Post by EddieCheivz on May 30, 2022 17:59:42 GMT
Vocal Range: G2-A4
Voice Type: Tenor
Years Active: 2007-Present
Nationality: Argentinian
Mario Freiria is an argentinian Youtuber and musician very famous on speak spanish countries, being very known for his channel "TusClasesDeGuitarra.com" (into english would be: "Your Guitar Lessons.com") where he does guitar tutorials for famous rock songs mainly. While it's true at his beginning he only dedicated his channel to teach guitar stuff; as guitar riffs or solos, with the pass of the years he started as well to talk about other things could help new learners for the instrument, as some advices, tips, techniques or some guitar covers (few where he sangs lol).
He also is an independient musician, he has realased various songs composed and sung by him. Though he has not an whole studio album or something, he does his songs on this way.
Judging by his videos (know him since lot of time) tutorials, covers and his music; looks like he love bands like Guns N' Roses, Metallica, AC/DC, The Beatles or Queen, but mainly that 80s scene.
Significant High Notes:
A4 (“De Música Ligera”, “Ella”, "En La Ciudad De La Furia", “Persiana Americana")
G♯4 (“Live and Let Die”)
G4 ("Buenos Aires Song” JamSession2017, “Canción para mi Muerte”, “Cuando Pase el Temblor", "Destino Final”, “Ella”, "En La Ciudad De La Furia", “Lamento Boliviano”, “Persiana Americana", “Seguir Viviendo Sin Tu Amor”, “Something”)
F♯4 (“Ángel”, “Corazón Espinado”, “De Música Ligera”, “Ella”, "En La Ciudad De La Furia", “Lamento Boliviano”, “Live and Let Die”, “Maldito Duende”, “Paradise City”, “Seguir Viviendo Sin Tu Amor”, "Signos", “Since I Don’t Have You”, “Un Millon de Años Luz",)
F4 (“Buenos Aires Song” JamSession2017, “Cuando Pase el Temblor", “Live and Let Die”, "Signos")
E4 (“Ángel”, Buenos Aires Song” JamSession2017, “Destino Final”, “Ella”, “Canción para mi Muerte”, “Hey Jude”, “Let It Be”, “Persiana Americana", "Seguir Viviendo Sin Tu Amor”, "Signos", “Something”, “Un Millon de Años Luz", "While My Guitar Gently Weeps”)
Significant High Notes:
D3 (“And I Love Her”, Buenos Aires Song” JamSession2017, “Canción para mi Muerte”, “Ella”, "En La Ciudad De La Furia", “Hey Jude”, “Historias Ocultas”, “Juntos a La Par”, “Let It Be”, “Mariposa Teknicolor”, “Persiana Americana", “Señal De Libertad”, “While My Guitar Gently Weeps”, “Yesterday”)
C♯3 (“Ángel”, “Civil War”, “Don’t Cry”, “Live and Let Die”, “Paradise City”, “Patience”, “Since I Don’t Have You”, “Sweet Child O’ Mine”, “Te Quiero”, “Used To Love Her”)
C3 (“Juntos a La Par”, “Sweet Child O’ Mine”, “Used To Love Her”)
B2 (“Ángel”, “Buenos Aires Song” JamSession2017, “Don’t Cry”, “Historias Ocultas”, “Lamento Boliviano”, “Maldito Duende”, “November Rain”, “Yesterday”)
B♭2 (“Civil War”)
A2 (“Algun Día", "And I Love Her”, “While My Guitar Gently Weeps”)
G♯2 (“Flaca”, “November Rain”)
G2 (“And I Love Her”, “Flaca”, “Let It Be”)
*Underlines marks notes sung in backing vocals/harmonies
*Blue marks soft falsetto notes.
*Boldface marks noteworthy singer's capabalities.
{QUESTIONABLE NOTES}
G4 (“Smoke On The Water” (2)
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
G4 (“Smoke On The Water” (2)
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.