Alexis S.F Marshall (3,348 views)

[Smitty.]

Alexis S.F. Marshall (1979)
Years Active: 1997 -
Asscoiated Acts: Daughters, As The Sun Sets, Fucking Invincible, Cripple Cross Face
Vocal Range: E♭2 - B5

SPOILER: Click to show

{Vocal Summary}Hailing From Rhode Island, Alexis S.F Marshall first made his way into the grindcore and metalcore scene of the early 2000's, In Bands Such As "As The Sun Sets", and some of Daughters first albums. Alexis Often Utilized a mixture of high pitched screams and death growls but has since abandoned both since the 3rd album of Daughters. After that, he incorporated a shouted approach to his singing, as he would often shout lyrics with the band's abrasive sound. He Captured The Intensity and despair the band is known for as they have received worldwide acclaim because of their highly successful album, "You Won't Get What You Want". Alexis often uses his higher more mixy register more in albums which could get all the way up to a F♯5 in songs. This Register is more used like a secret weapon and could come when you least expect it.. He normally belted around the F♯4 area but can also often go higher, even up to B4 as seen in "The Hit''. His Lower Register Is Solid but isn't fully utilized to its potential as he is shown to hit some solid G2's in "Less Sex' and even down to F♯2'. While Currently There's no new records from Daughters as of right now, Alexis vocals never fail to get me disinterested and have always had a captivating presence in rock today. Written by Smitty.

SPOILER: Click to show

{Album Ranges}Smitty.
With As The Sun Sets:
Each Individual Voice Is Lost In The Silence (1999): E3 - E5
7744 (2002): N/A - D5 - B5
8949 (2003): N/A - E♭5

With Daughter's:
Daughters (2002): N/A - E♭5 - A5
Canada Songs (2003): A2 - B2 - E5 - F5
Hell Songs (2006): F♯2 - C5 - F♯5
Daughters (2009): B2 - B4 - D5
You Won't Get What You Want (2018): G2 - B2 - B4 - E5

With Fucking Invinciable:
Very Negative (2013): N/A - E5
Downtown Is Dead (2013): N/A - E5
It'll Get Worse Before It Gets Better (2014): N/A - F5
I Hate Myself And Want You To Die (2015): N/A - E5

Significant High Notes:

B5 ("Untitled Two")
A5 ("Flattery Is A Bunch Of Fucking Bullshit")
G♯5 ("Religion As Leader")
G5 ("My Stereo Has Mono And So Does Your Girlfriend")
F♯5 ("The Fuck Whisperer", "My Stereo Has Mono And So Does Your Girlfriend")
F5 ("Night Coming", "Progress Trap", "The Ghost With The Most", "They Can Lie There Forever")
E5 ("A Thousand Falling Skies", "All Good Things….", "Coffin Chaser", "Death Defier", "Dead Dogs", "Guest House", "I Don't Give A Shit About Wood, I'm Not A Chemist", "Meeting With The Subtraction Committee", "Not What You Want", "Progress Trap", "Searching For A Reason To Carry On", "Such Words Were Upon The Tongues Of Demons", "Skeleton Fucker", "Standing Perfectly Still", "What's Inside A Girl")
E♭5 ("A Coma", "A Room Full Of Hard On's And No Place To Sit Down", "Anti Tomorrow", "Ape As Man/Man As Ape", "By Proxy", "Carpathian", "Coffin Chaser", "Conflict Recital", "Death Defier", "Damn Those Blood Suckers And Their Good Qualities", "Dead Dogs", "Everything", "Followed By The Sea", "Guest House", "Ginsburg", "I Slept With The Daughters And All I Got Was This Lousy Song Written About Me", "Inconsistent And Indifferent", "It Just Doesn't Feel Good Anymore", "Hello Assholes", "Josephine", "Meeting With The Subtraction Committee", "No Skin", "Not What You Are", "Nothing No One", "Night Coming", "Poison Eyed Deer", "Remember When I Didn't Say What I Wanted", "Searching For A Reason To Carry On", "Such Words Were Upon The Tongues Of Demons", "Shed For You And Many", "Shithouse", "The Brotherhood Of Unfulfilled Early Promise", "The Hellbound Heart", "Too Much Black", "The World Keeps Turning", "Untitled 3", "Unfulfilled Dreams Are A Utopia", "Under The Sun", "Violent Screaming Delusions", "Your Beauty Is a Car Wreck, I Do Concur")
D5 ("A Thousand Falling Skies", "A Coma", "And Then The C.H.U.D.S Came", "By Proxy", "Crotch Buffet", "Cheers Pricks", "Carpathian", "Conflict Recital", "Cross/Uncross", "Feed The Scenesters To The Lions", "Followed By The Sea", "Get It Wrong", "Jones From Indiana", "I Don't Give A Shit About Wood, I'm Not A Chemist", "Illogicial, Imperfect", "Like A Child", "My Stereo Has Mono And So Does Your Girlfriend", "Nature In Three Movements", "No Skin", "No Exit", "On Paper", "Open All Night", "Poison Eyed Deer", "Please Await Further Instructions", "Sweet Merciful Crap", "Standing Perfectly Still", "The Unattractive, Portable Head", "The Fuck Whisperer" Various Live Performances, "The Brotherhood Of Unfulfilled Early Promise", "The Both Of Us Are Dying", "Untitled One", "Unfulfilled Dreams Are A Utopia", "Unpopular Bible Verse", "What's Inside A Girl", "While Others Attend Chatrooms With Erections", "Why Keep Score", "Your Beauty Is a Car Wreck, I Do Concur")
C♯5 ("Anti Tommorow", "Borderline Sarcasm", "Carpathian", "Conflict Recital", "Damn Those Blood Suckers and Their Good Qualities", "Ditched", "Everything", "Flattery Is A Bunch Of Fucking Bullshit", "Fur Beach", "Feed The Scenesters To The Lions", "From This Day Forward", "Ginsburg", "Hello Assholes", "I Saw The Saturday Night Sky Over 195 Explode", "I Ran Over Black Cats That We're Luckier Than Me", "Illogicial, Imperfect", "Ingested And Infested", "Inconsistent And Indifferent", "Like A Child", "Mike Morowaitz, The Fantasy Fuck", "Nurse, Would You Please Prep The Patient For The Sexual Doctor", "No Skin", "On Paper", "Open All Night", "Pants, Meet Shit", "Providence By Gaslight", "Please Await Further Instructions", "Shed For You And Many", "Shithouse", "Standing Perfectly Still", "The Hit", "The Unattractive, Portable Head", "The Lords Song" Live at the K! Pit 2019, "The Ghost With The Most", "Too Much Black", "Unpopular Bible Verse", "Under The Sun", "Violent Screaming Delusions", "Your Beauty Is a Car Wreck, I Do Concur")
C5 ("Borderline Sarcasm", "Crotch Buffet", "Ingested And Infested", "Jones From Indiana", "Nurse, Would You Please Prep The Patient For The Sexual Doctor", "Sweet Merciful Crap", "While Others Attend Chatrooms With Erections")
B4 ("City Song", "Crotch Buffet", "From This Day Forward", "Flattery Is A Bunch Of Fucking Bullshit", "Fur Beach", "Hay Is For Horses", "I Don't Give A Shit About Wood, I'm Not A Chemist", "I Slept With The Daughters And All I Got Was This Lousy Song Written About Me", "I Saw The Saturday Night Sky Over 195 Explode", "Ingested And Infested", "Mike Morowaitz, The Fantasy Fuck", "Providence By Gaslight", "Religion As Leader", "Sweet Merciful Crap", "The Theater Goer", "The Hit", "Sweet Georgia Brown")
B♭4 ("Borderline Sarcasm", "City Song'', "Feeder", "I Saw The Saturday Night Sky Over 195 Explode", "Meeting With The Subtraction Committee", "Recorded Inside A Pyramid'', "Searching For A Reason To Carry On", "The Hellbound Heart", "The Hit", "The Dead Singer", "The Lords Song" Live at the K! Pit 2019, "They Can Lie There Forever", "While Others Attend Chatrooms With Erections")
A4 ("Hay Is For Horses", "It Just Doesn't Feel Good Anymore", "Open Mouth", "The Dead Singer" "Sweet Georgia Brown", "Untitled One")
G♯4 ("City Song", "Cheers Pricks", "Daughter", "Fiery", "It Just Doesn't Feel Good Anymore", "Nature In Three Movements", "Guest House", "Long Road, No Turns", "Our Queens(One Is Many, Many Are One)", "Open Mouth", "Satan In The Wait", "The Lords Song", "The Theater Goer", "The Dead Singer", "They Can Lie There Forever", "Untitled 3", "What's Inside A Girl")
G4 ("Cross/Uncross", "Daughter", "Hyperventilationsystem", "Our Queens(One Is Many, Many Are One)", "Recorded Inside A Pyramid", "Religion As Leader", "Satan In The Wait", "They Can Lie There Forever", "X-Ray")
F♯4 ("Crotch Buffet", "Cheers Pricks", "Cross/Uncross", "Fiery", "Feisty Snake-Woman", "Feeder", "Guest House", "Hyperventilationsystem", "Long Road, No Turns", "Nature In Three Movements", "Open Mouth", "Providence By Gaslight", "Religion As Leader", "Sweet Georgia Brown", "The Flammable Man", "The Lords Song", "The Reason They Hate Me", "The First Supper", "The Hit", "The Theater Goer", "The Dead Singer", "The Unattractive, Portable Head", "The Hellbound Heart", "What's Inside A Girl")

