Post by Tetra on Mar 13, 2022 18:08:47 GMT
Anthony Ramos Martinez (1 November 1991 - Present)
Vocal Range: F2 - C♯6
{Album Ranges}
21 Chump Street - The Musical (2014): E3 - B♭4
Hamilton - Original Broadway Cast Recording (2015): B2 - C♯5 - A5
The Freedom (2018): F2 - D5
The Good & The Bad (2019): G2 - C5 - A5
In The Heights (Original Motion Picture Soundtrack) (2021): G♯2 - A4
Love and Lies (2021): A2 - C5 - C♯6
21 Chump Street - The Musical (2014): E3 - B♭4
Hamilton - Original Broadway Cast Recording (2015): B2 - C♯5 - A5
The Freedom (2018): F2 - D5
The Good & The Bad (2019): G2 - C5 - A5
In The Heights (Original Motion Picture Soundtrack) (2021): G♯2 - A4
Love and Lies (2021): A2 - C5 - C♯6
Significant High Notes:
C♯6 ("Lose My Mind")
A5 ("The Good & The Bad", "Mind Over Matter", "The Story of Tonight - Reprise")
G♯5 ("Yorktown (The World Turned Upside Down)")
G5 ("The Good & The Bad", "I Can't Get By")
F♯5 ("The Best")
E5 ("If You Want Me to Stay")
E♭5 ("Isabella")
D5 ("Alright", "Auntie's Basement", "Come Back Home", "If You Want Me to Stay", "Satisfy You", "Stop")
C♯5 ("Auntie's Basement", "I Can't Get By", "Isabella", "My Shot")
C5 ("Alright", "The Best", "Blessings", "Come Back Home", "Control", "Freedom", "If You Want Me to Stay", "In the Night", "Isabella", "Love and Lies", "Masterpiece", "Relationship", "Satisfy You", "Take a Break", "Yorktown (The World Turned Upside Down)")
B4 ("Auntie's Basement", "Common Ground", "Little Lies", "Masterpiece", "My Shot")
B♭4 ("Aaron Burr, Sir", "The Best", "Either Way", "Figure It Out", "Freedom", "In the Night", "Love and Lies", "Nobody Else", "One More Hour", "Right Now", "What the Heck I Gotta Do")
A4 ("Alright", "Carnaval Del Barrio", "Come Back Home", "Control", "Cry Today, Smile Tomorrow", "Échale", "The Good & The Bad", "Home All Summer", "If You Want Me to Stay", "In The Heights", "Lose My Mind", "Mind Over Matter", "One More Time", "Relationship", "Satisfy You", "Stop", "Ten Duel Commandments", "What the Heck I Gotta Do")
G♯4 ("Aaron Burr, Sir", "Common Ground", "Either Way", "Figure It Out", "Freedom", "I Can't Get By", "Little Lies", "Love and Lies", "The Money", "Nobody Else", "Right Now", "Say Less")
G4 ("Alright", "Auntie's Basement", "The Best", "Blackout", "Blessings", "Carnaval Del Barrio", "Control", "Cousin", "Cry Today, Smile Tomorrow", "Dear Diary", "Échale", "Figure It Out", "Finale", "The Good & The Bad", "Home All Summer", "If You Want Me to Stay", "In The Heights", "In the Night", "Lauren's Interlude (Tomorrow There'll Be More of Us)", "Lose My Mind", "Love and Lies", "Masterpiece", "My Shot", "One More Hour", "One More Time", "Relationship", "Stay Alive", "The Story of Tonight - Reprise", "Take a Break", "What the Heck I Gotta Do", "When the Bell Tolls", "Yorktown (The World Turned Upside Down)")
F♯4 ("96,000", "Blow Us All Away", "Carnaval Del Barrio", "Common Ground", "Either Way", "In The Heights", "It Won't Be Long Now", "Little Lies", "The Money", "Nobody Else", "Schuyler Defeated", "Stop")
F4 ("Blackout", "Blessings", "The Club", "Cry Today, Smile Tomorrow", "Échale", "Finale", "Freedom", "Lose My Mind", "Mind Over Matter", "My Shot", "One More Hour", "PRayer", "Stay Alive", "The Story of Tonight", "What the Heck I Gotta Do", "When the Bell Tolls", "Woman")
E4 ("The Best", "Blessings", "Common Ground", "Dear Diary", "Home All Summer", "In The Heights", "It Won't Be Long Now", "Cry Today, Smile Tomorrow", "Masterpiece", "Mind Over Matter", "The Money", "One More Time", "One School", "Relationship", "Stay Alive", "Stop", "The Story of Tonight", "The Story of Tonight - Reprise", "Take a Break", "What the Heck I Gotta Do", "When the Bell Tolls", "Woman", "Yorktown (The World Turned Upside Down)")
Significant Low Notes:
E3 ("Blessings", "Champagne", "Come Back Home", "Dear Diary", "Échale", "Figure It Out", "Finale", "In The Heights", "One More Time", "Satisfy You", "Say Less", "Stop", "What the Heck I Gotta Do")
E♭3 ("Finale", "Freedom", "In the Night", "Isabella", "Love and Lies", "Nobody Else", "One More Hour", "The Story of Tonight - Reprise", "Woman")
D3 ("The Best", "Blessings", "Champagne", "Control", "Finale", "The Good & The Bad", "If You Want Me to Stay", "In The Heights", "In the Night", "Mind Over Matter", "Relationship", "Satisfy You", "Woman", "Yorktown (The World Turned Upside Down)")
C♯3 ("Come Back Home", "Common Ground", "Lauren's Interlude (Tomorrow There'll Be More of Us)", "Little Lies", "Meet Me Inside", "Right Now")
C3 ("Auntie's Basement", "The Best", "Come Back Home", "One More Hour", "Satisfy You", "Stay Alive")
B2 ("96,000", "Alexander Hamilton", "Common Ground", "Échale", "Little Lies")
B♭2 ("96,000", "In the Night", "Isabella")
A2 ("Échale", "Relationship", "Woman")
G♯2 ("Champagne", "One More Hour")
G2 ("Little Lies")
F2 ("PRayer")
{Questionable Notes}
B♭5 ("The Best" [4])
A5 ("Carnaval Del Barrio", [1] [2],"My Shot" [1])
F♯5 ("Aaron Burr, Sir" [2])
A4 ("Epilogue" [3])
G♯2 ("Either Way" [4])
B1 ("PRayer" [2])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
B♭5 ("The Best" [4])
A5 ("Carnaval Del Barrio", [1] [2],"My Shot" [1])
F♯5 ("Aaron Burr, Sir" [2])
A4 ("Epilogue" [3])
G♯2 ("Either Way" [4])
B1 ("PRayer" [2])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered