Post by Alex61 on Jul 15, 2022 17:34:57 GMT
Camille Dalmais
Vocal Range: D3 – F♯7
Significant High Notes:
F♯7 ("Money Note")
C♯7 ("Money Note")
C7 ("Sanges Sweet")
A6 ("Gospel With No Lord")
G6 ("Home is Where It Hurts", "I Will Never Grow Up", "The Monk)
F♯6 ("Le banquet")
F6 ("J'ai tort", "Too Drunk to Fuck")
E6 ("Waves")
E♭6 ("Babies Know More Than Us", "Debout")
D6 ("Gospel With No Lord", "Paris" live Ilo Lympia, "Waves")
C♯6 ("Canards Sauvages", "Money Note")
C6 ("La France")
B5 ("Cats and Dogs", "Home is Where It Hurts", "J'ai tort", "Jolie bruine", "Money Note" live Metropop Festival 2008, "Senza")
B♭5 ("I Will Never Grow Up", "Winter's Child")
A5 ("Assise", "Canards Sauvages", "Debout", "Kfir", "Le sac des filles", "Senza", "Shower", "Too Drunk to Fuck", "Vertige")
G♯5 ("Babies Know More Than Us", "Debout", "Waves")
G5 ("A Cappella Singing" live Zénith 2008, "Assise", "Cats and Dogs", "Home is Where It Hurts", "I Will Never Grow Up", "La festin", "La France", "La Vie la Nuit", "The Monk", "Paris" live Ilo Lympia)
F♯5 ("Allez allez allez", "Au port", "Baby Carni Bird", "Gospel With No Lord", "I Will Never Grow Up", "Janine III", "Jolie bruine", "Katie's Tea", "La jeune fille aux cheveux blancs", "Le sac des filles", "Les ex", "Money Note", "Pâle septembre", "Ta douleur", "Vertige")
F5 ("Je ne suis pas ta chose", "La festin", "Sanges Sweet", "Un homme deserté")
E5 ("Cats and Dogs", "Debout", "Gospel With No Lord", "Home is Where It Hurts", "Ilo Veyou", "Katie's Tea", "Kfir", "La jeune fille aux cheveux blancs", "Mon petit vieux", "Putain putain", "Quand je marche", "Too Drunk to Fuck", "Waves")
E♭5 ("Babies Know More Than Us", "Bubble Lady", "Je ne suis pas ta chose", "Le berger", "Sanges Sweet", "Ta douleur", "Vous", "Winter's Child")
D5 ("Au port", "Baby Carni Bird", "Canards Sauvages", "La Demeure d'un ciel", "La festin", "La Vie la Nuit", "Le berger", "Lumière", "Message", "The Monk", "Un homme deserté", "Vertige", "Vous", "Winter's Child")
C♯5 ("Allez allez allez" a cappella version, "Je ne suis pas ta chose", "Jolie bruine", "La jeune fille aux cheveux blancs", "Le sac des filles", "Paris", "Pleasure")
C5 ("1, 2, 3", "Kfir", "L'étourderie", "La Demeure d'un ciel", "La France", "Lumière", "Mon petit vieux", "My Man Is Married But Not to Me", "Sanges Sweet", "She Was", "Tout dit", "Wet Boy")
B4 ("Assise", "Aujourd'hui", "Bubble Lady", "Elle s'en va", "Ilo Veyou", "J'ai tort", "Janine I", "Katie's Tea", "Kfir", "La Vie la Nuit", "Les ex", "Mars Is No Fun", "Pâle septembre", "Paris", "Pour que l'amour me quitte", "Putain putain", "Rue de Ménilmontant", "Ta douleur", "Wet Boy")
Significant Low Notes:
B3 ("Assise", "Au port", "Bubble Lady", "Cats and Dogs", "Elle s'en va", "Home is Where It Hurts", "Janine I", "Janine III", "Katie's Tea", "Kfir", "La jeune fille aux cheveux blancs", "Le banquet", "Les ex", "Lumière", "The Monk", "Pâle septembre", "Pleasure", "Pour que l'amour me quitte", "Putain putain", "Quand je marche", "Ruby", "Senza", "Ta douleur", "Un homme deserté", "Vertige", "Vous", "Waves", "Wet Boy")
B♭3 ("Allez allez allez", "Canards Sauvages", "Je ne suis pas ta chose", "La festin", "Pâle septembre", "Pour que l'amour me quitte", "Quand je marche", "Winter's Child")
A3 ("1, 2, 3", "Baby Carni Bird", "Canards Sauvages", "Elle s'en va", "Gospel With No Lord" live Zénith 2008, "Janine I", "Janine II", "Janine III", "Je ne suis pas ta chose", "Kfir", "L'étourderie", "La Demeure d'un ciel", "Le banquet", "Lumière", "Making Plans for Nigel", "Mars Is No Fun", "Mon petit vieux", "Money Note", "My Man Is Married But Not to Me", "Pleasure", "Que je t'aime", "Senza", "She Was", "Vertige", "Vous")
G♯3 ("Bubble Lady", "Debout", "In a Manner of Speaking", "Jolie bruine", "Katie's Tea", "Le sac des filles", "Making Plans for Nigel", "Paris", "Putain putain", "Sanges Sweet", "Waves")
G3 ("Allez allez allez", "Assise", "Cats and Dogs", "Gospel With No Lord", "Guns of Brixton", "I Will Never Grow Up", "Ilo Veyou", "L'étourderie", "La France", "Là où je suis née", "Ruby", "Shower", "Too Drunk to Fuck", "Tout dit", "Wet Boy")
