Post by Platypus on Feb 22, 2022 19:49:17 GMT
Joseph Comeau (02.05.1964 - )
Associated Acts: Annihilator, DuskMachine, Liege Lord
Vocal Range: D2 - G♯5
{Album Ranges}
with Annihilator:
Carnival Diablos (2000): G2 - E♭5 - G♯5
Waking The Fury (2002): G2 - B♭2 - C5
with DuskMachine:
DuskMachine (2013): E2 - D5
with Liege Lord:
Master Control (1988): A3 - G5
with Annihilator:
Carnival Diablos (2000): G2 - E♭5 - G♯5
Waking The Fury (2002): G2 - B♭2 - C5
with DuskMachine:
DuskMachine (2013): E2 - D5
with Liege Lord:
Master Control (1988): A3 - G5
Significant High Notes:
G♯5 ("Chicken and Corn")
G5 ("Fear Itself")
F♯5 ("Tyrant")
F5 ("Broken Wasteland", "Feel The Blade", "Kill The King", "Master Control", "See You in Hell")
E5 ("Chicken and Corn")
E♭5 ("Broken Wasteland", "Eye of the Storm", "Fallout", "Fear Itself", "Feel The Blade", "Kill The King", "Master Control", "Rapture", "Time Bomb")
D5 ("The Box" Double Live Annihilation, "Dying In My Skin", "Phantasmagoria" Double Live Annihilation, "Refresh the Demon" Double Live Annihilation, "Soldier's Fortune", "Suspicion")
C♯5 ("Conquer All", "DuskMachine", "Endless", "Eye of the Storm", "Fallout", "Fear Itself", "Feel The Blade", "Hands Of Fate", "Kill The King", "Rapture", "Shallow Grave")
C5 ("Broken Wasteland", "Dripping", "Dying In My Skin", "Epic of War", "Escaping", "Eye of the Storm", "Nothing To Me", "See You in Hell", "Set the World on Fire" Double Live Annihilation)
B4 ("Alison Hell" Double Live Annihilation, "Bloodshed", "Broken Wasteland", "Chicken and Corn", "Cold Blooded", "Conquer All", "Dripping", "Endless", "Escaping", "Feel The Blade", "Hands Of Fate", "My Precious Lunatic Asylum", "Never Neverland" Double Live Annihilation, "Prime-Time Killing", "The Rush", "Set the World on Fire" Double Live Annihilation, "Shallow Grave", "Soldier's Fortune", "Striker", "Suspicion")
B♭4 ("Denied", "DuskMachine", "Fallout", "Fear Itself", "I Am In Command" Double Live Annihilation, "I Feel No Pain", "Insomniac", "Kill The King", "King of the Kill" Double Live Annihilation, "Master Control", "Murder" Double Live Annihilation, "The Perfect Virus", "Phantasmagoria" Double Live Annihilation, "Time Bomb")
A4 ("Alison Hell" Double Live Annihilation, "Battered", "The Blackest Day", "The Box" Double Live Annihilation, "Carnival Diablos", "Cold Blooded", "Conquer All", "Denied", "Dripping", "Dying In My Skin", "Epic of War", "Escaping", "Fire Power", "Hunter Killer", "King of the Kill" Double Live Annihilation, "Murder" Double Live Annihilation, "My Precious Lunatic Asylum", "Nothing To Me", "Phantasmagoria" Double Live Annihilation, "Prime-Time Killing", "Refresh the Demon" Double Live Annihilation, "Ritual", "The Rush", "Shallow Grave", "Striker", "Torn", "Tyrant", "Ultra Motion")
Significant Low Notes:
E3 ("Carnival Diablos", "Chicken and Corn", "Shallow Grave")
D3 ("King of the Kill" Double Live Annihilation, "The Perfect Virus", "Torn")
C♯3 ("Dripping", "Endless", "Hands Of Fate", "Ultra Motion")
C3 ("DuskMachine", "Ritual", "See You in Hell", "Ultra Motion")
B2 ("DuskMachine", "Escaping", "Fire Power", "Murder" Double Live Annihilation, "My Empty Room", "My Precious Lunatic Asylum", "The Perfect Virus")
B♭2 ("Dying In My Skin", "Insomniac", "Prime-Time Killing")
G2 ("Chicken and Corn", "Insomniac", "Torn")
E2 ("Dripping")
D2 ("American Metalhead")
{Questionable Notes}
C♯2 ("Bloodshed" [3])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
C♯2 ("Bloodshed" [3])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.