Musical Theatre Cast Albums Range Thread (1,717 views)

[kaji]

In this thread I'll be cataloguing vocal ranges for cast albums of various musicals. From both the most popular ones to the most obscure ones I can find. I will be editing this as I go. 

SPOILER: Click to show

{Notewatched musicals (in alphabetical order)}
Anderson: Goldilocks (Original Broadway Cast Recording) (G♯2-B♭5) (1958)
Blane: Three Wishes for Jamie (Original Broadway Cast Recording) (B♭2-C♯6) (1952)
Loewe: My Fair Lady (Original Broadway Cast Recording) (B♭1-G5) (1956)
Porter: Out of this World (Original Broadway Cast Recording) (B♭2-B5) (1950) 
Rome: Wish You Were Here (Original Broadway Cast Recording) (A2-B♭5) (1952)
Schafer: Bravo Giovanni (Original Broadway Cast Recording) (E♭2-E♭5) (1962)
Sondheim: Follies (Original Broadway Cast Recording) (A2-A5) (1971) 

[kaji]

Three Wishes for Jamie (Original Broadway Cast Recording)
Music and lyrics by: Ralph Blane
Book by: Charles O'Neal and Abe Burrows
Year of production: 1952
Total vocal range: B♭2-C♯6

Cast:
John Raitt as Jamie McRuin (B♭2-B♭4)
Anne Jeffreys as Maeve Harrigan (G3-G♯5)
Bert Wheeler as Owen Roe Tavish (B2-A4)
Charlotte Rae as Tirsa Shanahan (G♯3-C♯6)
Peter Conlow as Dennis O'Ryan (D3-E4)
Robert Halliday as Tim Shanahan (B2-G♯4)

Significant High Notes:

C♯6 ("I'll Sing You A Song")
B5 ("Finale", "I'll Sing You A Song", "The Wake")
A5 ("Wedding March")
G♯5 ("It's A Wishing World")
G5 ("Goin' On A Hayride", "My Heart's Darlin' (Reprise)", "My Home's A Highway", "Wedding March", "What Do I Know?")
F♯5 ("Finale", "I'll Sing You A Song", "Love Has Nothing To Do With Looks (Reprise)", "The Wake")
F5 ("It Must Be Spring", "Love Has Nothing To Do With Looks", "My Home's A Highway")
E5 ("Goin' On A Hayride", "Love Has Nothing To Do With Looks", "Love Has Nothing To Do With Looks (Reprise)", "What Do I Know?")
E♭5 ("My Heart's Darlin' (Reprise)")
D5 ("Goin' On A Hayride", "It Must Be Spring", "It's A Wishing World", "Love Has Nothing To Do With Looks", "Love Has Nothing To Do With Looks (Reprise)", "My Home's A Highway")
C♯5 ("April Face", "Finale", "I'll Sing You A Song", "What Do I Know?")
C5 ("It Must Be Spring", "Love Has Nothing To Do With Looks", "My Heart's Darlin' (Reprise)")
B4 ("It's A Wishing World", "My Home's A Highway")
B♭4 ("Goin' On A Hayride", "The Army Mule Song")
A4 ("April Face", "It's A Wishing World", "Love Has Nothing To Do With Looks", "Love Has Nothing To Do With Looks (Reprise)", "My Heart's Darlin'", "Trottin' To The Fair", "Wedding March", "What Do I Know?")
G♯4 ("April Face", "Finale", "I'll Sing You A Song", "It's A Wishing World", "The Girl That I Court In My Mind", "Trottin' To The Fair")
G4 ("Goin' On A Hayride", "My Heart's Darlin' (Reprise)", "The Army Mule Song")
F♯4 ("April Face", "Finale", "Goin' On A Hayride", "I'll Sing You A Song", "It's A Wishing World", "The Girl That I Court In My Mind")
F4 ("Finale", "My Heart's Darlin'", "The Army Mule Song")
E4 ("April Face", "I'll Sing You A Song", "Love Has Nothing To Do With Looks", "Love Has Nothing To Do With Looks (Reprise)", "Trottin' To The Fair", "We're For Love")
E♭4 ("The Girl That I Court In My Mind", "My Heart's Darlin' (Reprise)", "The Wake")
D4 ("Goin' On A Hayride", "Love Has Nothing To Do With Looks (Reprise)", "My Heart's Darlin'")

