Post by Anacrusis on Nov 21, 2021 1:11:06 GMT
Andrew David Horowitz
Years Active: 2002 - Present
Associated Acts: Tally Hall, edu
Recorded Range: A2 - B4
Voice Type: Adorable
{Vocal Summary}Quiet and reserved, green-tied Andrew Horowitz often lets his keyboard prowess do the speaking in Michigan-based five-tie rock band Tally Hall. However, he does contribute vocals on occasion, adding a fourth voice to the band’s characteristic "fabloo" sound. Vocally, Horowitz is a baritone with a warm, breathy tone and a slight lisp, both of which add to his quaint charm. And though his leads in Tally Hall are sparse, his character shines through in his solo project "edu," which combines a cozy, intimate atmosphere with the wacky and colorful stylings of Tally Hall.
Special Note: All notes from the sketches album were pitched using the sketches 3d re-release.
Significant High Notes:
B4 ("Grandpa is Hiding", "HEY YOU!")
A4 ("HEY YOU!", "(I Know) It’s Just the Same" live The North Star Bar 2008)
G♯4 ("The Rainbow Connection")
G4 ("At the End", "Miss Melody")
F♯4 ("Fate of the Stars (Demo)", "Grandpa is Hiding", "Hummingbird", "Praise You" live Rickshaw Stop 2008)
F4 ("Daisy Fingers", "The Rainbow Connection")
E4 ("At the End", "Daisy Fingers", "HEY YOU!", "Hummingbird", "Nowhere Else")
E♭4 ("Fate of the Stars (Demo)", "Grandpa is Hiding", "Nowhere Else", "Perfect" Duet with Rob Cantor (and 12 hired impressionists), "The Rainbow Connection")
D4 ("The Bidding" live Rickshaw Stop 2008, "Daisy Fingers", "HEY YOU!", "Miss Melody", "The Rainbow Connection", "Tomorrow and Today", "You")
Significant Low Notes:
D3 ("At the End", "Daisy Fingers", "Fate of the Stars (Demo)", "Miss Melody", "The Rainbow Connection", "You")
C♯3 ("Hummingbird", "Nowhere Else", "The Rainbow Connection", "Tomorrow and Today", "You")
C3 ("At the End", "Convenience Store Musical", "Hummingbird", "Lemons and Pears", "Miss Melody", "Taken for a Ride", "Tomorrow and Today", "The Whole World and You")
B2 ("Convenience Store Musical", "Fate of the Stars", "HEY YOU!", "Tomorrow and Today", "You")
B♭2 ("At the End", "Daisy Fingers", "Miss Melody", "The Whole World and You")
A2 ("Fate of the Stars")
{Questionable Notes}E5 ("The Whole World and You" [5])
A4 ("Lemons and Pears" [2])
G4 ("HEY YOU!" [5] It’s practically whispered.)
F♯4 ("Nowhere Else" [2])
E4 ("Lemons and Pears" [2])
G2 ("Hymn for a Scarecrow" live Allston, MA. [3, 5] I know the melody here is supposed to bottom at a G, but I can't tell if he actually makes it there or not.)
..................................................
1. Brief jumps into high or low range (eg. Yelps, trills, anacrusis, etc.).
2. Notes whose singer is unclear.
3. Non-melodic (ie. Spoken or off-key) notes that also lack a clear pitch.
4. Possibly pitch-shifted notes.
5. Notes that do not fit the labels above but whose quality is still unrepresentative of the singer's usual work (eg. excessively distorted screams or sustained, but non-projected vocal fry).
A4 ("Lemons and Pears" [2])
G4 ("HEY YOU!" [5] It’s practically whispered.)
F♯4 ("Nowhere Else" [2])
E4 ("Lemons and Pears" [2])
G2 ("Hymn for a Scarecrow" live Allston, MA. [3, 5] I know the melody here is supposed to bottom at a G, but I can't tell if he actually makes it there or not.)
..................................................
1. Brief jumps into high or low range (eg. Yelps, trills, anacrusis, etc.).
2. Notes whose singer is unclear.
3. Non-melodic (ie. Spoken or off-key) notes that also lack a clear pitch.
4. Possibly pitch-shifted notes.
5. Notes that do not fit the labels above but whose quality is still unrepresentative of the singer's usual work (eg. excessively distorted screams or sustained, but non-projected vocal fry).
..................................................
• Blue: Falsetto, head voice, and/or whistle register (projected mixed voice is kept in black).
• Bold: Some of the singer's arguably most impressive notes within a given register. Click on a bolded song title to hear audio of that note.
• Italics: Non-melodic notes (ie. Spoken or off-key).
• Underlines: Notes that are buried in the song's mix or which blend together with the other voice(s) in a harmony.
