Post by Platypus on Jun 21, 2021 20:18:21 GMT
Jaap Blonk (xx.xx.1953 - )
Vocal Range: C1 - C♯6
{Album Ranges}
Flux de Bouche (1993): D2 - B♭4 - C♯6
Vocalor (1998): F1 - B♭1 - B4 - G♯5
Bek (Mouth / Beak / Maw) (2002): N/A
Voice Studies (2012): C1 - C♯2 - G4 - G♯5
Flux de Bouche (1993): D2 - B♭4 - C♯6
Vocalor (1998): F1 - B♭1 - B4 - G♯5
Bek (Mouth / Beak / Maw) (2002): N/A
Voice Studies (2012): C1 - C♯2 - G4 - G♯5
Significant High Notes:
C♯6 ("Rhotic (Phonetic Etude Nr 1)")
G♯5 ("Apostatic Aria", "(brüllt)", "Flux-de-Bouche", "Hommage à A.A. II", "Totenklage (Dirge)")
G5 ("Canto VII de Altazor")
F♯5 ("Apostatic Aria", "Rhotic (Phonetic Etude Nr 1)")
F5 ("facial: retroplof")
E5 ("Darg", "facial: sabb", "Flux-de-Bouche", "Totenklage (Dirge)")
E♭5 ("Seepferdchen und Flugfische (Seahorses and Flying Fishes)")
D5 ("facial: sabb", "Kolokol Uma")
C♯5 ("a isla da", "Mnemosyne")
C5 ("Rhotic (Phonetic Etude Nr 1)")
B4 ("Geen Krimp III", "Récitation 11")
B♭4 ("Seepferdchen und Flugfische (Seahorses and Flying Fishes)")
A4 ("der minister I")
G♯4 ("Canto VII de Altazor")
G4 ("Apostatic Aria", "(brüllt)", "Darg", "der minister II", "Flux-de-Bouche", "Geen Krimp V", "Kulo quasi", "Mnemosyne", "Récitation 11", "Rhotic (Phonetic Etude Nr 1)")
F♯4 ("a isla da", "Hommage à A.A. I", "Kolokol Uma")
F4 ("Apostatic Aria", "(brüllt)", "Darg")
E4 ("a isla da", "Ad", "Approximate Air", "Geen Krimp I", "Kulo quasi")
Significant Low Notes:
C3 ("Darg")
B2 ("Ango laïna")
A2 ("just a thought")
G♯2 ("Geen Krimp IV")
G2 ("Récitation 11", "Seepferdchen und Flugfische (Seahorses and Flying Fishes)")
F♯2 ("Apostatic Aria", "Geen Krimp I", "Kolokol Uma", "Kulo quasi", "Totenklage (Dirge)")
E2 ("Axtherastical", "Rhotic (Phonetic Etude Nr 1)")
E♭2 ("der minister II", "DINA SORE", "facial: kraa", "facial: sabb", "Flux-de-Bouche", "Seepferdchen und Flugfische (Seahorses and Flying Fishes)")
D2 ("der minister I", "DINA SORE", "facial: retroplof", "Kolokol Uma", "Kulo quasi", "Nonomotihur")
C♯2 ("Apostatic Aria")
C2 ("facial: retroplof")
B1 ("Kulo quasi")
B♭1 ("Kolokol Uma")
A1 ("Geen Krimp II")
G♯1 ("Apostatic Aria")
F♯1 ("Grom (Growl)", "suavecito")
F1 ("Kolokol Uma")
D1 ("Approximate Air")
C1 ("Approximate Air", "Kras (Scratch)")
{Questionable Notes}
A6 ("Piep (Beep)" [6a])
G♯6 ("facial: jiji" [6a], "Kras (Scratch)" [6a], "suavecito" [6a])
G6 ("facial: kraa" [6a])
B5 ("Approximate Air" [6a], "Geen Krimp III" [5])
C1 ("Geen Krimp II" [3])
B♭0 ("Piep (Beep)" [6b])
G♯0 ("Grom (Growl)" [6b], "Kras (Scratch)" [6b])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6a] marks notes likely created through reverse phonation (inhaling)
[6b] marks notes produced via questionable means
A6 ("Piep (Beep)" [6a])
G♯6 ("facial: jiji" [6a], "Kras (Scratch)" [6a], "suavecito" [6a])
G6 ("facial: kraa" [6a])
B5 ("Approximate Air" [6a], "Geen Krimp III" [5])
C1 ("Geen Krimp II" [3])
B♭0 ("Piep (Beep)" [6b])
G♯0 ("Grom (Growl)" [6b], "Kras (Scratch)" [6b])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6a] marks notes likely created through reverse phonation (inhaling)
[6b] marks notes produced via questionable means
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