Significant Low Notes:

G♯3 ("I'll Sing You A Song")
G3 ("My Home's A Highway")
F♯3 ("The Wake")
F3 ("The Army Mule Song")
E3 ("April Face", "Finale", "I'll Sing You A Song", "It's A Wishing World")
E♭3 ("Trottin' To The Fair")
D3 ("Goin' On A Hayride", "Love Has Nothing To Do With Looks", "Love Has Nothing To Do With Looks (Reprise)", "We're For Love")
C♯3 ("April Face", "The Girl That I Court In My Mind")
C3 ("My Heart's Darlin'")
B2 ("The Wake")
B♭2 ("My Heart's Darlin' (Reprise)")

[kaji]

Goldilocks (Original Broadway Cast Recording)
Music by: Leroy Anderson
Lyrics by: Joan Ford, Jean Kerr and Walter Kerr
Book by: Jean Kerr and Walter Kerr
Year of production: 1958
Total vocal range: G♯2-B♭5

Cast:
Don Ameche as Max Grady (G♯2-F4)
Elaine Stritch as Maggie Harris (F3-F♯5)
Russell Nype as George Randolph Brown (C♯3-G♯4)
Pat Stanley as Lois Lee (B♭3-B♭5)
Richard Armbruster as Andy Singer (B2-F♯4)
Margaret Hamilton as Bessie (B♭3-G♯5)
Nathaniel Frey as Pete (E3-F♯4)

Significant High Notes:

B♭5 ("Two Years in the Making")
G♯5 ("Heart of Stone")
G5 ("Lady in Waiting", "Heart of Stone")
F♯5 ("Bad Companions", "No One'll Ever Love You")
F5 ("The Pussy Foot", "Two Years in the Making")
E5 ("No One'll Ever Love You")
E♭5 ("Bad Companions", "Lady in Waiting", "The Pussy Foot")
D5 ("Heart of Stone", "The Pussy Foot")
C5 ("Bad Companions", "Lady in Waiting", "Two Years in the Making")
B4 ("Give the Little Lady", "Heart of Stone", "No One'll Ever Love You")
B♭4 ("Bad Companions", "Lady in Waiting", "The Beast in You", "The Pussy Foot", "Two Years in the Making", "Who's Been Sitting in My Chair?")
A4 ("Give the Little Lady", "Heart of Stone", "No One'll Ever Love You", "Save a Kiss", "The Beast in You", "The Pussy Foot")
G♯4 ("Give the Little Lady", "Heart of Stone", "Who's Been Sitting in My Chair?")
G4 ("I Never Know When", "Lady in Waiting", "No One'll Ever Love You", "Save a Kiss", "The Beast in You", "Two Years in the Making")
F♯4 ("Heart of Stone", "I Never Know When", "Save a Kiss")
F4 ("I Can't Be in Love", "Lady in Waiting")
E4 ("Save a Kiss", "Shall I Take My Heart and Go?")
E♭4 ("Bad Companions", "Lady in Waiting")
D4 ("Bad Companions", "I Can't Be in Love", "Shall I Take My Heart and Go?")

