much musical usage), a split between two different tones for higher notes (a husky belting register capable of vibrato in the upper 4th octave and a softer, brighter sounding tone that has seen more usage in recent years, especially on Valve Bone Woe) and a less utilized but very capable falsetto register. Chrissie's voice has aged gracefully (especially considering a lack of formal training), with her range mostly remaining unchanged throughout the years (slightly stronger lows, slightly less strong belts aside). Technical aspects aside, there's something about the way she sounds that just capture sounding natural, at times effortless, yet still charismatic and badass. Even in her most vulnerable performances, it just comes out. It's the kind of voice that commands attention without having to strain much. At times smoky, at times striking with clarity but not overt polish and every now and then just going totally vicious. It's that tone...free of vocal fry and just naturally potent while going low. One of my favorite voices, period. What else can I say? She was just born with the gift.
Well, can't argue with Chrissie Hynde on that, seeing just how distinctive her voice has proven to be. Among its main characteristics are a naturally low placement that lends itself to effortless notes around the lower 3rd octave (even the upper 2nd octave sounds rather easy for her despite not receiving as much musical usage), a split between two different tones for higher notes (a husky belting register capable of vibrato in the upper 4th octave and a softer, brighter sounding tone that has seen more usage in recent years, especially on Valve Bone Woe) and a less utilized but very capable falsetto register. Chrissie's voice has aged gracefully (especially considering a lack of formal training), with her range mostly remaining unchanged throughout the years (slightly stronger lows, slightly less strong belts aside). Technical aspects aside, there's something about the way she sounds that just capture sounding natural, at times effortless, yet still charismatic and badass. Even in her most vulnerable performances, it just comes out. It's the kind of voice that commands attention without having to strain much. At times smoky, at times striking with clarity but not overt polish and every now and then just going totally vicious. It's that tone...free of vocal fry and just naturally potent while going low. One of my favorite voices, period. What else can I say? She was just born with the gift.
{Questionable Notes}No she didn't do the falsetto E5s on Middle of the Road
B♭6 ("Bad Boys Get Spanked" [5])
G♯5 ("Gotta Wait" [1], "Tattooed Love Boys" [1])
G5 ("Lightning Man" [1], "Thumbelina" [5], "Vainglorious" [1])
F5 ("Complex Person" [1])
E5 ("Rebel Rock Me" [3], "Spiritual High (State of Independence) Pt. 2" [2])
E♭5 ("Dark Sunglasses" [2], "Straight Ahead" [2], "Where Has Everybody Gone" [5])
B4 ("Popstar" [3])
C♯3 ("Money Talk" [1], "The Man You Are" [1])
B2 ("Don't Lose Faith in Me" [1], "In the Summertime" [1], "I Should Of" [1], "Popstar" [3], "Your House is on Fire" [1])
B♭2 ("A Love" [2], "Get Out of London" [3])
A2 ("Kinda Nice, I Like It" [1])
G2 ("Hold a Candle to This" [1])
..................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
B♭6 ("Bad Boys Get Spanked" [5])
G♯5 ("Gotta Wait" [1], "Tattooed Love Boys" [1])
G5 ("Lightning Man" [1], "Thumbelina" [5], "Vainglorious" [1])
F5 ("Complex Person" [1])
E5 ("Rebel Rock Me" [3], "Spiritual High (State of Independence) Pt. 2" [2])
E♭5 ("Dark Sunglasses" [2], "Straight Ahead" [2], "Where Has Everybody Gone" [5])
B4 ("Popstar" [3])
C♯3 ("Money Talk" [1], "The Man You Are" [1])
B2 ("Don't Lose Faith in Me" [1], "In the Summertime" [1], "I Should Of" [1], "Popstar" [3], "Your House is on Fire" [1])
B♭2 ("A Love" [2], "Get Out of London" [3])
A2 ("Kinda Nice, I Like It" [1])
G2 ("Hold a Candle to This" [1])
..................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
