Post by SailorBlue on Jun 18, 2021 5:54:02 GMT
Corey Frye
Vocal Range: A2 - F♯5
Associated Acts: The Main Squeeze (2010 - Present)
{Album Ranges}First Drops EP (2011): F3 - E♭5
The Main Squeeze (2012): E3 - D5 - E5
Mind Your Head (2015): D3 - E♭5
Without a Sound (2017): A2 - D5
12345 (2020): B2 - D5
The Main Squeeze (2012): E3 - D5 - E5
Mind Your Head (2015): D3 - E♭5
Without a Sound (2017): A2 - D5
12345 (2020): B2 - D5
Significant High Notes:
F♯5 ("Can't Hide Love", "Since I've Been Loving You" Live Fort Lauderdale 2018)
F5 ("Since I've Been Loving You" Live Tampa 2017)
E5 ("Blow My Mind" Squeeze House Version, "Fancy Clothes", "Fire", "Go to Work", "Mama Told Me", "The Ocean")
E♭5 ("Angelus", "Can't Hide Love", "Ebaneezer", "Love Yourself Somebody", "Redbone", "Sex Machine", "Since I've Been Loving You", "Them Changes")
D5 ("Dr. Funk", "Go to Work", "Grow", "In a Funk", "Karma", "Layla", "Little Bit", "Mama Told Me", "Mixed Up", "No Diggity", "The Ocean", "Only Time", "Piranha", "Pleasure", "Sweat", "That Feelin'", "This World", "Trouble", "Voodoo Child (Slight Return)", "War Pigs", "While My Guitar Gently Weeps", "With a Little Help From My Friends")
C♯5 ("Crosstown Traffic" Live at The Bluebird 2012, "Fancy Clothes" Squeeze House Version, "Fire", "Make a Move", "Mama Told Me", "Man in the Mirror", "No Quarter", "Papa Was a Rolling Stone", "Redbone", "Sex Machine", "Space Age Celebration", "Sun is Shining", "Sweet Devine", "Them Changes", "Two Steps")
C5 ("405", "All in", "Angelus", "Bulls on Parade", "Can't Hide Love", "A Change is Gonna Come", "Cold Blood", "Colorful Midst", "Crosstown Traffic" Live at The Bluebird 2012, "Get at Me", "Grow", "I'll Take Another", "In a Funk", "Last Call", "Love Yourself Somebody", "Man in the Mirror", "Mixed Up", "No Diggity", "The Ocean", "One Way", "Only Time", "Overture", "Piranha", "Prelude
", "Return of the Mack" Live St. Augustine 2017, "Silly Vices", "Since I've Been Loving You", "So Real", "Spines Pt.1", "Trouble", "Where Do We Go?", "While My Guitar Gently Weeps", "Whipping Post", "With a Little Help From My Friends", "#W W C")B4 ("Blow My Mind", "Devil Was an Angel", "Dr. Funk", "Eyes of the World", "Fancy Clothes", "Get at Me", "Go to Work", "Have a Cigar", "Hotel California", "Insecure", "Karma", "Little Bit", "Man in the Mirror", "Message to the Lonely", "No Quarter", "No Such Thing", "One", "Pleasure", "Save My Soul", "Shot", "Sun is Shining", "Sweat", "Sweet Devine", "Tank X-ing", "Two Steps", "Voodoo Child (Slight Return)", "War Pigs", "Where Do We Go? (Reprise)")
B♭4 ("405", "A Change is Gonna Come", "Colorful Midst", "Crosstown Traffic" Live at The Bluebird 2012, "Dance of the Sugar Plum Fairy", "Ebaneezer", "Everybody Wants to Rule the World", "Farewell", "I'll Take Another", "Last Call", "Love's in Need of Love Today", "Nobody Better", "No Diggity", "One Way", "Overture", "Papa Was a Rolling Stone", "Redbone", "Silly Vices", "Sun is Shining", "That Feelin'", "Them Changes", "Where Do We Go?", "Where Do We Go? (Reprise)")
A4 ("All in", "Blow My Mind", "Devil Was an Angel", "Fire", "Go to Work", "Have a Cigar", "Layla", "Make a Move", "Mama Told Me", "Mixed Up", "Nobody Better", "Only Time", "Shot", "Silly Vices", "So Real", "That Feelin'", "This World", "Time", "War Pigs", "Whipping Post", "A Whiter Shade of Pale", "Without a Sound")
Significant Low Notes:
A3 ("All in", "Devil Was an Angel", "Have a Cigar", "Insecure", "Only Time", "Time", "Whipping Post")
G♯3 ("Angelus", "Papa Was a Rolling Stone", "Space Age Celebration", "Sweet Devine", "Them Changes", "Where Do We Go?", "Where Do We Go? (Interlude)")
G3 ("Colorful Midst", "Go to Work", "I'll Take Another", "Layla", "Love Yourself Somebody", "Mama Told Me", "Man in the Mirror", "No Diggity", "One Way", "Piranha", "Shot", "So Real", "That Feelin'", "This World", "Whipping Post", "A Whiter Shade of Pale")
F♯3 ("Make a Move", "Mama Told Me", "Mixed Up", "Space Age Celebration", "Time", "Without a Sound")
F3 ("405", "Angelus", "A Change is Gonna Come", "Cold Blood", "Farewell", "Get at Me", "Grow", "In a Funk", "Message to the Lonely", "Nobody Better", "Pleasure", "Silly Vices", "Since I've Been Loving You", "Space Age Celebration", "Trouble", "#W W C")
E3 ("All in", "Eyes of the World", "Karma", "Little Bit", "Make a Move", "Man in the Mirror", "No Quarter", "No Such Thing", "Only Time", "Shot", "Voodoo Child (Slight Return)", "War Pigs", "While My Guitar Gently Weeps", "With a Little Help From My Friends")
E♭3 ("Can't Hide Love", "Everybody Wants to Rule the World", "In a Funk", "Love's in Need of Love Today")
D3 ("Blow My Mind", "No Diggity", "No Such Thing", "#W W C")
C♯3 ("Fancy Clothes", "Sweet Devine")
B2 ("Little Bit")
A2 ("The Ocean", "Only Time")
{Questionable Notes}G5 ("Since I've Been Loving You" [5])
C♯5 ("One Way" [5])
E3 ("Time" [1])
F3 ("I'll Take Another" [1])
D3 ("Nobody Better" [1])
G♯2 ("Cold Blood" [2], "Get at Me" [2], "In a Funk" [4])
F♯2 ("Sweet Devine" [2])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................C♯5 ("One Way" [5])
E3 ("Time" [1])
F3 ("I'll Take Another" [1])
D3 ("Nobody Better" [1])
G♯2 ("Cold Blood" [2], "Get at Me" [2], "In a Funk" [4])
F♯2 ("Sweet Devine" [2])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
Blue marks falsetto or whistle notes.
Green marks harsh and distorted notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.