Post by SailorBlue on Jun 29, 2022 0:12:19 GMT
Jonathan Sprague (June 1988 - Present)
Vocal Range: G2 - G5
Associated Acts: Steam Powered Giraffe (2008 - 2012)
{Album Ranges}Steam Powered Giraffe:
Album One (2009): C3 - G♯4 - B♭4
The 2¢ Show (2012): A2 - B♭4 - G5
Album One (2009): C3 - G♯4 - B♭4
The 2¢ Show (2012): A2 - B♭4 - G5
Significant High Notes:
G5 ("Steamboat Shenanigans")
F5 ("Rex Marksley")
E♭5 ("Little Birdie", "Mack the Knife" Live Balboa Park 2010)
D5 ("Steamboat Shenanigans")
B4 ("Automatonic Electronic Harmonics", "Me and My Baby (Saturday Nights)")
B♭4 ("Ju Ju Magic", "Little Birdie", "Out in the Rain")
A4 ("Automatonic Electronic Harmonics")
G♯4 ("Airheart", "Out in the Rain")
G4 ("Brass Goggles", "Ju Ju Magic", "On Top of the Universe", "Rex Marksley", "Sound of Tomorrow", "Mack the Knife" Live Balboa Park 2010, "Me and My Baby (Saturday Nights)", "Scary World" 2007 Version)
F♯4 ("Automatonic Electronic Harmonics", "Captain Albert Alexander", "Little Birdie", "One-Way Ticket", "That’ll Be the Way Home", "Tragedy" Live San Diego Zoo 2012)
F4 ("Electricity is in My Soul", "Honeybee", "I Am Not Alone", "I Don't Want to Set the World on Fire" Various Live Performances, "Mack the Knife" Live Balboa Park 2010, "One-Way Ticket", "Rex Marksley", "The Suspender Man")
E4 ("Big Rock Candy Mountain" Live Balboa Park 2010, "Brass Goggles", "Captain Albert Alexander", "Clockwork Vaudeville")
Significant Low Notes:
E3 ("Airheart", "Automatonic Electronic Harmonics", "Steamboat Shenanigans", "That’ll Be the Way Home")
D3 ("Electricity is in My Soul", "The Suspender Man", "Tragedy" Live San Diego Zoo 2012)
C3 ("Big Rock Candy Mountain" Live Balboa Park 2010, "I Don't Want to Set the World on Fire" Various Live Performances, "Rex Marksley", "Scary World", "Sound of Tomorrow")
B♭2 ("Little Birdie", "One-Way Ticket", "Scary World" 2007 Version)
A2 ("The Suspender Man", "That’ll Be the Way Home")
G2 ("Scary World" 2007 Version)
{Questionable Notes}B♭5 ("Tragedy" Live San Diego Zoo 2012 [1])
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
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Blue marks falsetto or whistle notes.
Underlines mark notes that are obscured in the song mix.
Italics mark non-melodic notes.
Boldface marks notes that are considered to be particularly notable examples of this person's vocal capabilities.