Post by SailorBlue on Jan 21, 2022 7:07:45 GMT
Johan Längquist (23 August 1963 - Present)
Vocal Range: G♯2 - F♯5
Associated Acts: Jonah Quizz (1979 - 1986), Candlemass (1986 - 1987, 2018 - Present), Impulsia (2008 - 2011)
{Album Ranges}Candlemass:
Epicus Doomicus Metallicus (1986): D3 - F♯5
The Door to Doom (2019): G♯2 - D5
The Pendulum (2020): G♯3 - C♯5
Impulsia:
Expressions (2009): A2 - A4
Jonah Quizz:
Demo 1980 (1980): E3 - F5
Demo 1982 (1982): E3 - F5
Epicus Doomicus Metallicus (1986): D3 - F♯5
The Door to Doom (2019): G♯2 - D5
The Pendulum (2020): G♯3 - C♯5
Impulsia:
Expressions (2009): A2 - A4
Jonah Quizz:
Demo 1980 (1980): E3 - F5
Demo 1982 (1982): E3 - F5
Significant High Notes:
F♯5 ("Demons Gate")
F5 ("Nattsvarta Ögon", "Skyarna")
E♭5 ("Crystal Ball", "Förstör Inte Ditt Liv", "Solitude", "Under the Oak")
D5 ("Astorolus - The Great Octopus", "Crystal Ball", "Gå", "A Sorcerer's Pledge")
C♯5 ("Attack", "Death's Wheel", "Hjärtlös Stad", "Nattsvarta Ögon", "The Omega Circle", "The Pendulum")
C5 ("Porcelain Skull", "Under the Ocean")
B4 ("Dödsängeln", "House of Doom", "Snakes of Goliath", "Splendor Demon Majesty")
B♭4 ("Black Trinity", "House of Doom", "The Omega Circle", "Splendor Demon Majesty", "Under the Ocean")
A4 ("Astorolus - The Great Octopus", "Attack", "Death's Wheel", "Grey Hole", "House of Doom", "Hunter", "Layla", "On Broken Wings (Curse of a Vampire)", "Solitude")
G♯4 ("Astorolus - The Great Octopus", "Black Trinity", "Bridge of the Blind", "Demons Gate", "The Omega Circle", "Porcelain Skull", "A Sorcerer's Pledge", "Varför")
G4 ("Behöver Dig", "Grey Hole", "Hjärtlös Stad", "Hunter", "Move On", "On Broken Wings (Curse of a Vampire)", "Rosa Lee", "Too Many Heartaches")
F♯4 ("Black Stone Wielder", "Bridge of the Blind", "Dödsängeln", "Dream On", "Snakes of Goliath", "Solitude")
F4 ("Crystal Ball", "Förstör Inte Ditt Liv", "Gå", "Nattsvarta Ögon", "Skyarna", "A Sorcerer's Pledge")
E4 ("Demons Gate", "Dödsängeln", "Dream On", "Move On", "Skyarna", "Too Many Heartaches", "Varför")
Significant Low Notes:
E3 ("Bridge of the Blind", "Demons Gate", "Grey Hole", "Hjärtlös Stad", "House of Doom", "On Broken Wings (Curse of a Vampire)", "A Sorcerer's Pledge", "Varför")
E♭3 ("Death's Wheel")
D3 ("Black Stone Wielder", "Rosa Lee", "Solitude", "Too Many Heartaches", "Under the Oak")
C♯3 ("Astorolus - The Great Octopus", "Bridge of the Blind", "Splendor Demon Majesty")
A2 ("Bridge of the Blind", "Dream On")
G♯2 ("Under the Ocean")
{Questionable Notes}G5 ("Splendor Demon Majesty" [4])
D5 ("Black Stone Wielder" [1])
B2 ("Behöver Dig" [1])
A2 ("Grey Hole" [1], "The Omega Circle" [1], "Too Many Heartaches" [1])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
D5 ("Black Stone Wielder" [1])
B2 ("Behöver Dig" [1])
A2 ("Grey Hole" [1], "The Omega Circle" [1], "Too Many Heartaches" [1])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.