Significant Low Notes:

B♭3 ("Bad Companions", "Lady in Waiting", "The Pussy Foot")
A3 ("The Beast in You")
G♯3 ("I Never Know When")
G3 ("Give the Little Lady", "Save a Kiss", "The Beast in You", "Who's Been Sitting in My Chair?")
F3 ("Give the Little Lady", "I Never Know When", "Lady in Waiting", "Who's Been Sitting in My Chair?")
E3 ("Bad Companions", "Heart of Stone", "Save a Kiss")
E♭3 ("Lady in Waiting", "There Never Was a Woman")
D3 ("Heart of Stone", "Shall I Take My Heart and Go?")
C♯3 ("Save a Kiss")
C3 ("I Can't Be in Love")
B2 ("Bad Companions", "No One'll Ever Love You")
B♭2 ("There Never Was a Woman")
G♯2 ("I Can't Be in Love", "No One'll Ever Love You")

[Henny Macc]

I've been thinking of making a thread kind of like a combination of this and my Bands We've Notewatched thread, called Casts We've Notewatched, where I would list a header for a musical and then list any threads we have for singers who have played certain roles beneath them. Would you be interested in collaborating/contributing to that if I did?

[kaji]

Jan 12, 2022 20:19:38 GMT Henny Macc said:

I've been thinking of making a thread kind of like a combination of this and my Bands We've Notewatched thread, called Casts We've Notewatched, where I would list a header for a musical and then list any threads we have for singers who have played certain roles beneath them. Would you be interested in collaborating/contributing to that if I did?

That'd be great. And sure. 

[kaji]

Wish You Were Here (Original Broadway Cast Recording)
Music and lyrics by: Harold Rome
Book by: Arthur Kober and Joshua Logan
Year of production: 1952
Total vocal range: A2-B♭5

Cast:
Sidney Armus as Itchy Flexner (A2-F4)
Sheila Bond as Fay Fromkin (B♭3-E♭5)
Jack Cassidy as Chick Miller (B2-G♯4)
Patricia Marand as Teddy Stern (B♭3-B♭5)
Sammy Smith as Lou Kandel (F3-B♭4)
Paul Valentine as Pinky Harris (C3-F♯4)

Significant High Notes:

B♭5 ("Where Did the Night Go")
G5 ("Finale", "Where Did the Night Go")
F5 ("Could Be", "Flattery")
E♭5 ("Everybody Love Everybody", "Relax")
D5 ("Could Be", "Flattery", "Goodbye Love", "Where Did the Night Go")
C5 ("Certain Individuals", "Flattery", "Goodbye Love")
B4 ("Everybody Love Everybody")
B♭4 ("Certain Individuals", "Everybody Love Everybody", "Finale", "Flattery", "Goodbye Love", "Shopping Around")
A4 ("Could Be", "Goodbye Love")
G♯4 ("Camp Kare-Free Song", "Shopping Around", "They Won't Know Me", "Wish You Were Here")
G4 ("Camp Kare-Free Song", "Could Be", "Everybody Love Everybody", "Flattery", "Wish You Were Here")
F♯4 ("Mix and Mingle", "Summer Afternoon")
F4 ("Ballad Of A Social Director", "Mix and Mingle", "They Won't Know Me", "Where Did the Night Go", "Wish You Were Here")
E4 ("Mix and Mingle", "They Won't Know Me")
E♭4 ("Relax", "Summer Afternoon", "They Won't Know Me", "Where Did the Night Go", "Wish You Were Here")
D4 ("Ballad Of A Social Director", "Flattery", "Mix and Mingle", "Relax")

Significant Low Notes:

F3 ("Camp Kare-Free Song", "Mix and Mingle")
E3 ("Summer Afternoon")
E♭3 ("Don José of Far Rockaway", "They Won't Know Me", "Wish You Were Here")
D3 ("Ballad Of A Social Director", "Flattery", "Relax", "Where Did the Night Go")
C♯3 ("Summer Afternoon")
C3 ("Don José of Far Rockaway", "Mix and Mingle", "Relax", "Where Did the Night Go")
B2 ("Don José of Far Rockaway", "They Won't Know Me")
B♭2 ("Flattery")
A2 ("Ballad Of A Social Director")

[Macca]

Says G#2 But No G#2 Listed in The Note Part

[kaji]

Jan 12, 2022 22:42:13 GMT Macca said:

Says G#2 But No G#2 Listed in The Note Part

Typo.

