Chris Wolstenholme (1,810 views)

[EddieCheivz]

Vocal Range: G♯2-E♭5
Voice Type: Wolstenor
Years Active: 1994-Present
Associated Acts: Muse
Nationality: English

Chris is the bass player from english rock band Muse, he usually puts to Muse sound that force with solid bass lines, making good harmnoies and many times doing good counterpoint enriching Muse's music along with the pianos, the syntetizers and the guitars (mainly at three first albums). He's really good making bass lines, adding good melodies and once again, counterpoint to the composition; "Bliss", "Hysteria", "New Born", "Muscle Museum", "Darkshines", "Time is running Out", "Plug in Baby", "Sober", "Uno", "The Handler" just for saying some examples.
Chris sound is pretty known cause he uses the bass with lot of power and distortion, as Fuzz Factory pedal, or some Bozz pedals, sometimes even he uses some kind of "wah" effect at songs as "Darkshines" or "City Of Delusion", adding with the keyboards and other instruments previously named that dark essence to Muse sound. He composed two songs for the sixth Muse studio album: "Save Me" and "Liquid State" where he's the lead singer (and the background one as well lol).

Significant High Notes:

E♭5 (“Neutron Star Collision” live)
D5 ("Escape" live, “Hyper Music” live, “Uprising”)
C5 (“Liquid State”, “Pressure”, “Time is Running Out” live)
B4 (“The Groove” live, “Mk Ultra” live, "Plug in Baby” live, “Pressure”, "Solider's Poem" live, "Won't Stand Down")
B♭4 (“Dead Inside” live, “Dead Star” live, “Follow Me” live, “I Belong to You” live, “Liquid State”, “Neutron Star Collision” live, “Starlight” live, “United States of Eurasia” live)
A4 (“Blackout” live, “Dead Star” live, “Endlessly” live, “The Groove” live, “Hyper Music” live, “I Belong to You” live, “Liquid State”, “Mk Ultra” live, “Panic Station” live, “Save Me”, “Something Human” live, “Starlight” live, “Thought Contagion” studio/live version, “Time is Running Out” live,"Won't Stand Down")
G♯4 (“Follow Me” live, “Mk Ultra” live, “Something Human” live, “Survival” live, “United States of Eurasia” live)
G4 (“Assasin” live, “Blackout” live, “Dead Inside” live, “Dig Down” live, “Lithium" Lollapalooza Brazil 2014, "Panic Station” live, “Save Me”, “The Small Print” live, “Soldier's Poem" live, "Undisclosed Desires” live, “Unnatural Selection” live)
F♯4 (“Escape", "Eternally Missed” live, “Explorers” live, “Madness” live, “Neutron Star Collision” live, “Revolt” live, “Save Me”, “The Small Print” live, “Sober”, "Soldier's Poem" live, “Survival” live, “Take a bow” live)
F4 (“Assasin” live, “Dead Inside” live, “Dig Down” live, “Exogenesis: Symphony Part 3 (Redemption)” live, “Follow Me” live, “Liquid State”, “Neutron Star Collision” live, “Resistance” live, “Undisclosed Desires” live, “Unnatural Selection” live)

Significant Low Notes:

G3 (“The Dark Side” live, “Escape”, “Exogenesis: Symphony Part 3 (Redemption)” live, "Madness" live, “Map Of The Problematique” live, “Mercy” live, “New Born” live, “Overdue”, “Pink Ego Box” live, “Psycho” live, “Reapers” live, “Resistance” live, “Save Me”, “Sunburn” live, “Thoughts of a Dying Atheist” live, “The Void” live)
F♯3 (“Animals” live, “Apocalypse Please” live, “Eternally Missed” live, “Exogenesis: Symphony Part 3 (Redemption)” live, “Madness" live, "New Born” live, “Overdue”, “Save Me”, “Sing For Absolution” acoustic version/ live, “Sunburn” live)
F3 (“Animals” live, “Apocalypse Please” live, “Butterflies &Hurricanes” live, “Explorers” live, “Psycho” live, "Thoughts of a Dying Atheist” live)
E3 (“Explorers” live, “Sing For Absolution” acoustic version)
E♭3 (“Sing For Absolution” live)
D3 (“Escape”, "The Making Of The 2nd Law" Survival)
A2 ("The Making Of The 2nd Law" Supremacy)
G♯2 ("The Making Of The 2nd Law" Supremacy)

*Underline marks notes in backing vocals obscured in the mix.
*Blue marks head voice/falsetto notes.
*Boldface marks notes that are notable examples of singer's capabilities.
*Italics marks non-melodic notes.

SPOILER: Click to show

{QUESTIONABLE NOTES}
C♯5 (“United States of Eurasia” (2) sounds more like Matt to me)
B4 (“Dead Star” Shepherd’s Bush Empire 2013 (1) “Endlessly” live (could be not even a voice)

E3 (“Dig Down” live (could be not his voice)
G2 ("Save Me" Shepherds Bush Empire 2013 (5) (could not exist)
F2 ("The Making of The 2nd Law" Supremacy (1)

[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that are not of a substantial enough quality or have insufficient musical context.

