Post by BassSquared on Apr 14, 2021 8:04:14 GMT
Annlouice Lögdlund
Vocal Range: F♯3 - C♯6
Associated Acts: Diablo Swing Orchestra (2005-2014)
{Vocal Summary}For a band as utterly eclectic, avant-garde, and versatile as Sweden's Diablo Swing Orchestra, one would assume that their lead vocalist would be similarly able to cover an impressively wide variety of vocal styles and ranges. One would assume wrong, however, at least during the band's first decade on the scene; frontwoman Annlouice Lögdlund largely had just one gear, and that gear was "operatic soprano". To be fair, though, she was quite proficient in that bel canto style, sitting in the fifth octave as much as the fourth and unleashing glass-shattering highs as a matter of course. And by the time of her last album with the group, she did manage to become a bit more versatile than on the debut, pulling out the occasional passable shot at jazz or pop singing in addition to her massive soprano. Still, her focus was always squarely on opera, and this came to a head in 2014 when her escalating commitments in the classical world made her unable to continue with the band. Overall, a bit of a one-trick pony, but one capable of executing that trick to perfection. Written by BassSquared .
{Album Ranges} The Butcher's Ballroom (2006): F♯3 - C♯6
Sing Along Songs for the Damned & Delirious (2009): G3 - B5
Pandora's Piñata (2012): A3 - C6
Sing Along Songs for the Damned & Delirious (2009): G3 - B5
Pandora's Piñata (2012): A3 - C6
Significant High Notes:
C♯6 ("Balrog Boogie", "Heroines")
C6 ("Infralove", "Of Kali Ma Calibre", "Voodoo Mon Amour")
B5 ("Heroines", "Infralove", "Poetic Pitbull Revolutions", "Ricerca Dell'anima", "Vodka Inferno", "Wedding March for a Bullet")
B♭5 ("Guerilla Laments", "New World Widows", "Ragdoll Physics", "A Rancid Romance", "Starless", "Velvet Embracer", "Zodiac Virtues")
A5 ("Aurora", "Balrog Boogie", "Mass Rapture", "Nicht sehre dich Sorge um mich", "A Tap Dancer's Dilemma")
G♯5 ("Bedlam Sticks", "Heroines", "Of Kali Ma Calibre", "Pie Jesu" live 2008, "Stratosphere Serenade")
G5 ("D'angelo", "Infralove", "Lucy Fears the Morning Star", "New World Widows", "Nicht sehre dich Sorge um mich", "Porcelain Judas", "Pink Noise Waltz", "Ragdoll Physics", "Ricerca Dell'anima", "Starless", "Stratosphere Serenade", "Velvet Embracer", "Vodka Inferno", "Voodoo Mon Amour", "Wedding March for a Bullet", "Zodiac Virtues")
F♯5 ("Aurora", "Balrog Boogie", "Poetic Pitbull Revolutions")
F5 ("Aurora", "Honey Trap Aftermath", "Marie vaggsång", "Pink Noise Waltz", "A Rancid Romance", "A Tap Dancer's Dilemma")
E5 ("Dagen är kommen", "Jul, jul strålande jul", "Lucy Fears the Morning Star", "Porcelain Judas", "Ricerca Dell'anima", "Stratosphere Serenade")
E♭5 ("Bedlam Sticks", "D'angelo", "Kevlar Sweethearts", "New World Widows", "Of Kali Ma Calibre", "Ragdoll Physics", "Subconscious", "Velvet Embracer")
D5 ("Black Box Messiah", "Dagen är kommen", "Guerilla Laments", "Marie vaggsång", "A Rancid Romance", "Subconscious", "A Tap Dancer's Dilemma")
Significant Low Notes:
C4 ("Hurt", "Kevlar Sweethearts", "Of Kali Ma Calibre")
B3 ("Infralove", "Vodka Inferno", "Wedding March for a Bullet")
B♭3 ("Starless")
A3 ("Mass Rapture")
G3 ("Bedlam Sticks", "New World Widows")
F♯3 ("Wedding March for a Bullet")
{Questionable Notes} E♭6 "Bedlam Sticks" [5]
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
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Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
