Jim Morrison (31,553 views)

[EddieCheivz]

I remember hearing that thing touching a bit on E6 yes, but also I do recall it was very much present and clear on pitch at Eb6 tone, I'd say that's predominant tone there, just a little bit bit sharp. Something like Axl Rose G#5/A5 from Welcome to the Jungle live version.

[EddieCheivz]

Lool, and welcome to the third page too.

[Electric Mami]

I do hear it touch E6 as well

[Baronessa]

E6 would make more sense in the context of that song, which is why I don't think it's just sharp of E♭6. Rather, it would be an undershot E6 if anything.

Either way, I need to know how I would include it on the OP lol.

[amadeusd]

Jun 8, 2024 15:09:55 GMT Baronessa said:

it would be an undershot E6 if anything.

That Is what I hear fwiw

[motorist]

I think "When The Music's Over" live is fine to list as an E6. I think it definitely gets up to that pitch relistening, doesn't even sound that flat (to me) even though it does drop down to Eb6 and lower.

[Baronessa]

Yes, I suppose I would include it as an E6 personally, but I've been known to nano-watch notes in the past.

[EddieCheivz]

Listening the note today now actually I can say I hear it pretty much as E6, seems to be the intended note too, so my vote goes for counting it as an italic and blue E6 :D

[halloweenjack95]

Jun 12, 2024 2:09:18 GMT EddieCheivz said:

Listening the note today now actually I can say I hear it pretty much as E6, seems to be the intended note too, so my vote goes for counting it as an italic and blue E6 :D

It's a countable and decend E6 for me as well.

[EddieCheivz]

Also, aside that I wanted to make the request to include this C♯5s in the thread. I mean, very classic and epic Doors/Jim moment that ""YOU CANNOT PETITION THE LORD WITH PRAYER""

[amadeusd]

You certainly cannot.

[Baronessa]

Well, that's again one of those things that were heavily criticised for their inclusion on the previous versions of this thread. Jim has a lot of spoken word pieces that don't necessarily factor into his singing much. Personally, if that C♯5 wasn't as shaky and didn't seem like as much of an 'okay I'll just shout whatever here' kind of thing, I'd be more inclined to include it.

[EddieCheivz]

I don't know exactly where he sounds "shaky" while he's hitting that confident belted fifth octave notes, but I just really can't see them being less stable than his other controlled screams honestly. Pretty good precision and raspy energy on the entre vocal line.

Also I'm not agreed with the idea about: "he just did a random shout there" I really hear it quite premeditated and calculated the tone and control in that line, from the intonation with which it will be made until what will be the climax point of the entire passage and its stay there.

It is fairly better and more premeditated than other random notes that are listed in the thread, as the B4 from We Could Be So Good Together or the one from Strange Days, the D5 from Waiting for the Sun that is actually a C#5, or the C5 from The Unknown Soldier and the D5 from The Soft Parade that if they're countables I have no idea where's supposed to be.

[Baronessa]

The way I hear it the rasp makes the C♯5 fall apart as soon as he hits it, but I guess he might hang around in that area for an acceptable amount of time.

[amadeusd]

There is nothing shaky about the line "You cannot petition the Lord with Prayer". I think its perhaps a bit trolly to question it so much tbh. Its clear as day.

[Baronessa]

I'd rather be too strict than too lenient personally. It is funny though that I am apparently too strict these days when I was getting pulled up for being too lenient all the time on TRP 3.

[rob]

youtu.be/MfRzMReEAjw?si=0oj8oonbOg4yQKKQ

Could we discuss this note at 2:15? I would say it is a fairly bright scream, and fits within the rest of the song musically quite well.

[EddieCheivz]

Jun 28, 2024 3:27:37 GMT rob said:

youtu.be/MfRzMReEAjw?si=0oj8oonbOg4yQKKQ

Could we discuss this note at 2:15? I would say it is a fairly bright scream, and fits within the rest of the song musically quite well.

That sounds like E but I do think is probably an overtoned E5 that sound as a sixth octave note.

At the best, I hear an barely countable (probably not so for others) C#6 at 3:37 but I do think as well is some random and "mehh" for me to add it having other really better ones and highers.
   

[Baronessa]

I think it's sixth octave but I wouldn't count it if you wanted me to.

[EddieCheivz]

Hey there!

Sustained E5 here


Many insane A4s through, and I think a countable Bb5 at 2:18


I do think it's Jim voice since you can hear the guitar playing its own melody line along the sound: controlled Bb5? (with headphones is more appreciable its quality-note)

[EddieCheivz]

It's been like 5 years and all this time I've been hearing the same thing friends.
Please someone could tell me I'm not the only one who only hear many E♭2s here, never can get D2 on "Five to One".

[mushymarionette]

"from THIS car" might touch on a brief D2 but other than that, you're right.

[WantToSingGood]

Imagine wasting this much time listening to Jim "Fat. Ugly. Dead!" Morrison tho
"

[Bink]

I feel like there was less than no reason to say that

[VocalDudeGuy]

Oct 15, 2024 14:10:32 GMT Bink said:

I feel like there was less than no reason to say that

My guy woke up and decided to be a hater lmao