Round Five: Braden v Breakfast in D-sharp (407 views)

[Steve]

This is BAZanine v Breakfast in D-sharp in Round Five of the Clip-Off. You have five days to submit your clips, and until 23:00 BST Time November 18 to vote. November 19 is the Results Day.

The singer you'll have to use this round will be the one you did not use in Round Three. Also, a thread has been opened for choosing your alt-team for round six!

The categories for Round Five are:
1. Best Singing Spanning an Octave or Less: A clip that's made interesting despite not spanning more than an octave of vocal range.
2. Best Singing Spanning Two Octaves or More: Singing that's probably going out of its way to sound impressive by spanning two octaves of vocal range or more.

The contestants are free to post their clips, voting commences as soon as they have.

Vote here.

Current Vote Count: 3

[BAZanine]

Octave or Less

youtu.be/DL1OCzqEU6Q?t=1m19s

1:19 to 3:19. I like this clip. None of you will ever give me the satisfaction of a Matt Farley clip with decent ratings but I like this clip.

Two Octaves or More

youtu.be/CK8VgpmK6Uw?t=2m45s

2:45 to 4:30 or so. This is also a clip that I like. It ranges B-flat 2 to B-flat 4. I am on my phone and don't feel like looking up the flat symbol. Fuck you.

[Breakfast in D-sharp]

SPOILER: Click to show

{Best Singing Spanning an Octave or Less}David Essex - Out On The Street. David creates a sense of mounting tension with changes in tone and pace within a one-octave (F3-F4) range here, which with his combination of theatrical diction and rock aesthetic contributes to a great piece of storytelling. (After you rate the clip I'd recommend listening to the whole song, and indeed the whole album if you can, though it's not on Spotify).
5:37-6:47 (lead vocal)

SPOILER: Click to show

{Best Singing Spanning Two Octaves or More}Elaine Paige - Only The Very Best (that's not a boast, just the name of the song). F♯3 to F♯5, with strong notes at both ends of the range and lots of good stuff in between.
2:05-4:04 (skippable instrumental 2:21-2:36)