[Macca]

Sheila Bond And Patricia Marand's Lowest Note In The Musical Is In The Mid Range According To The Thread

[kaji]

My Fair Lady (Original Broadway Cast Recording)
Music by: Frederick Loewe
Lyrics and book by: Alan Jay Lerner
Year of production: 1956
Total vocal range: B♭1-G5

Cast:
Julie Andrews as Eliza Doolittle (E♭3-G5)
Rex Harrison as Henry Higgins (B♭1-E5)
Stanley Holloway as Alfred Doolittle (G2-E4)
Robert Coote as Hugh Pickering (C3-G4)
John Michael King as Freddy Eynsford-Hill (C3-F4)
Philippa Bevans as Mrs. Pearce (G3-B4)

Significant High Notes:

G5 ("I Could Have Danced All Night", "Show Me")
F♯5 ("Ascot Gavotte")
F5 ("I Could Have Danced All Night", "The Rain in Spain")
E5 ("A Hymn to Him", "Ascot Gavotte", "I Could Have Danced All Night", "The Rain in Spain", "Without You")
E♭5 ("Show Me", "Without You", "Wouldn't It Be Loverly")
D5 ("I Could Have Danced All Night", "Just You Wait", "Show Me", "Without You", "Wouldn't It Be Loverly")
C5 ("Just You Wait", "Show Me", "The Rain in Spain", "Wouldn't It Be Loverly")
B4 ("I Could Have Danced All Night", "Without You", "Wouldn't It Be Loverly")
B♭4 ("I'm an Ordinary Man", "I've Grown Accustomed to Her Face", "Just You Wait")
A4 ("A Hymn to Him", "The Rain in Spain", "Why Can't the English?", "Without You", "Wouldn't It Be Loverly", "You Did It")
G♯4 ("Just You Wait")
G4 ("I Could Have Danced All Night", "I'm an Ordinary Man", "Why Can't the English?", "You Did It")
F4 ("I'm an Ordinary Man", "I've Grown Accustomed to Her Face", "On the Street Where You Live", "Show Me", "Why Can't the English?")
E4 ("A Hymn to Him", "Get Me to the Church on Time", "On the Street Where You Live", "Why Can't the English?", "With a Little Bit of Luck", "You Did It")
E♭4 ("I'm an Ordinary Man", "Show Me")
D4 ("Get Me to the Church on Time", "On the Street Where You Live", "With a Little Bit of Luck", "You Did It")

Significant Low Notes:

G3 ("I Could Have Danced All Night")
F♯3 ("Get Me to the Church on Time", "Without You")
F3 ("On the Street Where You Live", "With a Little Bit of Luck")
E3 ("Show Me")
E♭3 ("Without You")
D3 ("I've Grown Accustomed to Her Face", "Why Can't the English?", "You Did It")
C♯3 ("A Hymn to Him", "Get Me to the Church on Time")
C3 ("I'm an Ordinary Man", "On the Street Where You Live", "With a Little Bit of Luck", "You Did It")
B♭2 ("I'm an Ordinary Man")
A2 ("I've Grown Accustomed to Her Face")
G2 ("With a Little Bit of Luck")
B♭1 ("I've Grown Accustomed to Her Face")

[kaji]

Jan 12, 2022 22:55:09 GMT Macca said:

Sheila Bond And Patricia Marand's Lowest Note In The Musical Is In The Mid Range According To The Thread

This is not a normal range thread... It's the whole cast's range in one thread. Normal thresholds do not apply. Similar to this Simpsons range thread. 