F♯3 ("Assise", "Au port", "Baby Carni Bird", "Guns of Brixton", "Home is Where It Hurts", "In a Manner of Speaking", "J'ai tort", "Jolie bruine", "La jeune fille aux cheveux blancs", "Le banquet", "Le berger", "Pâle septembre", "Putain putain", "Rue de Ménilmontant", "Un homme deserté")
F3 ("Aujourd'hui", "Canards Sauvages", "Shower", "Winter's Child")
E3 ("Guns of Brixton", "Ilo Veyou", "Rue de Ménilmontant", "Ta douleur")
E♭3 ("Sanges Sweet")
D3 ("I Will Never Grow Up", "Sanges Sweet")
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• Blue marks high falsetto or whistle register notes.
• Bold marks notes or passages that are particularly outstanding (relative to the singer).
• Italics mark non-melodic notes.
• Underlines mark notes that are obscured in the song mix.
Parisian singer-songwriter Camille is probably best known for her chanson genre of music. As a musical artist, however, she is surprisingly versatile and experimental. From her a cappella second album in which every song had the same note in the background of every song (a B3, if you want to be specific) to her contributions to the soundtrack of Pixar's Ratatouille, Camille's musical trajectory is one that only she herself could fashion - she does what she wants when she wants. Though her voice is capable of relatively orthodox performances, she instead opts to use it as a tool to drive her creative approach to songwriting. Veering between using seamless self-harmonies, shouty belted notes and even her occasional usage of the whistle register (prominent on her album Music Hole, Camille's vocal performances are anything but consistent, though it is arguably their somewhat erratic, unpredictable nature that endears her to such a wide audience.
{A Few Examples of Her Voice}
One of her more restrained performances with some nice head voice.
Some of her lower singing here.
A live performance of hers which is quite nice.
One of her more restrained performances with some nice head voice.
Some of her lower singing here.
A live performance of hers which is quite nice.
{Questionable Notes}
F♯6 ("Paris"[1])
E♭6 ("Cats and Dogs"[1][2], "Paris"[2])
D6 ("Ta douleur"[1][2])
D3 ("Gospel With No Lord"[3])
C3 ("Gospel With No Lord"[3])
...................................................................
1. Questionable identity.
2. Questionable control.
3. Questionable low notes (vocal fry, etc.).
...................................................................
Questionable notes are any notes of questionable significance. In short, this spoiler acknowledges notes that I am aware exist, but do not want to contribute to the singer's range. These involve (but are not limited to) notes of questionable identity, notes of questionable legitimacy and notes of significantly poor quality.
F♯6 ("Paris"[1])
E♭6 ("Cats and Dogs"[1][2], "Paris"[2])
D6 ("Ta douleur"[1][2])
D3 ("Gospel With No Lord"[3])
C3 ("Gospel With No Lord"[3])
...................................................................
1. Questionable identity.
2. Questionable control.
3. Questionable low notes (vocal fry, etc.).
...................................................................
Questionable notes are any notes of questionable significance. In short, this spoiler acknowledges notes that I am aware exist, but do not want to contribute to the singer's range. These involve (but are not limited to) notes of questionable identity, notes of questionable legitimacy and notes of significantly poor quality.
{Notewatching Credits & Other Info}
Alex61
Solo:
Le Sac des Filles (2002): F♯3 – A5
Le Fil (2005): E3 – B5 – F♯6
Music Hole (2008): F3 – C♯6 – F♯7
Ilo Veyou (2008): E3 – C6 – F♯6
Notewatching of other performances not listed above done by Alex61
Alex61
Solo:
Le Sac des Filles (2002): F♯3 – A5
Le Fil (2005): E3 – B5 – F♯6
Music Hole (2008): F3 – C♯6 – F♯7
Ilo Veyou (2008): E3 – C6 – F♯6
Notewatching of other performances not listed above done by Alex61
