Post by Baronessa on Feb 21, 2022 23:46:07 GMT
Kati Cher
Member Of: Black Cage (2015...)
Vocal Range: C3 - A5
{Vocal Summary}While the 2017 Black Cage album Excess All Areas showed Kati in the embryonic stages of her vocal style, showboating throughout the album to occasionally comedic (though impressive) extents, after having taken lessons with YouTube's own Ken Tamplin she seems to have started evolving into a much more dynamic and versatile singer. While her low notes are few and far between, and not the focal point of any of her known performances, Kati's raspy belts deliberately steal the show enough for her to be considered a force to be reckoned with in the up and coming rock band arena.
{Vocal Range Timeline}Black Cage:
Excess All Areas (2017): F3 - G5
With Ken Tamplin Vocal Academy: C3 - F3 - A5
Excess All Areas (2017): F3 - G5
With Ken Tamplin Vocal Academy: C3 - F3 - A5
Significant High Notes:
A5 ("Thing Called Love")
G♯5 ("Rise Up")
G5 ("Dissident Aggressor", "I Hate Myself for Loving You", "I'm on Fire", "Kickstart My Heart", "Love Bites")
F♯5 ("Alone", "Set You Free", "We All Die Young")
F5 ("666", "The Fighter", "Here for You", "Here's to Us", "Rise Up", "Spotlight", "Thing Called Love", "We Belong")
E5 ("Call Me", "Call Me When You're Sober", "Comin' Home", "Dissident Aggressor", "Love Bites", "Meet on the Ledge", "Misery Business", "Piece of My Heart", "Set You Free", "We All Die Young", "What's Up?", "Your Love")
E♭5 ("Alone", "I Hate Myself for Loving You", "I'll Always Remember Us This Way", "I'm on Fire", "Jaded", "Kickstart My Heart", "Love, Sex & Rock 'n' Roll", "Rise Today", "When You're Gone")
D5 ("666", "Call Me", "Call Me When You're Sober", "Dissident Aggressor", "The Fighter", "Here for You", "I Hate Myself for Loving You", "I'm on Fire", "Love, Sex & Rock 'n' Roll", "Meet on the Ledge", "Miles", "Misery Business", "Shallow", "Spotlight", "Thing Called Love", "We All Die Young")
C♯5 ("11 Minutes", "Ain't It Fun?", "Alone", "Eye of the Needle", "The Fighter", "Jaded", "Misery Business", "Piece of My Heart", "Rise Up", "What's Up?", "When You're Gone", "Your Love")
C5 ("All My Life", "Call Me", "Call Me When You're Sober", "Here for You", "Here's to Us", "I'll Always Remember Us This Way", "Kickstart My Heart", "Love Bites", "Meet on the Ledge", "Miles", "Rise Today", "Set You Free", "Spotlight", "We Belong")
B4 ("11 Minutes", "666", "Ain't It Fun?", "Angel", "Eye of the Needle", "Intoxication", "Jaded", "Lights", "Shallow", "We All Die Young", "What's Up?", "When You're Gone", "Wild Ones", "Your Love")
Significant Low Notes:
B3 ("11 Minutes", "Ain't It Fun?", "Call Me", "Comin' Home", "Eye of the Needle", "Lights", "Piece of My Heart", "What's Up?", "When You're Gone", "Your Love")
B♭3 ("Alone", "Call Me When You're Sober", "Here for You", "I'm on Fire", "Love, Sex & Rock 'n' Roll", "Rise Up", "We Belong", "When You're Gone")
A3 ("Ain't It Fun?", "Comin' Home", "The Fighter", "Here's to Us", "I'll Always Remember Us This Way", "Intoxication", "Meet on the Ledge", "Piece of My Heart", "Set You Free", "Shallow", "We All Die Young", "What's Up?", "Wild Ones")
G♯3 ("11 Minutes", "Angel", "Eye of the Needle", "I'm on Fire", "Jaded", "Misery Business", "Rise Today", "Rise Up", "We All Die Young", "Your Love")
G3 ("666", "All My Life", "Call Me When You're Sober", "The Fighter", "Here's to Us", "I'll Always Remember Us This Way", "Love, Sex & Rock 'n' Roll", "Meet on the Ledge", "Set You Free", "Shallow", "We Belong", "Wild Ones")
F♯3 ("All My Life", "Angel", "Intoxication", "Jaded", "Misery Business")
F3 ("666", "Alone", "Here for You", "Rise Today")
E3 ("Love Bites", "Your Love")
C3 ("Here's to Us")
{Questionable Notes}B5 ("I Hate Myself for Loving You"[1a])
B2 ("Love Bites"[1b])
…..…..…..…..…..…..…..…..…..…..
[1] Questionable quality.
a. Ambiguously pitched yelps.
b. Ambiguously pitched fry.
B2 ("Love Bites"[1b])
…..…..…..…..…..…..…..…..…..…..
[1] Questionable quality.
a. Ambiguously pitched yelps.
b. Ambiguously pitched fry.
…..…..…..…..…..…..…..…..…..…..
• Green marks harshly distorted notes.
• Bold marks outstanding passages.
• Italics mark non-melodic notes.
• Underlines mark obscured notes.
A more accurate version of this thread is to be posted. This is merely a bit of housekeeping, and you should not expect an answer from me on any of these notes.