[Macca]

Make a thread on Alexander Hamilton musical

[kaji]

Bravo Giovanni (Original Broadway Cast Recording)
Music by: Milton Schafer
Lyrics by: Ronny Graham
Book by: A. J. Russell
Year of production: 1962
Total vocal range: E♭2-E♭5

Cast:
Cesare Siepi as Giovanni Venturi (E♭2-E♭4)
George S. Irving as Signor Bellardi (G2-G4)
David Opatoshu as Amedeo (B♭2-E♭4)
Michele Lee as Miranda (G♯3-D5)
Maria Karnilova as Signora Pandolfi (B♭3-E♭5)
Gene Varrone as Troubadour (E3-F4)

Significant High Notes:

E♭5 ("Signora Pandolfi / The Kangaroo")
D5 ("Bravo, Giovanni / One Little World Apart", "Signora Pandolfi / The Kangaroo")
C5 ("Bravo, Giovanni / One Little World Apart", "Signora Pandolfi / The Kangaroo", "Steady, Steady")
B4 ("I'm All I've Got", "Steady, Steady")
B♭4 ("Bravo, Giovanni / One Little World Apart", "I'm All I've Got", "Signora Pandolfi / The Kangaroo")
A4 ("Bravo, Giovanni / One Little World Apart", "Signora Pandolfi / The Kangaroo", "Steady, Steady")
G♯4 ("I'm All I've Got", "Steady, Steady")
G4 ("Steady, Steady", "Uriti")
F♯4 ("Signora Pandolfi / The Kangaroo", "Uriti")
F4 ("Ah! Camminare", "Steady, Steady", "The Argument", "Uriti")
E4 ("Virtue, Arrivederci")
E♭4 ("If I Were the Man", "Rome", "The Argument", "Virtue, Arrivederci", "We Won't Discuss It")
D4 ("Ah! Camminare", "Bravo, Giovanni / One Little World Apart", "Breachy's Law", "Miranda", "Signora Pandolfi / The Kangaroo", "The Argument", "Uriti", "We Won't Discuss It")
C♯4 ("Ah! Camminare", "Bravo, Giovanni / One Little World Apart", "Breachy's Law", "Rome", "Virtue, Arrivederci")

Significant Low Notes:

G♯3 ("I'm All I've Got")
G3 ("Virtue, Arrivederci")
F♯3 ("If I Were the Man")
F3 ("Ah! Camminare", "Breachy's Law", "Signora Pandolfi / The Kangaroo", "Uriti")
E♭3 ("If I Were the Man", "Miranda")
D3 ("Signora Pandolfi / The Kangaroo", "Uriti", "We Won't Discuss It")
C♯3 ("Breachy's Law", "Miranda", "Rome")
C3 ("Uriti", "Virtue, Arrivederci", "We Won't Discuss It")
B2 ("If I Were the Man")
B♭2 ("Miranda", "Rome", "Signora Pandolfi / The Kangaroo", "The Argument")
A2 ("Bravo, Giovanni / One Little World Apart", "Miranda", "The Argument", "We Won't Discuss It")
G2 ("The Argument")
F2 ("We Won't Discuss It")
E♭2 ("Bravo, Giovanni / One Little World Apart")

[kaji]

Out of This World (Original Broadway Cast Recording)
Music and lyrics by: Cole Porter
Book by: Reginald Lawrence and Dwight Taylor
Year of production: 1950
Total Vocal Range: B♭2-B5

Cast:
William Redfield as Mercury (B2-G♯4)
George Jongeyans as Jupiter (B♭2-F4)
Priscilla Gillette as Helen (E4-B♭5)
Charlotte Greenwood as Juno (F3-B5)
Barbara Ashley as Chloe (C♯4-G♯5)

Significant High Notes:

