Tom Keifer (2,678 views)

[mrtin]

Tom Keifer (January 26, 1961)
Member of: Cinderella (1983–2014)
Vocal Range: F2 - G5

Significant High Notes:

G5 ("Nobody's Fool")
F♯5 ("Shake Me")
E5 ("Nobody's Fool", "Shake Me", "Somebody Save Me", "Gypsy Road", "Coming Home", "Still Climbing", "Don't Know What You Got (Till It's Gone)")
E♭5 ("Gypsy Road")
D5 ("Nobody's Fool", "Shake Me", "Somebody Save Me", "Heartbreak Station", "Gypsy Road", "Coming Home", "Still Climbing")
C♯5 ("Nobody's Fool", "Shake Me", "Gypsy Road", "Don't Know What You Got (Till It's Gone)")
C5 ("Somebody Save Me", "Heartbreak Station", "Coming Home", "Still Climbing")
B4 ("Nobody's Fool", "Shake Me", "Somebody Save Me", "Heartbreak Station", "Gypsy Road", "Coming Home", "Still Climbing", "Don't Know What You Got (Till It's Gone)")
B♭4 ("Shake Me")
A4 ("Nobody's Fool", "Shake Me", "Somebody Save Me", "Heartbreak Station", "Gypsy Road", "Coming Home", "Still Climbing")
G♯4 ("Gypsy Road")
G4 ("Somebody Save Me", "Heartbreak Station", "Gypsy Road", "Coming Home", "Still Climbing")


Significant Low Notes:

G3 ("Heartbreak Station", "Coming Home")
E3 ("Coming Home")
D3 ("Still Climbing")
C3 ("Still Climbing")
G2 ("Still Climbing")
F2 ("Still Climbing")

..................................................

• Blue denotes falsetto passages.
• Green denotes harshly distorted passages.
• Bold denotes outstanding passages.
• Italics denote non-melodic passages.
• Underlines denote obscured passages or backing vocals.

[mrtin]

Feel free to help me on this thread. I just needed Tom to be here since he deserves it but I am not really certain that I will complete this alone.

[Macca]

Your Threads Needs Some Work You See Here How I Would've Made It
And Also, You Should Use the Bottom One's Below the Main Thread When Needed

SPOILER: Click to show

{Fixed Thread}
Tom Keifer (January 26, 1961)
Member of: Cinderella (1983–2014)
Vocal Range: C♯3 - G5

Significant High Notes:

G5 ("Nobody's Fool")
F♯5 ("Shake Me")
E5 ("Nobody's Fool", "Shake Me", "Somebody Save Me", "Gypsy Road", "Coming Home")
E♭5 ("Gypsy Road")
D5 ("Nobody's Fool", "Shake Me", "Somebody Save Me", "Heartbreak Station", "Gypsy Road", "Coming Home")
C♯5 ("Nobody's Fool", "Shake Me", "Gypsy Road")
C5 ("Somebody Save Me", "Heartbreak Station", "Coming Home")
B4 ("Nobody's Fool", "Shake Me", "Somebody Save Me", "Heartbreak Station", "Gypsy Road", "Coming Home")
B♭4("Shake Me")
A4 ("Nobody's Fool", "Shake Me", "Somebody Save Me", "Heartbreak Station", "Gypsy Road", "Coming Home")
G♯4 ("Gypsy Road")
G4 ("Somebody Save Me", "Heartbreak Station", "Gypsy Road", "Coming Home")


Significant Low Notes:

E3 ("Don't Know What You Got (Till It's Gone)", "Coming Home")
C♯3 ("Don't Know What You Got (Till It's Gone)")

..................................................

• Blue denotes falsetto passages.
• Green denotes harshly distorted passages.
• Bold denotes outstanding passages.
• Italics denote non-melodic passages.
• Underlines denote obscured passages or backing vocals.
Written by @username.

['S]

Please, Macca, let's not quote entire OPs unspoilered just to make small corrections, when at the same time not even writing coherent posts in decent sentence case ourselves. Sure, point out the corrections in the formatting, maybe even put an example of them in a spoiler, but sheesh ...
... did you read the thread tutorial? This fun notion comes to mind:

Sept 22, 2019 19:51:49 GMT Baronessa said:

There are also many types of capitalisation, but since Capitalising Every Letter Would Make Us Look Like That One Annoying Relative On Facebook

^You might want to apply it.

[Macca]

There I Have Edited the Post To Be Spoilered

[Henny Macc]

Hey, cool to see someone else who's interested in notewatching glam metal singers! There's not a whole lot of us on here these days, but singers of that genre almost always have crazy high ranges, so it's always good to get new notewatchers that are interested in making threads for them.

As far as this thread goes, most of the corrections that it needs have already been suggested, but for future reference - no need to do extra space lines between every note listing, be sure to use ♯ and ♭ instead of # and b, and the shades we use for blue and green in the color codes are just the basic ones that you get when you type [color=blue] and [color=green].

Aside from that, we make a point to alphabetize song titles after note listings, because that way it's much easier to have an ordered way to keep track of which songs are listed where. We also generally prefer for people to have notewatched at least a whole album's worth of material for a singer before they post a thread, but since you've already put this up we won't police you too hard on it for now. Just a note for next time. In the meantime though, just make the revisions suggested and keep building on this one - looking forward to seeing what else you might find along the way!

[mrtin]

Thanks for your advise Henny Macc , it's my first time making a thread. I'm also not so great with identifying ranges just by ear so that's why I haven't been able to do the whole album yet. I'd definitely like to do so in the future tho, at least for the "Night Songs" record, which I consider quite a masterpiece in terms of glam metal albums. I'll keep working on this thread as it goes and if anyone has a range or a high note of some song, don't hesitate to put it here so I can use it.