Liv Kristine (1,650 views)

[freddybear]

Liv Kristine
Member of: (Ex.Leave's Eyes, Ex. Theatre of Tragedy)
Associated Acts: (Cradle Of Flith, Delain, Atrocity, Eluveitie)
Voice Type: Light Lyric Soprano 
Vocal Range: D3-D6



High Notes:

D6: ("Meredead")
C♯6: ("Etain", "Galswintha", "Meredead", "Njord", "Saint Cecelia", "The Secret", "Velvet Heart")
C6: ("Hell To The Heavens", "Njord", "Temptation")
B5: ("Etain", "Hell to the heavens" Live at 7000 tons of Metal, "Njord", "Nystev", "Return to Life", "Saint Cecelia", "Skrarelings", "Spirit Masquerade", "The Battle Of Maldon")
B♭5: ("Amhran Songs of the Wind", "Galswintha", "Landscape of the dead", "Meredead", :"Njord", "Sigrlinn", "Symphony of the Night")
A5: ( "A Distance There Is", "Blazing Waters" "Elegy", "Fading Earth", "Hallowed Heart Departed", "Hell to the Heavens", "Into the Light", "King of kings", "Maid of Loraine", "My Destiny", "Northbound", "Ocean's Way", "Return to Life", "Skrarelings" "Symphony of the Night" "Take the Devil In Me, "The Holy Bond", "The Secret", "To These Words I Beheld No Tongue", "Vinland Saga")
G♯5: ("Blazing Waters", "Froya's Theme", "Galswintha", "Njord", "Ragnarok", "Saint Cecelia", "Scarborough Fair", "Sweet Art Thou", "Take the Devil In Me", "The Battle Of Maldon", "The Dream")
G5: ("Amhran-Song of the winds", "Elegy", "Emerald Island" "Farewell Proud Man", "Froya's Theme", "Hallowed Heart Departed" "Hymn To The Lone Sands", "King of Kings", "Melusine", "Ragnarok", "Return to Life", "Secret", "Solemn Sea", "The Dream")
F#5: ("Emerald Island", "Etain", "Hallowed Heart Departed", "Hell to the heavens", "Kings of Kings", "Ophelia", "Scarborough Fair" Acoustic Version, "Sigrlinn", "The Holy Bond", "Throughout our Veins", "Vengeance Venom"
F5: ("Bring Forth Ye Shadow" "Farewell Proud Man", "For Amelie", "Into Your Light", "Misseri", "My Destiny", "Ophelia", "Scarborough Fair", "Sigrlinn" , "Temptation", "Trail of Blood", "Twilight Sun")
E5: ("A hamlet for a Slothful Vessel", "Ankomst", "Bacchante", "Empty Horizon", "Galswintha", "Leave's Eyes", "Lorelei", "Morganland", "Ophelia", "Poppaea", "Sacred Vow", "Scarborough Fair", "Solemn Sea", "Tale of the sea maid", "Through our veins", "The Secret", "Venus")
E♭5: ("At Heaven's End", "Emerald Island", "Empty Horizon", "Sacred Vow", "Vengeance Venom")
D5: ("At Heaven's End", "Hell to the Heavens", "Northbound", "Ophelia", "Siren", "Tale of the sea maid", "The Battle of Maldon", "To These Words I Beheld No Tongue")
C♯5: ("A distance there is", "Froya's Theme", "Hell To The Heavens", "Scarborough Fair")
C5: ("A Hamlet For A Slothful Vessel", "Elegy", "Into The Light", "Landscape of the Dead", "Nystev", "Tale of the Sea Maid", "The Dream", "To France" Cover, "Through our Veins")
B4: ("Angus and the Swan", "At Heaven's End", "Crash Concrete", "Leave's Eye's", "Musique", "Northbound", "One Caress", "Radio", "Sweet Art Thou")
B♭4: ("A Day For Ghost", "A Hamlet For A Slothful Vessel", "Emerald Island", "Into the Light", "Landscape of the dead" "Misseri", "Ragnarok", "The Holy Bond" "Twilight Sun"

Low Notes:

B3: ("A Distance There Is", "At Heaven's End", "Into The Light" "Misseri", "Morganland", "Norwegian Lovesong", "Scarborough Fair", "Scarborough Fair" Acoustic Version, "Tale of the sea" "Temptation", "The Secret", "The Thorn", "Velvet Heart")
B♭3: ("Elegy", "Emerald Island", "Empty Horizon", "Hell to the Heavens", "Hymn to the lone sands", "Mine Taro Er Ei Grimme", "Mourning Tree", "New Found Land", "Nine Waive Maidens", "Siren", "Take the devil in me", "The Battle of Maldon")
A3: ("Ankomst", "Elegy", "Farewell Proud Man", "Froya's Theme", "Irish Rain", "Meredead","Mire", "Morgenland", "Mourning Tree", "Northbound", "Return to Life", "Sweet Art Thou", "Tell Tale Eyes", "The Battle of Maldon")
G♯3: ("Angelique", "Ankomst", "Cassandra", "Emerald Island", "Irish Rain Acoustic Version", "Leaves Eyes", "Morganland", "Nine Waive Maidens", "Nystev", "Ragnarok", "Symphony of the night", "The Dream", "The Holy Bond", "Virago", "Winters Poem")
G3:  ("Angus and the swan", "Ankomst", "Eileen's Ardency", "Farewell Proud Man", "Froya's Theme", "Krakevisa", "Lorelei", "Lovelorn", "Mine Tarot Er Ei Grimme", "Motion", "Nine waive maidens", "Njord", "Northbound", "Nystev", "Retrospect", "Through our veins, "Twilight sun")
F♯3: ("Angus and the Swan", "City of Light", "Enivision", "Lovelorn", "Return to life", "The Dream")
F3: ("Ankomst", "Empty Horizon", "Froya's Theme", "For Amelie", "Hell to the Heaven", "Maid Of Lorianne", "Musique", "Tale of the Sea Maid", "The Dream")
E3: ("Ankomst", "Farewell Proud Man", "Hell to the Heavens", "Secret", "Through our veins", "Twilight Sun")
D3: ("Vinland Saga", "Sirglinn")
C3:  ("Froya's Theme")
B2: ("Froya's Theme")

Known for her contribution to the gothic metal scene, Liv Kristine came into the scene pioneering what is now called the "beauty and the beast" vocal style used by many heavy metal bands such as Within Temptation, Tristania, Epica etc. Liv has a 3 octave range with an ethereal crystalline voice that will mesmerize you. 
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*Underlines mark notes found in backing vocals or otherwise obscured in the song mix.
*Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
*Italics mark non-sung notes.
*Blue indicated falsetto/head voice note

[BAZanine]

Out of curiosity, what are you using to pitch these notes? Listening to your bolds, a fair share (but not all) of them seem to pretty consistently be a semitone off.