SPOILER: Click to show

{ALBUM RANGES (JUST THE SIGNIFICANT)}
1999 Showbiz: D3-F♯4
2012 The 2nd Law: F♯3-A4-C5

[EddieCheivz]

jaredletoisbackagain remember you told me there's C♯3s in the acoustic version of "Sing for Absolution" but the lowest i'm hearing is E3s at the choruses: "Sing for Absolution", would you link me the notes you heared please?

On the other hand this used be in the old thread, not 100% sure but seems Chris do some kind of low sound that people counted as G2, he could not even be doing nothing there, though i think he talks to the micro for some reason lol, the quality of the audio doesn't help either and the big distance between the G2 and the D3 (or C♯3 supossing that's actually exists) is another indicator could be out of his shown range

[1999]

This is such a good initiative!
The guy has got a real solid voice imo.

[Henny Macc]

Has he ever done lead vocals on more than the two songs off The 2nd Law? He's got a good voice and all, but when that much of his recorded singing is backing vocals, something like this might be more appropriate for Threadless Singers.

[aphelion]

D5s in Wont Stand Down and Escape as well! Also Uprising is Chris on the studio version too!

[jaredletoisbackagain]

Jan 27, 2022 22:07:53 GMT EddieCheivz said:

jaredletoisbackagain remember you told me there's C♯3s in the acoustic version of "Sing for Absolution" but the lowest i'm hearing is E3s at the choruses: "Sing for Absolution", would you link me the notes you heared please?

On the other hand this used be in the old thread, not 100% sure but seems Chris do some kind of low sound that people counted as G2, he could not even be doing nothing there, though i think he talks to the micro for some reason lol, the quality of the audio doesn't help either and the big distance between the G2 and the D3 (or C♯3 supossing that's actually exists) is another indicator could be out of his shown range

You can just forget about the G2 tbh. It was nothing. And it's been like 5-7 years since I (or someone else, can't remember) pitched the C#3 in Sing For Absolution. If you can't find it, it was probably mispitched at the time. But I'm gonna look in my old notes and see if I have anything else. I do remember he does some singing in the making of The 2nd Law that was kinda low.

Edit: specifically the making of Supremacy and Survival. But the latter is really scraping the barrel for notes.

[EddieCheivz]

-Checked for myself into tha "making of The 2nd Law" documentary and found the notes you talk about thanks! good range expansion to G♯ humming some notes from "Supremacy" percusion.

-aphelion the highest i hear in "Won't Stand Down" is B4, where you hearing D5? suppose i agree about the D5 in the studio version of "Uprising" and if this is the D5 you talk about "Escape" www.youtube.com/watch?v=0TVx-gmmPu0&t=127s sounds more like Matt to me and listening along with Chris vocal line sounds pretty disconnected. In fact, he backs to sing (in his vocal line) when falsetto notes are still resonating to end. Even at the isolated vocals for Chris in the video i've got linked that falsettos aren't there. Or where they are?

[aphelion]

Jan 28, 2022 19:22:40 GMT EddieCheivz said:

-Checked for myself into tha "making of The 2nd Law" documentary and found the notes you talk about thanks! good range expansion to G♯ humming some notes from "Supremacy" percusion.

-aphelion the highest i hear in "Won't Stand Down" is B4, where you hearing D5? suppose i agree about the D5 in the studio version of "Uprising" and if this is the D5 you talk about "Escape" www.youtube.com/watch?v=0TVx-gmmPu0&t=127s sounds more like Matt to me and listening along with Chris vocal line sounds pretty disconnected. In fact, he backs to sing (in his vocal line) when falsetto notes are still resonating to end. Even at the isolated vocals for Chris in the video i've got linked that falsettos aren't there. Or where they are?

youtu.be/wwCpz_Dwv6Y?t=115
sounds the same on the studio version so I believe it's him

youtu.be/-03c4YvTeOI?t=112
quite obviously Chris when it's isolated on Uprising

youtu.be/d55ELY17CFM?t=201
listen carefully to some quiet 'ooooooaaaahhhhh' backing vocals during this chorus. Chris is credited as backing vocals, not because of the screams (as we are still unsure as to who that is), but because of these harmonies. definitely not matt (though he has some extremely buried +1 octave harmonies whenever he sings the lyrics 'wont stand down' but they're so quiet I am tempted to remove them from his thread as they could honestly be an illusion)

[EddieCheivz]

-The studio version still sounding like Matt to me, but i've added the D5 from the live version, thanks for the link!
-Good finding with that isolated vocals from "Uprsing" whatever, i already got that as the studio version
-Yeah from that last chorus is where i got the falsetto vocals, (not sure if he's singing along the previous ones, i can't hear something consistent or clear) but that's not D5 to me,("ooooooaaaahhhhh" part) i hear A4 at begininng of the melody and few seconds after some B4s but that's the highest i think

[jaredletoisbackagain]

Just realised this thread is missing Lithium!

youtu.be/dWElzO88Vmk