Emery Bingham (1,326 views)

[sweetenerboy]

Emery Bingham
Vocal Range: G3-G5-Eb6-B6 (STILL NOTEWATCHING!)

Significant High Notes:
B6 ("Imagine")
Bb6 ("Emotions")
A6 ("Imagine", "Positions")
G#6 ("Emotions")
G6 ("Emotions")
F6 ("Positions")
Eb6 ("Touch It")


G5 ("Touch It")
F#5 ( "a friends pov" , "Almost is Never Enough")
F5 ("Positions", "POV", "Touch It")
Eb5 ("stuck with u")
D5 ("Positions")
C#5 ("a friends pov")
B4 ("a friends pov")

Low Notes:
Bb3 ("POV")
A3 ("Almost Is Never Enough", "Positions")
G#3 ("a friends pov", "stuck with u")
G3 ("Touch It")
........................................
Blue marks notes sung in head voice.
Underlines marks notes found in harmonies and backing vocals.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.

[BAZanine]

Heyo, so I just wanted to let you know that you don't have to (and probably shouldn't) count every note hit in a given passage. For example, I see you have both B♭3 and G3 counted for that same slide. In this case, since they're connected and take place right next to each other, I'd just count G3. Same with the sustained whistles; unless a given note in a sustain is pretty exemplary ("boldworthy" as it's called around here), the highest note is probably the best bet to count as opposed to counting every note hit in between as well. Effectively, since you've linked all of your notes here, if you're using the same link for multiple of these notes there's a risk of redundancy. Also it'd be worth labeling your Significant Low Notes section as well. G'day, carry on. :)

[sweetenerboy]

Mar 6, 2021 10:34:21 GMT BAZanine said:

Heyo, so I just wanted to let you know that you don't have to (and probably shouldn't) count every note hit in a given passage. For example, I see you have both B♭3 and G3 counted for that same slide. In this case, since they're connected and take place right next to each other, I'd just count G3. Same with the sustained whistles; unless a given note in a sustain is pretty exemplary ("boldworthy" as it's called around here), the highest note is probably the best bet to count as opposed to counting every note hit in between as well. Effectively, since you've linked all of your notes here, if you're using the same link for multiple of these notes there's a risk of redundancy. Also it'd be worth labeling your Significant Low Notes section as well. G'day, carry on. :)

Okay, Thank U! It's my first time here, so I'm sorry if I make sum stupid mistakes. But what if the only example of a note is on a lower note (like B6 and A6 in Imagine since Emery has no other A6)?

[Deleted]

Mar 6, 2021 10:40:13 GMT sweetenerboy said:

But what if the only example of a note is on a lower note (like B6 and A6 in Imagine since Emery has no other A6)?

I think it's okay, as long as it's not a ridiculous amount of notes from the same song.