Post by kaji on Dec 14, 2020 4:32:54 GMT
Pat Suzuki (22 September 1930)
Years Active: 1955-present
Vocal Range: B♭2-B♭5
Significant High Notes:
B♭5 ("Just One of Those Things", "The Lady is a Tramp")
D5 ("At the Celestial Bar: Fan Tan Fannie/Gliding Through My Memoree/Grant Avenue (Reprise)", "Daddy", "Grant Avenue", "I Feel Sorry For The Boy", "Look What You Done", "You Brought a New Kind of Love to Me")
C♯5 ("How High the Moon", "Just in Time", "Sunday" Broadway '59 version, "The Song is You")
C5 ("Anything Goes", "A Sunday Kind of Love", "Black Coffee", "Dreamsville", "Easy Living", "Everybody Says Don’t", "From This Moment On", "I Didn't Know About You", "I Enjoy Being A Girl" Broadway ‘59 version, "I Feel Sorry For The Boy", "I'll Never Smile Again", "Just One of Those Things", "Lazy Afternoon", "Love Look Away", "My Heart Belongs to Daddy", "On the Street Where You Live", "Something's Gotta Give", "Sunday", "The Lady is a Tramp", "The Song is You", "Till There Was You", "You Brought a New Kind of Love to Me")
B4 ("Always True to You in My Fashion", "A Sunday Kind of Love", "At the Celestial Bar: Fan Tan Fannie/Gliding Through My Memoree/Grant Avenue (Reprise)", "Everybody Says Don’t", "Grant Avenue", "Hard Hearted Hannah", "I Didn't Know About You", "I Enjoy Being A Girl", "I Feel Sorry For The Boy", "Let Me Love You", "Looking at You", "Look What You Done", "My Heart Belongs to Daddy", "Not Like Me", "On the Street Where You Live", "The Song is You", "Tonight", "Two Faces in the Dark")
B♭4 ("As Time Goes By", "Be My Love", "Black Coffee", "Don't Look at Me That Way!", "Easy Living", "Everybody Says Don’t", "Frenesi", "From This Moment On", "How High the Moon", "Just for Once", "Just in Time", "Lazy Afternoon", "Let Me Love You", "Look What You Done", "Love Look Away", "Make Me Invisible", "My Funny Valentine", "My Heart Belongs to Daddy", "Poor Butterfly", "Something's Gotta Give", "Sunday", "The Lady is a Tramp", "Till There Was You", "Tonight", "When You Wish Upon a Star")
A4 ("Always True to You in My Fashion", "Anything Goes", "A Sunday Kind of Love", "At the Celestial Bar: Fan Tan Fannie/Gliding Through My Memoree/Grant Avenue (Reprise)", "Bali H'ai", "Black Coffee", "Cheek to Cheek", "Daddy", "Don't Get Around Much Anymore", "Down Argentina Way", "Dreamsville", "Fine and Dandy", "From This Moment On", "Grant Avenue", "He's My Guy", "I Didn't Know About You", "I Enjoy Being A Girl", "I Feel Sorry For The Boy", "I've Grown Accustomed to His Face", "Just for Once", "Just in Time", "Just One of Those Things", "Looking at You", "Look What You Done", "My Funny Valentine", "My Heart Belongs to Daddy", "Not Like Me", "On the Street Where You Live", "Star Dust", "Sunday", "The Party's Over", "The Song from the Moulin Rouge", "Two Faces in the Dark", "You Brought a New Kind of Love to Me")
Significant Low Notes:
A3 ("Always True to You in My Fashion", "Cheek to Cheek", "Don't Get Around Much Anymore", "Dreamsville", "Fine and Dandy", "I Didn't Know About You", "I Enjoy Being A Girl", "I Feel Sorry For The Boy", "Just in Time", "Just One of Those Things", "Lazy Afternoon", "Looking at You", "Solitude", "Star Dust", "The Duke of Kent", "The Party's Over", "The Song from the Moulin Rouge", "The Whiffenpoof Song", "You Brought a New Kind of Love to Me")
G♯3 ("As Time Goes By", "Don't Look at Me That Way!", "Down Argentina Way", "Frenesi", "How High the Moon", "I Didn't Know About You", "I'll Never Smile Again", "I See Your Face Before Me", "Small World", "Something's Gotta Give", "Sunday" Broadway '59 version, "The Song is You", "Till There Was You")
G3 ("A Sunday Kind of Love", "Bali H'ai", "Be My Love”, “Daddy", "Don't Get Around Much Anymore", "Dreamsville", "Fine and Dandy", "From This Moment On", "I Feel Sorry For The Boy", "I've Grown Accustomed to His Face", "Just One of Those Things", "Lazy Afternoon", "Looking at You", "Love Look Away", "My Funny Valentine", "Not Like Me", "On the Street Where You Live", "Something's Gotta Give", "The Song from the Moulin Rouge", "The Whiffenpoof Song", "You Brought a New Kind of Love to Me")
F♯3 ("Always True to You in My Fashion", "Easy Living", "I Enjoy Being A Girl" Broadway ‘59 version, "I Had the Craziest Dream", "Let Me Love You", "Look What You Done", "Star Dust")
F3 ("Anything Goes", "A Sunday Kind of Love", "Black Coffee", "Daddy", "Don't Get Around Much Anymore", "Easy Living", "Frenesi", "He's My Guy", "I'll Never Smile Again", "Just for Once", "Make Me Invisible", "Poor Butterfly", "Solitude", "The Eyes of Texas", "Till There Was You", "Tonight", "Volare")
E3 ("Always True to You in My Fashion", "Anything Goes", "Cheek to Cheek", "I Had the Craziest Dream", "My Heart Belongs to Daddy", "On the Street Where You Live", "Star Dust", "The Party's Over", "Two Faces in the Dark", "When You Wish Upon a Star")
E♭3 ("Everybody Says Don’t", "He's My Guy", "I Enjoy Being A Girl" Live in 2005, "Small World", "You Better Go Now", "Volare")
D3 ("From This Moment On", "Hard Hearted Hannah", "He's My Guy", "Look What You Done", "The Lady is a Tramp", "The Party's Over")
C3 ("Make Me Invisible", "When You Wish Upon a Star")
B2 ("Just One of Those Things")
B♭2 ("The Lady is a Tramp")
........................................
Blue marks notes sung in head voice.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
{Questionable Notes}
D6 ("Hard Hearted Hannah" [3])
F♯2 ("Just One of Those Things" [1])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
D6 ("Hard Hearted Hannah" [3])
F♯2 ("Just One of Those Things" [1])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Discography}
The Many Sides Of Pat Suzuki (1958) - B2-B♭5
Pat Suzuki (1958) - B♭2-B♭5
Flower Drum Song (Original Broadway Cast Recording) (1958) - A3-D5
Broadway '59 (1959) - D3-D5
Looking At You… (1960) - E♭3-D5
Pat! (1967) - C3-D5 (missing tracks 2-4)
The Many Sides Of Pat Suzuki (1958) - B2-B♭5
Pat Suzuki (1958) - B♭2-B♭5
Flower Drum Song (Original Broadway Cast Recording) (1958) - A3-D5
Broadway '59 (1959) - D3-D5
Looking At You… (1960) - E♭3-D5
Pat! (1967) - C3-D5 (missing tracks 2-4)