Post by sylvia!! on Jul 8, 2021 12:56:39 GMT
Matt Hawkins (born some point 1999)
Vocal Range: E2 - G5
Vocal Type: What You'd Expect From a 23-Year-Old Who Frequents RYM
Significant High Notes:
G5 ("Esophagus")
F♯5 ("Even So", "Obsession", "Trainwreck")
E5 ("Even So", "Handshake", "Mister Whisper", "Painfully Please", "Swim", "Trainwreck", "Watch You Suffer As I Did")
E♭5 ("Are You Having Fun Yet?", "Cruel")
D5 ("Even So", "Hatred", "Have It Your Way", "Just Smile and Wave, Boys", "Miraculously", "Mister Whisper", "Skydiving in the City", "The Vigilante")
C♯5 ("Estranged")
C5 ("Are You Having Fun Yet?", "Bitter", "Cruel", "Esophagus", "Indulge Yourself", "Have It Your Way", "Infamous", "Swim")
B4 ("Closure", "Even So", "Handshake", "Have It Your Way", "Just Smile and Wave, Boys", "Makes It Funny", "Memories", "Obsession", "Painfully Please", "Wilkerson")
B♭4 ("Bitter", "Cruel", "The Vigilante", "Wilkerson")
A4 ("Bitter", "Closure", "Even So", "Just Smile and Wave, Boys", "Miraculously", "Trainwreck", "Over the Windbreak/Bloom", "Xayah")
G♯4 ("Indulge Yourself", "J. Frusciante", "Miraculously", "Over the Windbreak/Bloom")
G4 ("Are You Having Fun Yet?", "Closed Fists and Battle Antics", "Handshake", "Hatred", "Infamous", "Inside Voices", "Swim", "The Vigilante", "Unpredictable")
F♯4 ("Dear Misery", "Esophagus", "Estranged", "Inside Voices", "Miraculously", "Mister Whisper", "Obsession", "Skydiving in the City", "Wilkerson", "Xayah")
Significant Low Notes:
F3 ("Dear Misery", "Estranged")
E3 ("Food Fight", "Hatred", "Have It Your Way", "Infamous", "J. Frusciante", "Memories", "September Secrets" "Trainwreck")
E♭3 ("Bitter", "Dear Misery", "Unpredictable", "Vice Versa in Such Things", "Wilkerson")
D3 ("Closure", "Inside Voices", "Trainwreck")
C3 ("Bitter", "September Secrets", "Vicer Versa in Such Things")
B2 ("Esophagus", "Inside Voices", "J. Frusciante", "Obsession")
A2 ("Inside Voices")
G♯2 ("Dear Misery")
G2 ("Bitter", "Watch You Suffer As I Did")
F♯2 ("Makes It Funny")
E2 ("Watch You Suffer As I Did")
{Questionable Notes}C♯6 ("Esophagus" [6])
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks inhaled notes
..................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
[6] marks inhaled notes
{Discography}Avenade
Here's to the Prejudice (2018): F♯2 - E♭3 - B4 - C5
You'd Think So But You'd Be Wrong (2019): B2 - F♯4 - E♭5 - G5
It's A Whimsical Afterlife (2019): E2 - B4 - D5 - F♯5
Vice Versa In Such Things (2020): G2 - B4 - E5 - F♯5
Italics Mark EPs
Here's to the Prejudice (2018): F♯2 - E♭3 - B4 - C5
You'd Think So But You'd Be Wrong (2019): B2 - F♯4 - E♭5 - G5
It's A Whimsical Afterlife (2019): E2 - B4 - D5 - F♯5
Vice Versa In Such Things (2020): G2 - B4 - E5 - F♯5
Italics Mark EPs
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• Blue denotes falsetto and whistle passages.
• Green denotes harshly distorted passages.
• Grey denotes fry or extended low note techniques
• Boldface denotes outstanding passages.
• Italics denote non-melodic and spoken passages.
• Underlines denote obscured and background passages.
