Post by thechunk on Sept 24, 2019 12:40:02 GMT
Kristin Hayter
Vocal Range: B2-C♯6
Voice Type: Mezzo-Soprano - a full, dark tone in the third and fourth octaves with a strong, resonant falsetto through the fifth and sixth octaves.
Significant High Notes:
C♯6 ("Stockholm Syndrome")
C6 ("All Bitches Die (Bitches All Die Here)", "D E F A C E D", "F A I L E D F O R E S T // G O L D E N G R I D")
B5 ("F A I L E D F O R E S T // G O L D E N G R I D")
B♭5 ("D E F A C E D", "Disease of Men", "Domino Dad Sabertooth (V.2)", "Jolene"
A5 ("Stockholm Syndrome")
G♯5 ("God Gave Me No Name (No Thing Can Hide From My Flame)" live Starline Ballroom 2018, "Stockholm Syndrome")
G5 ("All Bitches Die (Bitches All Die Here)", "Can Carry No Weight", "Do You Doubt Me Traitor", "F A I L E D F O R E S T // G O L D E N G R I D", "Fucking Deathdealer", "Rise O Rise", "Suffer Forever", "That He May Not Rise Again")
F♯5 ("Stockholm Syndrome", "That He May Not Rise Again")
F5 ("Faithful Servant Friend of Christ", "Suffer Forever", "That He May Not Rise Again")
E5 ("All Bitches Die (Bitches All Die Here)", "Bad Boys", "Do You Doubt Me Traitor", "Faithful Servant Friend of Christ", "God Gave Me No Name (No Thing Can Hide From My Flame)" live Starline Ballroom 2018, "I Am the Beast", "Rise O Rise", "Stockholm Syndrome")
E♭5 ("Butcher of the World", "Can Carry No Weight", "Domino Dad Sabertooth (V.2)", "Holy Is The Name (Of My Ruthless Axe)", "Sorrow! Sorrow! Sorrow!", "Suffer Forever", "Woe to All (On the Day of My Wrath)")
D5 ("Bad Boys", "Do You Doubt Me Traitor", "If The Poison Won't Take You My Dogs Will", "May Failure Be Your Noose", "That He May Not Rise Again")
C♯5 ("Disease of Men", "God Gave Me No Name (No Thing Can Hide From My Flame)" live Starline Ballroom 2018, "Suffer Forever")
C5 ("Butcher of the World", "Can Carry No Weight", "If The Poison Won't Take You My Dogs Will", "The Chosen One (Master)", "The Girls from the Streets", "Kim" live 2018, "Nothing Stirs", "Suffer Forever")
B4 ("Fragrant Is My Many Flower'd Crown", "Kim" live 2018, "Stockholm Syndrome")
Significant Low Notes:
A3 ("Do You Doubt Me Traitor", "The Girls from the Streets", "Nothing Stirs", "That He May Not Rise Again")
G♯3 ("God Gave Me No Name (No Thing Can Hide From My Flame)")
G3 ("Can Carry No Weight", "Fucking Deathdealer", "Sorrow! Sorrow! Sorrow!")
F♯3 ("Fragrant Is My Many Flower'd Crown")
F3 ("The Chosen One (Master)", "Disease of Men", "Hallow Hollow", "May Failure Be Your Noose", "Spite Alone Holds Me Aloft", "The Girls from the Streets")
E3 ("All Bitches Die (Bitches All Die Here)", "Bad Boys", "Do You Doubt Me Traitor", "Faithful Servant Friend Of Christ", "The Girls from the Streets", "Jolene", "Kim" live 2018)
E♭3 ("Hallow Hollow", "Holy Is the Name (Of My Ruthless Axe)", "Suffer Forever", "Woe to All (On the Day of My Wrath)")
D3 ("Do You Doubt Me Traitor", "Fucking Deathdealer", "If the Poison Won't Take You My Dogs Will", "May Failure Be Your Noose", "Sorrow! Sorrow! Sorrow!")
C♯3 ("Fragrant Is My Many Flower'd Crown", "Sexless//No Sex")
C3 ("All Bitches Die (Bitches All Die Here)")
B2 ("Do You Doubt Me Traitor")
..................................................................
• Underlines mark notes that are obscured in the song mix.
• Bold marks notes or passages that are particularly outstanding (relative to the singer).
LINGUA IGNOTA (Kristin Hayter) is a multidisciplinary musician, composer, and sound artist who is classically trained in voice and piano and has also studied traditional Bulgarian polyphony. Hayter blends death industrial with neoclassical darkwave to engage in a radical recontextualisation of violent and misogynistic imagery, creating what she terms “survivor anthems” that grapple with her experiences of domestic violence.
A low placed mezzo-soprano, Hayter’s voice is especially strong in the upper third through the lower fourth octave, with a rich, dark tone enhanced by her distinctly lachrymose inflection. With a uniquely strong falsetto, Hayter is also comfortable in the fifth and sixth octaves, maintaining a full, round tone. Hayter has stated that she intentionally writes her music in keys that are awkward for her voice, necessitating frequent shifts between the head and chest registers as well as the use of different vocal colours and textures, lending imperfections to her already raw music. Hayter is also versed in a number of extended techniques, including the shrieks and screams of black metal, as well as polyphonic throat singing. Up to and including ALL BITCHES DIE, the lowest extremes of Hayter's regsiter tended to be either incredibly breathy or domianted by vocal fry - however, as of CALIGULA, she has exhibited the ability to fully support notes as low as D3, suggesting significant improvement in her lower register between the two albums.
LINGUA IGNOTA
(2017) LET THE EVIL OF HIS OWN LIPS COVER HIM
(2017) ALL BITCHES DIE
(2019) CALIGULA
Kristin Hayter
Hayter released a number of sound art pieces on her old blog (including STOCKHOLM SYNDROME, D E F A C E D, F A I L E D F O R E S T // G O L D E N G R I D, and RISE O RISE), however none of them were collected into any sort of album, and all of them have since been deleted.
(2017) LET THE EVIL OF HIS OWN LIPS COVER HIM
(2017) ALL BITCHES DIE
(2019) CALIGULA
Kristin Hayter
Hayter released a number of sound art pieces on her old blog (including STOCKHOLM SYNDROME, D E F A C E D, F A I L E D F O R E S T // G O L D E N G R I D, and RISE O RISE), however none of them were collected into any sort of album, and all of them have since been deleted.