Significant Low Notes:

E3 ("A Thousand Falling Skies", "Daughters", "The Flammable Man", "What's Inside A Girl")
E♭3 ("City Song", "Recorded Inside A Pyramid", "The Reason They Hate Me", "The Dead Singer")
D3 ("Cheers Pricks", "Daughters", "I Don't Give A Shit About Wood, I'm Not A Chemist", "Nature In Three Movement", "Less Sex")
C♯3 ("I Don't Give A Shit About Wood, I'm Not A Chemist", "Ocean Song", "Recorded Inside A Pyramid", "The Lords Song", "The Hit", "The Ghost With The Most")
C3 ("Nurse, Would You Please Prep The Patient For The Sexual Doctor")
B2 ("City Song", "Cheers Pricks", "Nature In Three Movement", "Nurse, Would You Please Prep The Patient For The Sexual Doctor", "Ocean Song", "The Hit", "The Dead Singer")
B♭2 ("They Can Lie There Forever")
A2 ("The Ghost With The Most")
G♯2 ("City Song", "Cheers Pricks")
G2 ("Crotch Buffet", "Less Sex")
F♯2 ("Crotch Buffet", "The Fuck Whisperer")
F2 ("It Just Doesn't Feel Good Anymore", "Open Mouth")
E♭2 ("Night Coming")
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Blue denotes falsetto passages.
Green denotes harshly distorted passages.
Boldface denotes Noteworthy passages for the singer.
Italics denote non-melodic and spoken passages.
Underlines denote obscured and background passages.

SPOILER: Click to show

{Questionable Notes}G♯6 ("It Just Doesn't Feel Good Anymore" IDK)
C♯6 ("Untitled Two" ^[3])
A5 ("The First Supper" ^[1][2][3])
G♯5 ("I Don't Give A Shit About Wood, I'm Not A Chemist" ^[3])
F♯5 ("Searching For A Reason To Carry On" ^[4])
F5 ("No Skin" ^[1])
E5 ("Josephine" ^[1])
E♭5 ("The Unattractive, Portable Head" ^[5])

E3 ("The Unattractive, Portable Head" ^[1])
B2 ("I Don't Give A Shit About Wood, I'm Not A Chemist" ^[4], "The Theater Goer" ^[2])
G♯2 ("Feed The Scenesters To The Lions" ^[2])
G2 ("Daughters" ^[2])
E♭2 ("City Song" ^[5])
D2 ("No Exit" ^[3])
C2 ("Night Coming" ^[4], "Open Mouth" ^[3])
A1 ("Nurse, Would You Please Prep The Patient For The Sexual Doctor" ^[3])

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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.

SPOILER: Click to show

{Credits}Big thanks to Seb for notewatching the song "Satan In The Wait"

[Zedd Squared]

I'm kinda surprised those Less Sex notes ended up only being G2, I remember thinking "oh damn didn't expect such baritone singing on this album" when I got to them originally. Props for tackling such an intimidating vocal style and somehow getting a coherent thread out of it. :thumb:

[Smitty.]

ik we dont have voice type discussions anymore but i am not sure he's a baritone
he is more comfy with his highs up to F#5(I.E "The Fuck Whisperer") and has shown promising belting ablities in a bunch of songs with Fucking Invinciable
his lows are more or so comfy in the B2-G#2 are as often when he goes lower it fuckigngsucks like the spoiler Eb2 in "City Song" and also in the same song he seemd not very comfy hitting the G#2 in it
his G2's do have some warmth and depth and re not the worst notes ever but he also often avoids it live
and thanks

[Zedd Squared]

Yeah admittedly one of the reasons voice types aren't used as much nowadays is due to singers like Marshall who don't use their voice in a way that's remotely relevant to traditional classification. I was using "baritone" as more of a stylistic descriptor than a classification in that instance, since the style in that track feels especially Michael Gira influenced.