Post by kaji on Mar 18, 2021 3:39:41 GMT
Félia Litvinne (11 October 1860 - 12 October 1936)
Voice Type: Soprano
Vocal Range: G♯3-C6
Significant High Notes:
C6 ("Hojotoho! hojotoho! Hei a ha!", "Noch")
B5 ("Air de Chimene", "Hojotoho! hojotoho! Hei a ha!", "Sur mes genoux")
B♭5 ("Air de Chimene", "D'amor sulle'ali rosee", "O ma lyre immortelle", "Tacea la notte placida")
A5 ("Berceuse d'Harold", "Hojotoho! hojotoho! Hei a ha!", "Ich grolle nicht", "Seigneur daignez permettre", "Sur mes genoux", "Voi lo sapete")
G♯5 ("D'amor sulle'ali rosee", "Einsam in trüben Tagen", "La mort d'Isolde", "Mild und leise", "Noch", "O mon Fernand", "Ritorna vincitor!", "Seigneur daignez permettre", "Sur mes genoux", "Tacea la notte placida")
G5 ("Air de Chimene", "D'amor sulle'ali rosee", "Hojotoho! hojotoho! Hei a ha!", "Ich grolle nicht", "Les berceaux, Op. 23, No. 1", "Noch", "Seigneur daignez permettre", "Sur mes genoux", "Tacea la notte placida", "Voi lo sapete")
F♯5 ("Berceuse d'Harold", "Einsam in trüben Tagen", "La mort d'Isolde", "Les berceaux, Op. 23, No. 1", "L’Incrédule", "Mild und leise", "Mon coeur s'ouvre a ta vox", "Ritorna vincitor!", "Sur mes genoux", "Voi lo sapete")
F5 ("Adieu, fière cité", "Berceuse d'Harold", "D'amor sulle'ali rosee", "Hojotoho! hojotoho! Hei a ha!", "Les berceaux, Op. 23, No. 1", "Noch", "O ma lyre immortelle", "O mon Fernand", "Ritorna vincitor!", "Tacea la notte placida")
E5 ("Air de Chimene", "Berceuse d'Harold", "Einsam in trüben Tagen", "Hojotoho! hojotoho! Hei a ha!", "Ich grolle nicht", "Je voudrais bien savoir… Il était un roi de Thulé", "La mort d'Isolde", "L’Incrédule", "Mild und leise", "O ma lyre immortelle", "Ritorna vincitor!", "Seigneur daignez permettre", "Sur mes genoux", "Voi lo sapete")
Significant Low Notes:
D4 ("Air de Chimene", "Ich grolle nicht", "L’Incrédule", "Noch", "O mon Fernand", "Seigneur daignez permettre")
C♯4 ("Air de Chimene", "L’Incrédule", "Mon coeur s'ouvre a ta vox", "O ma lyre immortelle", "Ritorna vincitor!")
C4 ("D'amor sulle'ali rosee", "Ich grolle nicht", "Les berceaux, Op. 23, No. 1", "O mon Fernand", "Ritorna vincitor!", "Seigneur daignez permettre")
B3 ("O ma lyre immortelle", "O mon Fernand", "Voi lo sapete")
B♭3 ("Les berceaux, Op. 23, No. 1", "Mon coeur s'ouvre a ta vox")
A3 ("L’Incrédule")
G♯3 ("D'amor sulle'ali rosee")
........................................
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
{Repertoire}
1883 - Amelia in Verdi's Simon Boccanegra
1884 - Elvira in Verdi's Ernani
1884 - Lucrezia Borgia in Donizetti's Lucrezia Borgia
1884 - Gilda in Verdi's Rigoletto
1885 - Amelia in Verdi's Un ballo in maschera
1885 - Salomé in Massenet's Hérodiade
1885 - Leonora in Verdi's Il trovatore
1886 - Brunehild in Reyer's Sigurd
1888 - Rusalka in Dargomyzhsky’s Rusalka
1889 - Judith in Serov’s Judith
1890 - Gertrude in Thomas' Hamlet
1895 - Catherine in Saint-Saëns' Henri VIII
1895 - Dalila in Saint-Saëns' Samson and Delilah
1896 - Valentine in Meyebeer's Les Huguenots
1896 - Sélika in Meyebeer's L'Africaine
1896 - Chimène in Sacchini's Chimène
1896 - Marguerite in Gounod's Faust
1896 - Gertrude in Thomas' Hamlet
1899 - Isolde in Wagner's Tristan und Isolde
1899 - Aida in Verdi's Aida
1901 - Brünnhilde in Wagner's Götterdämmerung
1902 - Donna Anna in Mozart's Don Giovanni
1903 - Brünnhilde in Wagner's Der Ring des Nibelungen
1905 - Hélène in Saint-Saëns' Hélène
1905 - Kundry in Wagner's Parsifal
1905 - Armide in Gluck's Armide
1906 - Nunciata in Saint-Saëns' L'ancêtre (world premiere)
1907 - Gioconda in Ponchielli's La Gioconda
1911 - Déjanire in Saint-Saëns' Déjanire (world premiere)
1911 - Kundry in Wagner's Parsifal
1916 - de Polignac's Judith de Béthule (world premiere)
1883 - Amelia in Verdi's Simon Boccanegra
1884 - Elvira in Verdi's Ernani
1884 - Lucrezia Borgia in Donizetti's Lucrezia Borgia
1884 - Gilda in Verdi's Rigoletto
1885 - Amelia in Verdi's Un ballo in maschera
1885 - Salomé in Massenet's Hérodiade
1885 - Leonora in Verdi's Il trovatore
1886 - Brunehild in Reyer's Sigurd
1888 - Rusalka in Dargomyzhsky’s Rusalka
1889 - Judith in Serov’s Judith
1890 - Gertrude in Thomas' Hamlet
1895 - Catherine in Saint-Saëns' Henri VIII
1895 - Dalila in Saint-Saëns' Samson and Delilah
1896 - Valentine in Meyebeer's Les Huguenots
1896 - Sélika in Meyebeer's L'Africaine
1896 - Chimène in Sacchini's Chimène
1896 - Marguerite in Gounod's Faust
1896 - Gertrude in Thomas' Hamlet
1899 - Isolde in Wagner's Tristan und Isolde
1899 - Aida in Verdi's Aida
1901 - Brünnhilde in Wagner's Götterdämmerung
1902 - Donna Anna in Mozart's Don Giovanni
1903 - Brünnhilde in Wagner's Der Ring des Nibelungen
1905 - Hélène in Saint-Saëns' Hélène
1905 - Kundry in Wagner's Parsifal
1905 - Armide in Gluck's Armide
1906 - Nunciata in Saint-Saëns' L'ancêtre (world premiere)
1907 - Gioconda in Ponchielli's La Gioconda
1911 - Déjanire in Saint-Saëns' Déjanire (world premiere)
1911 - Kundry in Wagner's Parsifal
1916 - de Polignac's Judith de Béthule (world premiere)