Nicholas Matthews (2,887 views)

[SailorBlue]

Voice Type: Emo Vois
Vocal Range: B2 - A5
Associated Acts: Get Scared (2008 - 2019)

Significant High Notes

A5 ("Parade")
G5 ("Dead or Alive")
F♯5 ("Voodoo", "Whore")
F5 ("Dead or Alive")
E5 ("Deepest Cut", "You Are What You Are")
E♭5 ("Mess")
D5 ("Cunning, Not Convincing", "Dance With the Dead", "The Devil's in the Details", "Escape", "The Finer Things", "Get Out While You Can", "God Damn Liar", "Hell is Where the Heart is", "Hurt", "If Only She Knew Voodoo Like I Do", "Lock the Door", "Parade", "Relax, Relapse", "Sarcasm", "The Strangest Stranger", "Take a Bow", "Time Keeps Running", "Told Ya So", "What if I'm Right", "When We Were Strong", "Whore", "Wrong", "You Are What You Are")
C♯5 ("Addict", "Blacklisted Me", "Enough is Enough", "Fail", "The Finer Things", "Like it or Not", "R.I.P.", "Stumbling in Your Footsteps", "Suffer")
C5 ("At My Worst", "Bad Things", "Beneath it All", "Buried Alive", "Cunning, Not Convincing", "The Dead Days", "Dead or Alive", "Deepest Cut", "Demons", "Drown", "Faces", "For You", "God Damn Liar", "Hate", "Hell is Where the Heart is", "Hurt", "Lock the Door", "Moving", "My Nightmare", "Relax, Relapse", "Reprobate Romance", "Sarcasm", "Scream", "Second Guessing", "Setting Yourself Up for Sarcasm", "Silence", "The Strangest Stranger", "Take a Bow", "This Ain't a Business, This is a Murder Scene", "We Won't Give Up", "Whore", "Wrong", "You Are What You Are")
B4 ("Addict", "Badly Broken", "Blacklisted Me" Single Version, "Calling All Crows", "Escape", "Give Up My Ghost", "Goodbye Soul", "If Only She Knew Voodoo Like I Do", "Mess", "Sarcasm", "So Much to Lose", "Sophia", "Under My Skin", "Us in Motion", "Voodoo")
B♭4 ("Beneath it All", "Buried Alive", "Cunning, Not Convincing", "Dance With the Dead", "The Dead Days", "Deceiver", "The Devil's in the Details", "The Expectancy Effect", "For You", "Get Out While You Can", "God Damn Liar", "Hurt", "Like it or Not", "Lock the Door", "Misunfortunate (Lets Talk)", "Moving", "Not at All", "Parade", "R.I.P.", "Setting Yourself Up for Sarcasm", "The Strangest Stranger", "Stumbling in Your Footsteps", "Suffer", "When We Were Strong", "We Won't Give Up")
A4 ("Addict", "At My Worst", "Badly Broken", "Bad Things", "Blacklisted Me", "The Blackout", "Breathe", "Calling All Crows", "Cunning, Not Convincing", "Dance With the Dead", "Deepest Cut", "Demons", "Drown", "Escape", "Fail", "For You", "Get Out While You Can", "Give Up My Ghost", "God Damn Liar", "Hate", "Hell is Where the Heart is", "If Only She Knew Voodoo Like I Do", "Mess", "Over This Hell", "Parade", "Relax, Relapse", "Scream", "Second Guessing", "The Strangest Stranger", "Time Keeps Running", "Told Ya So", "Voodoo", "What if I'm Right", "When We Were Strong", "Whore", "Wrong", "You Are What You Are")

Significant Low Notes

G3 ("Dance With the Dead", "The Devil's in the Details", "The Finer Things", "Lock the Door", "Moving", "The Strangest Stranger", "Take a Bow", "We Won't Give Up", "Wrong")
F♯3 ("Addict", "Get Out While You Can", "Like it or Not", "Stumbling in Your Footsteps", "You Are What You Are")
F3 ("The Blackout", "Enough is Enough", "The Finer Things", "Hate", "Hell is Where the Heart is", "Hurt", "Reprobate Romance", "R.I.P.", "Silence", "The Strangest Stranger", "Suffer")
E3 ("Badly Broken", "The Blackout", "Demons", "The Devil's in the Details", "My Nightmare", "Time Keeps Running", "Under My Skin", "Us in Motion", "Wrong", "You Are What You Are")
E♭3 ("Misunfortunate (Lets Talk)", "Stumbling in Your Footsteps")
D3 ("Addict", "For You", "God Damn Liar", "Goodbye Soul", "If Only She Knew Voodoo Like I Do", "Sarcasm", "Second Guessing", "Setting Yourself Up for Sarcasm", "Time Keeps Running")
C♯3 ("Badly Broken", "Calling All Crows", "Suffer")
C3 ("Cunning, Not Convincing", "Hell is Where the Heart is", "Second Guessing")
B2 ("Get Out While You Can", "Goodbye Soul", "Mess", "What if I'm Right", "Voodoo")
.......................................................
Italics mark non-melodic notes.
Underlines mark notes that are obscured in the song mix.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
Blue marks falsetto or whistle notes.
Green marks harshly distorted screams.

SPOILER: Click to show

{Questionable Notes}A6 ("Relax, Relapse" [1]/[4], "Whore" [5])
A5 ("Bad Things" [2]/[3])

D3 ("The Devil's in the Details" [1])
B2 ("If Only She Knew Voodoo Like I Do" [5])
A2 ("Relax, Relapse" [3], "When We Were Strong" [1])
F♯2 ("Voodoo" [1]/[3])
F2 ("The Blackout" [3], "Cunning, Not Convincing" [3])
B1 ("Hate" [2]/[3])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.

SPOILER: Click to show

{Album Ranges}Get Scared

Cheap Tricks and Theatrics (2009): B2 - E5
Cheap Tricks and Theatrics B-Sides (2011): E♭3 - D5 - G5
Best Kind of Mess (2011): B2 - F♯5 - A5
Everyone's Out to Get Me (2013): B2 - D5
Demons (2015): B2 - D5
The Dead Days (2019): B2 - D5

[Macca]

His Lows Should Start At F#3

[rob]

Jun 29, 2022 17:49:36 GMT Macca said:

His Lows Should Start At F#3

Out of curiosity, why do you insist on having fewer notes included on a certain threshold? I've noticed for nearly all of your comments recently. Personally speaking, I feel it can be a good thing to have a few extra semitones to show off one's lower range. It gives a fuller understanding of how they would utilize that area of their voice, without going too low as a starting point.

[Macca]

Well His Voice Is High But It's Not Really That High