Post by sylvia!! on Jul 8, 2021 12:56:39 GMT
Matt Hawkins (born some point 1999)
Vocal Range: E2 - G5
Vocal Type: RYM Users If They Weren't Evil
Significant High Notes:
G5 ("Esophagus", "I Speak to Rosaries")
F♯5 ("Even So", "I Speak to Rosaries", "Obsession", "Trainwreck")
F5 ("Judgement Day", "Prisms", "These Three Ravens")
E5 ("Even So", "Handshake", "Mister Whisper", "Painfully Please", "The Roulettista", "Swim", "Trainwreck", "Watch You Suffer As I Did")
E♭5 ("Are You Having Fun Yet?", "Cruel", "Judgement Day", "Myasthenia", "You're Right")
D5 ("Even So", "Hatred", "Have It Your Way", "Just Smile and Wave, Boys", "Miraculously", "Mister Whisper", "The Roulettista", "Skydiving in the City", "The Vigilante")
C♯5 ("Estranged")
C5 ("Are You Having Fun Yet?", "Bitter", "Cruel", "Esophagus", "Have It Your Way", "Indulge Yourself", "Infamous", "Judgement Day", "The Roulettista", "Swim", "You're Right")
B4 ("Closure", "Even So", "Handshake", "Have It Your Way", "I Speak to Rosaries", "Jesus Christ", "Just Smile and Wave, Boys", "Makes It Funny", "Memories", "Obsession", "Painfully Please", "Wilkerson")
B♭4 ("Bitter", "Cruel", "These Three Ravens", "The Vigilante", "Wilkerson")
A4 ("Bitter", "Closure", "Even So", "Hauntless", "Jesus Christ", "Just Smile and Wave, Boys", "Miraculously", "Trainwreck", "Over the Windbreak/Bloom", "Xayah")
G♯4 ("Hauntless", "Indulge Yourself", "J. Frusciante", "Miraculously", "Myasthenia", "Over the Windbreak/Bloom", "Prisms", "You're Right")
Significant Low Notes:
F3 ("Dear Misery", "Estranged", "Judgement Day", "Myasthenia", "Prisms")
E3 ("Food Fight", "Hatred", "Have It Your Way", "Infamous", "J. Frusciante", "Memories", "September Secrets" "Trainwreck")
E♭3 ("Bitter", "Dear Misery", "Myasthenia", "The Roulettista", "These Three Ravens", "Unpredictable", "Vice Versa in Such Things", "Wilkerson", "You're Right")
D3 ("Closure", "I Speak to Rosaries", "Inside Voices", "Trainwreck")
C3 ("Bitter", "Judgement Day", "Prisms", "The Roulettista", "September Secrets", "Vice Versa in Such Things", "You're Right")
B2 ("Esophagus", "Inside Voices", "J. Frusciante", "Jesus Christ", "Obsession")
A2 ("Inside Voices")
G♯2 ("Dear Misery")
G2 ("Bitter", "Watch You Suffer As I Did")
F♯2 ("Jesus Christ", "Makes It Funny")
F2 ("You're Right")
E2 ("Watch You Suffer As I Did")
{Questionable Notes}C♯6 ("Esophagus" [6])
..................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks inhaled notes
..................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks inhaled notes
{Discography}Avenade
Here's to the Prejudice (2018): F♯2 - C5
You'd Think So But You'd Be Wrong (2019): B2 - F♯4 - G5
It's A Whimsical Afterlife (2019): E2 - D5 - F♯5
Vice Versa In Such Things (2020): G2 - E5 - F♯5
Our Raging God Unknown To Us (2023):
Italics Mark EPs
..................................................Here's to the Prejudice (2018): F♯2 - C5
You'd Think So But You'd Be Wrong (2019): B2 - F♯4 - G5
It's A Whimsical Afterlife (2019): E2 - D5 - F♯5
Vice Versa In Such Things (2020): G2 - E5 - F♯5
Our Raging God Unknown To Us (2023):
Italics Mark EPs
• Blue denotes falsetto and whistle passages.
• Green denotes harshly distorted passages.
• Grey denotes fry or extended low note techniques
• Boldface denotes outstanding passages.
• Italics denote non-melodic and spoken passages.
• Underlines denote obscured and background passages.
