Post by SailorBlue on Aug 31, 2021 8:26:33 GMT
Markus Marjomaa
Vocal Range: G1 - B4
Associated Acts: Aarni (1998 - Present), Umbra Nihil (2000 - Present)
{Album Ranges}Demo 2001 (2001): G1 - E3
Duumipeikon paluu (2002): D2
Bathos (2004): B1 - E♭3
Tohcoth (2008): G♯1 - G♯4 - B4
Omnimantia (2008): B1 - B2
Aarni / Persistence in Mourning (2012): B♭1 - B♭3
Duumipeikon paluu (2002): D2
Bathos (2004): B1 - E♭3
Tohcoth (2008): G♯1 - G♯4 - B4
Omnimantia (2008): B1 - B2
Aarni / Persistence in Mourning (2012): B♭1 - B♭3
Significant High Notes:
B4 ("The Battle Hymn of the Eristocracy")
G♯4 ("The Sound of One I Opening")
B♭3 ("Lemminkäinens Tempel")
F3 ("Barbelith")
E3 ("The Black Keyes (of R'lyeh)", "The Sound of One I Opening")
E♭3 ("Niut Net Meru")
D3 ("Arouse Coiled Splendour", "The Hieroglyph", "Liber umbrarum vel coniunctio")
Significant Low Notes:
E2 ("Arouse Coiled Splendour", "Dimwa Depenga", "Goetia", "Lemminkäinens Tempel", "Liber umbrarum vel coniunctio")
E♭2 ("Metsänpeitto", "Pandemia", "Persona Mortuae Cutis")
D2 ("Barbelith", "The Battle Hymn of the Eristocracy", "Dimwa Depenga", "Niut Net Meru", "The Sound of One I Opening", "Squaring the Circle", "Transcend Humanity", "The Weird of Vipunen")
C♯2 ("The Black Keyes (of R'lyeh)", "Coniuratio Sadoquae", "Pandemia", "V.I.T.R.I.O.L.")
C2 ("Pandemia")
B1 ("All Along The Watchtowers", "Arouse Coiled Splendour", "The Battle Hymn of the Eristocracy", "The Black Keyes (of R'lyeh)", "Liber umbrarum vel coniunctio", "Path of Return", "The Sound of One I Opening", "This is Not a Mask", "The Thunder, Perfect Mindfuck")
B♭1 ("49 Angeli Boni")
A1 ("Arouse Coiled Splendour", "Barbelith", "The Hieroglyph")
G♯1 ("All Along The Watchtowers", "Iku-Turso")
G1 ("Myrrys")
{Questionable Notes}C♯7 ("Lovecraft Knew" [5])
B4 ("The Sound of One I Opening" [1])
B1 ("Lovecraft Knew" [4])
G♯1 ("Goetia" [4])
G1 ("Transcend Humanity" [4])
F♯1 ("Liber umbrarum vel coniunctio" [4])
F1 ("Reaching Azathoth" [4])
E♭1 ("Persona Mortuae Cutis" [4])
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
B4 ("The Sound of One I Opening" [1])
B1 ("Lovecraft Knew" [4])
G♯1 ("Goetia" [4])
G1 ("Transcend Humanity" [4])
F♯1 ("Liber umbrarum vel coniunctio" [4])
F1 ("Reaching Azathoth" [4])
E♭1 ("Persona Mortuae Cutis" [4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.