B5 ("What Do You Think About Men?")
B♭5 ("Finale")
A5 ("Use Your Imagination")
G♯5 ("Finale", "No Lover (For Me)", "Where, Oh, Where?")
G5 ("I Am Loved", "Use Your Imagination")
F♯5 ("No Lover (For Me)", "What Do You Think About Men?")
F5 ("No Lover (For Me)", "Use Your Imagination", "Where, Oh, Where?")
E5 ("What Do You Think About Men?")
E♭5 ("I Am Loved", "Where, Oh, Where?")
D5 ("Cherry Pies Ought to Be You", "Use Your Imagination", "What Do You Think About Men?")
C♯5 ("No Lover (For Me)", "Where, Oh, Where?")
C5 ("What Do You Think About Men?")
B4 ("Cherry Pies Ought to Be You", "What Do You Think About Men?")
B♭4 ("Nobody's Chasing Me", "Where, Oh, Where?")
A4 ("Cherry Pies Ought to Be You", "Climb Up the Mountain", "Hail, Hail, Hail / I Got Beauty", "I Sleep Easier Now")
G♯4 ("Climb Up the Mountain", "I Sleep Easier Now", "They Couldn't Compare to You", "What Do You Think About Men?")
G4 ("Cherry Pies Ought to Be You", "Hail, Hail, Hail / I Got Beauty", "I Sleep Easier Now", "Nobody's Chasing Me")
F♯4 ("I Sleep Easier Now")
F4 ("Climb Up the Mountain", "Prologue / I Jupiter, I Rex", "They Couldn't Compare to You")
E4 ("Climb Up the Mountain", "I Sleep Easier Now", "Prologue / I Jupiter, I Rex", "What Do You Think About Men?")
E♭4 ("Hark to the Song of the Night", "Prologue / I Jupiter, I Rex", "They Couldn't Compare to You")
D4 ("Hark to the Song of the Night")

Significant Low Notes:

G3 ("Climb Up the Mountain", "Hail, Hail, Hail / I Got Beauty", "What Do You Think About Men?")
F♯3 ("Nobody's Chasing Me", "Prologue / I Jupiter, I Rex")
E3 ("Cherry Pies Ought to Be You", "Prologue / I Jupiter, I Rex", "They Couldn't Compare to You")
E♭3 ("Hark to the Song of the Night")
D3 ("Cherry Pies Ought to Be You")
C♯3 ("Hark to the Song of the Night", "Prologue / I Jupiter, I Rex")
B2 ("They Couldn't Compare to You")
B♭2 ("Hark to the Song of the Night")

[Macca]

Why Do Some Musical Theatre Characters Only Sing 1-2 Octaves in The Entire Show?

[kaji]

Jan 14, 2022 1:33:06 GMT Macca said:

Why Do Some Musical Theatre Characters Only Sing 1-2 Octaves in The Entire Show?

Because not all characters have a lot of material. Some are only in 1-2 songs. And 2 octaves is not little. It's like covering C3-C5. Plenty of range. Characters that cover more than 2 octaves are rare. Because it's unrealistic expectation for a singer. 

[kaji]

Follies (Original Broadway Cast Recording)
Music and lyrics by: Stephen Sondheim
Book by: James Goldman
Year of production: 1971
Total vocal range: A2-A5

Cast:
Gene Nelson as Buddy Plummer (C3-F4)
Dorothy Collins as Sally Durant Plummer (F3-A5)
John McMartin as Benjamin Stone (A2-F4)
Alexis Smith as Phyllis Rogers Stone (F♯3-D5)
Michael Bartlett as Roscoe (E♭3-G♯4)
Fifi D'Orsay as Solange LaFitte (E3-G4)
Ethel Shutta as Hattie Walker (G3-B4)
Mary McCarty as Stella Deems (E3-A4)
Yvonne De Carlo as Carlotta Campion (E♭3-B4)
Justine Johnston as Heidi Schiller (D4-F♯5)
Harvey Evans as a young Buddy (C3-F♯4)
Marti Rolph as a young Sally (C4-F♯5)
Kurt Peterson as a young Ben (C♯3-F♯4)
Virginia Sandifur as a young Phyllis (C4-F♯5)
Victoria Mallory as a young Heidi (E4-G♯5)

