Post by Zedd Squared on Sept 24, 2019 6:04:18 GMT
Vocal Range: C♯2-A5
High Notes:
A5 ("The Passage...")
G♯5 ("Battlecry")
G5 ("My Secret Garden")
F5 ("Battlecry", "The Passage...", "The Well of Souls")
E5 ("Judgement Day", "Pains of Golgata", "Voodoo Kills", "Welcome to My Graveyard")
E♭5 ("A Passenger on Psycho's Path", "Bearer of Pain")
D5 ("My Secret Garden", "The Monolith", "Solitude", "The Well of Souls")
C♯5 ("Burned by Light", "Through The Infinitive Halls of Death", "When Nothing Remain")
C5 ("Animal Magnetism", "16 Tons", "Heathendom", "Hel", "House of Pain", "I'm Your Pervert Priest", "Little Anne's Not an Angel", "Master of Disaster", "Mars and Volcanos", "Mourners Lament", "The Caravan of Souls", "The Monolith", "The Seeds of Hatred", "Zombie")
B4 ("A Tale of Creation", "At the Gallows End", "Bearer of Pain", "Bewitched", "Black Sabbath Medley [Sweet Leaf]", "Copernicus", "Dark Are the Veils of Death", "Darkness in Paradise", "Dirty Love", "Incarnation of Evil", "Just Another Morbid Tune", "Kali Yuga II" live 2011, "Little Anne's Not an Angel", "Master of Disaster", "Metal Mania", "Mirror Mirror", "Morbid Fear", "Mourners Lament", "Out of Darkness", "The Bells of Acheron", "The Day and the Night", "The Things You See (And the Things You Don't)", "Tyrant", "Under My Blackened Sky", "Welcome to My Graveyard")
B♭4 ("A Cry From the Crypt", "A Passenger on Psycho's Path", "A Tale of Creation", "Battlecry", "Bewitched", "Black Dwarf", "Black Funeral" live 2014, "Black Sabbath Medley [Electric Funeral]", "Copernicus", "Dark Are the Veils of Death", "Dark Reflections", "Darkness in Paradise", "Fear of God", "Heathendom", "I'm Your Pervert Priest", "Just Another Morbid Tune", "Misery Song", "Morbid Fear", "My Secret Garden", "Samarithan", "Seven Silver Keys", "Solitude", "Tears", "The Caravan of Souls", "The Day and the Night", "The Monolith", "The Seeds of Hatred", "The Sun is Grey", "The Well of Souls", "Through The Infinitive Halls of Death", "To Travel Within", "Under My Blackened Sky")
A4 ("A Passenger on Psycho's Path", "Ancient Dreams", "Assassin of the Light", "Black Dwarf", "Black Funeral" live 2014, "Black Sabbath Medley [Symptom of the Universe]", "Burned by Light", "Crystal Ball", "Dirty Love", "Fear of God", "Heavy Metal Warriors", "Hel", "I Am", "I Prayed", "Judgement Day", "Just Another Morbid Tune", "Kali Yuga II" live 2011, "Little Anne's Not an Angel", "Lost Horizons", "Mars and Volcanos", "Master of Disaster", "Memento Mori", "Metal Mania", "Misery Song", "My Secret Garden", "One Sign Too Many", "Out of Darkness", "Pains of Golgata", "Pray", "Solitude", "Spellbreaker", "The Alliance of Hellhoundz", "The Day and the Night", "The Seeds of Hatred", "The Things You See (And the Things You Don't)", "To Travel Within", "Tyrant", "Voodoo Kills", "Welcome to My Graveyard", "When Nothing Remain", "Witchburner", "Witches", "Zombie")
Low Notes:
F3 ("Crystal Ball", "Epistle No. 81", "One Sign Too Many", "Samarithan", "Through The Infinitive Halls of Death")
E3 ("Copernicus", "Just Another Morbid Tune", "Kali Yuga II" live 2011, "Somewhere in Nowhere", "Witches")
E♭3 ("A Tale of Creation", "Battlecry", "Bearer of Pain", "Darkness in Paradise", "Memento Mori", "The Edge of Heaven", "Under the Oak '89")
D3 ("A Passenger on Psycho's Path", "Born in a Tank", "Little Anne's Not an Angel", "Lost Horizons", "Solitude", "Spellbreaker", "Witches")
C♯3 ("Memento Mori")
C3 ("Samarithan")
B2 ("Animal Magnetism")
B♭2 ("Born in a Tank", "The Edge of Heaven")
G2 ("Fear of God")
C♯2 ("Animal Magnetism")
The long-time classic vocalist for Candlemass, as well as for several lesser known bands such as Memento Mori, Stillborn, etc. By far the band's most well known and distinct vocalist, Messiah's main trademarks are his pseudo-operatic vibrato and belting, solidifying Candlemass' "epic" doom metal style. He also makes use of, albeit very rarely, of some high head voice screams as well; while his usage of lows is plainly few and far between (rather odd given Candlemass' ominous style). While no longer with Candlemass, Messiah's unique style and persona seems to have held up even to this day.
(Credit to Sandblasted for the above description and the notewatching of the Candlemass albums.)
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*Underlines mark notes in backing vocals or otherwise muffled/obscured in the mix.
*Italics mark spoken notes.
