Post by Smitty. on Jun 14, 2021 17:06:53 GMT
Bonnie Fraser
Associated Acts: Stand Atlantic 2013 - Present
Vocal Range: B2 - G♯5
Voice Type: Lower leaning soprano i guess
{Vocal Summary By Susilupus}Despite being relatively new to the music scene, Stand Atlantic have already made an impact, a feat that can certainly in part be credited to Bonnie Fraser's vocal and guitar playing duties in the band.
Fraser uses her lower range and her higher range a fairly equal amount, though perhaps her high range is more commonly heard and is more often the focal point of her vocal melodies. She makes frequent use of belting, which she has done up to the lower-mid fifth octave. Fraser already has a unique, identifiable sound which has certainly helped Stand Atlantic to get to where they are, and their rise in popularity shows no signs of stopping.
Fraser uses her lower range and her higher range a fairly equal amount, though perhaps her high range is more commonly heard and is more often the focal point of her vocal melodies. She makes frequent use of belting, which she has done up to the lower-mid fifth octave. Fraser already has a unique, identifiable sound which has certainly helped Stand Atlantic to get to where they are, and their rise in popularity shows no signs of stopping.
Significant High Notes:
G♯5 ("Sidewinder")
G5 ("Eviligo", "Jurassic Park", "Like That", "Skin & Satin")
F♯5 ("Coffee At Midnight", "Hate Me (Sometimes)", "Lost My Cool", "Mess I Made", "Soap")
F5 ("Clay", "Cigarette kiss", "deathwish", "Mess I Made", "Push", "Speak Slow", "Skinny Dipping")
E5 ("All The Small Things" Live @ Lillydale's 2013, "Bullfrog", "Chemicals", "DWYW", "Eviligo", "Shh!", "Wavelength")
E♭5 ("Burn In The Afterthought", "Coffee At Midnight", "Clay", "Cigarette Kiss", "deathwish", "Jurassic Park", "Lavender Bones", "MakeDamnSure", "Righteous", "Roses", "Sidewinder", "Skinny Dipping", "Speak Slow", "Soap", "Wavelength")
D5 ("Bulletproof Vest", "Bullfrog", "Catalyst", "Chemicals", "DWYW", "Jurassic Park", "Like That", "Push", "Shh!", "Silk & Satin")
C♯5 ("Burn In The Afterthought", "Chemicals", "Clay", "Cigarette Kiss", "Hate Me (Sometimes)", "Lost My Cool", "Mess I Made", "MakeDamnSure", "Righteous", "Roses", "Soap", "Skinny Dipping", "Sugar We're Goin Down" Live at Music Industry College 2015)
C5 ("Blurry", "Catalyst", "deathwish", "Eviligo", "I'm Sorry", "Lavender Bones", "Like That", "Push", "Romeo", "Shh!", "Sidewinder", "Speak Slow", "Toothpick", "Your Graduation")
B4 ("Bulletproof Vest", "Bullfrog", "Coffee At Midnight", "DWYW")
B♭4 ("All The Small Things" Live @ Lillydale's 2013, "Blurry", "Burn In The Afterthought", "Coffee At Midnight", "Cigarette Kiss", "I'm Sorry", "Jurassic Park", "Lost My Cool", "Lavender Bones", "MakeDamnSure", "Push", "Romeo", "Soap", "Skinny Dipping", "Speak Slow", "Sugar We're Goin Down" Live at Music Industry College 2015, "Wavelength")
Significant Low Notes:
B3 ("Breakaway", "Bullfrog", "Bulletproof Vest", "Tonight We Stay")
B♭3 ("Clay", "Cigarette Kiss", "Hate Me (Sometimes)", "Jurassic Park", "Soap", "Sidewinder")
A3 ("All The Small Things" Live @ Lillydale's 2013, "Bulletproof Vest", "Catalyst", "Chemicals", "DWYW", "Shh!", "Your Graduation")
G♯3 ("Burn In The Afterthought", "Coffee At Midnight", "Mess I Made", "Roses", "Sidewinder", "Skinny Dipping", "Sugar We're Goin Down" Live at Music Industry College 2015)
G3 ("Coffee at Midnight" Live in HMV Manchester 2018, "Eviligo", "Lavender Bones", "Push", "Shh!", "Silk & Satin", "Toothpick")
F♯3 ("Hate Me (Sometimes)", "Lost My Cool", "MakeDamnSure", "Righteous", "Silk & Satin", "Wavelength")
F3 ("Blurry", "Clay", "Eviligo", "I'm Sorry', "Jurassic Park", "Lost My Cool" Live in HMV Manchester 2018, "MakeDamnSure", "Push", "Roses", "Your Graduation")
E3 ("Lavender Bones" Live in HMV Manchester 2018, "Silk & Satin", "Skinny Dipping" Live in HMV Manchester 2018)
E♭3 ("deathwish", "Righteous", "Wavelength")
D3 ("DWYW", "Like That")
C3 ("Blurry")
B2 ("Bulletproof Vest")
..................................................................
Blue denotes falsetto and whistle passages.
Boldface denotes outstanding passages.
Italics denote non-melodic and spoken passages.
Underlines denote obscured and background passages.
{Questionable Notes}A5 ("DWYW" [1][3])
D5 ("Blurry" [4])
..................................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to the singer in question.
[3] marks notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
D5 ("Blurry" [4])
..................................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to the singer in question.
[3] marks notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Credits}Big Thanks to Seb for cropping the picture