Significant High Notes:

A5 ("The God-Why-Don't-You-Love-Me Blues")
G♯5 ("One More Kiss")
G5 ("Too Many Mornings")
F♯5 ("One More Kiss", "Too Many Mornings", "You're Gonna Love Tomorrow / Love Will See Us Through")
F5 ("One More Kiss")
E5 ("Too Many Mornings", "Waiting For The Girls Upstairs", "You're Gonna Love Tomorrow / Love Will See Us Through")
E♭5 ("You're Gonna Love Tomorrow / Love Will See Us Through")
D5 ("In Buddy's Eyes", "Too Many Mornings", "Waiting For The Girls Upstairs")
C5 ("One More Kiss", "Too Many Mornings")
B4 ("Ah, Paris! / Broadway Baby", "Could I Leave You?", "Don't Look At Me", "I'm Still Here", "Losing My Mind")
B♭4 ("I'm Still Here", "In Buddy's Eyes", "Losing My Mind", "One More Kiss", "The Story Of Lucy And Jessie", "Waiting For The Girls Upstairs")
A4 ("Ah, Paris! / Broadway Baby", "Don't Look At Me", "In Buddy's Eyes", "One More Kiss", "The Story Of Lucy And Jessie", "Who's That Woman?", "You're Gonna Love Tomorrow / Love Will See Us Through")
G♯4 ("Could I Leave You?", "I'm Still Here", "Losing My Mind", "Prologue: Beautiful Girls", "Waiting For The Girls Upstairs")
G4 ("Ah, Paris! / Broadway Baby", "Could I Leave You?", "Don't Look At Me", "In Buddy's Eyes", "The Story Of Lucy And Jessie", "Who's That Woman?")
F♯4 ("I'm Still Here", "Who's That Woman?", "You're Gonna Love Tomorrow / Love Will See Us Through")
F4 ("Ah, Paris! / Broadway Baby", "Live, Laugh, Love / Finale", "The God-Why-Don't-You-Love-Me Blues", "The Right Girl")
E4 ("Prologue: Beautiful Girls", "The Right Girl", "The Road You Didn't Take", "Too Many Mornings", "Waiting For The Girls Upstairs", "You're Gonna Love Tomorrow / Love Will See Us Through")
E♭4 ("I'm Still Here", "Prologue: Beautiful Girls", "The Right Girl", "Waiting For The Girls Upstairs")
D4 ("The Right Girl", "The Road You Didn't Take", "Too Many Mornings", "Waiting For The Girls Upstairs", "You're Gonna Love Tomorrow / Love Will See Us Through")

Significant Low Notes:

G3 ("Ah, Paris! / Broadway Baby", "Could I Leave You?", "In Buddy's Eyes", "The Story Of Lucy And Jessie", "Waiting For The Girls Upstairs")
F♯3 ("Could I Leave You?", "Losing My Mind", "Prologue: Beautiful Girls")
F3 ("Ah, Paris! / Broadway Baby", "Losing My Mind")
E3 ("Ah, Paris! / Broadway Baby", "Prologue: Beautiful Girls", "Who's That Woman?")
E♭3 ("I'm Still Here", "Prologue: Beautiful Girls", "The God-Why-Don't-You-Love-Me Blues", "The Right Girl")
D3 ("Don't Look At Me", "The God-Why-Don't-You-Love-Me Blues", "The Road You Didn't Take", "Too Many Mornings", "Waiting For The Girls Upstairs")
C♯3 ("The Right Girl", "You're Gonna Love Tomorrow / Love Will See Us Through")
C3 ("Live, Laugh, Love / Finale", "The Right Girl", "Too Many Mornings", "Waiting For The Girls Upstairs")
B2 ("Don't Look At Me")
A2 ("The Road You Didn't Take")