Post by kaji on Dec 13, 2020 18:15:16 GMT
Jean DuShon (16 August 1935 - 19 July 2019)
Vocal Range: D3-F5
Significant High Notes:
F5 ("I'll Never Find Another You")
E5 ("Half Breed", "If Ever I Should Leave You")
E♭5 ("Early One Morning", "Goodbye Is A Lonesome Sound", "Hitch Hike", "I'll Never Find Another You", "I'm Thru With Love", "More", "Second Class Lover", "The Best Is Yet To Come", "Tired Of Trying")
D5 ("Baia”, "Feeling Good", "For Once In My Life", "Half Breed", "If Ever I Should Leave You", “I'm Thru With Love", "Look The Other Way", "Make Him Your Own", "More", "Night Song", "Night Time", "Plaything", "Second Class Lover", "Something You Got", "The Best Is Yet To Come", "You'd Better Believe Me", "You Don't Know")
C♯5 ("Early One Morning", "For Once In My Life", "Goodbye Is A Lonesome Sound", "Hitch Hike", "If I Ruled The World", "Make Him Your Own", "Something You Got", "Talk To Me, Talk To Me", "The Heather On The Hill", "Tired Of Trying", "What Now My Love")
C5 ("Baia", "Don't Explain", "Feeling Good", "For Once In My Life", "Goodbye Is A Lonesome Sound", "Half Breed", "Lorna's Here", "Night Time", "Out In The Cold Again", "Plaything", "Second Class Lover", "Something You Got", "Take A Chance", "Talk To Me, Talk To Me”, “The Best Is Yet To Come", "The Heather On The Hill", "What Now My Love", "You'd Better Believe Me", "You Don't Know")
B4 ("For Once In My Life", "He Was Good To Me", "If Ever I Should Leave You", "If I Ruled The World", "I'll Never Find Another You", "I'm Thru With Love", "It Won't Stop Hurtin' Me", "Look The Other Way", "Night Song", "The Best Is Yet To Come", "Watching The World Go By")
B♭4 ("Baia", "Don't Explain", "Early One Morning", "Evenin'", "Feeling Good", "For Once In My Life", "Goodbye Is A Lonesome Sound", "He Was Good To Me", "Hitch Hike", "If I Ruled The World", "Lorna's Here", "Make Him Your Own", "More", "Night Time", "Out In The Cold Again", "Second Class Lover", "Something You Got", "Talk To Me, Talk To Me", "The Best Is Yet To Come", "Tired Of Trying", "Watching The World Go By", "What Now My Love", "You'd Better Believe Me", "You Don't Know")
Significant Low Notes:
A3 ("Half Breed", "If Ever I Should Leave You", "I'll Never Find Another You", "I'm Thru With Love", "Look The Other Way", "Lorna's Here", "Plaything", "Talk To Me, Talk To Me", "Watching The World Go By", "Wild Is The Wind")
G♯3 ("He Was Good To Me", "Night Time", "Talk To Me, Talk To Me")
G3 ("Baia", "Don't Explain", "Evenin'", "Feeling Good", "It Won't Stop Hurtin' Me", "Lorna's Here", "More", "Plaything", "The Best Is Yet To Come", "What Now My Love", "You'd Better Believe Me")
F♯3 ("He Was Good To Me", "If Ever I Should Leave You", "Night Song")
F3 ("Goodbye Is A Lonesome Sound", "I'll Never Find Another You", "Make Him Your Own", "Night Time", "Something You Got", "What Now My Love", "You Don't Know")
E♭3 ("For Once In My Life", "Out In The Cold Again", "Take A Chance", "The Heather On The Hill")
D3 ("Evenin'", "I'm Thru With Love")
........................................
Blue marks notes sung in head voice.
{Discography}
Make Way For Jean DuShon (1964) - D3-E5
You Better Believe Me (1965) - F3-D5 (missing tracks 2, 6-7 and 10-12)
Feeling Good (1966) - E♭3-F5
Make Way For Jean DuShon (1964) - D3-E5
You Better Believe Me (1965) - F3-D5 (missing tracks 2, 6-7 and 10-12)
Feeling Good (1966) - E♭3-F5
{Questionable notes}E3 ("Lorna's Here" [1])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.