Post by EddieCheivz on Aug 11, 2022 22:33:14 GMT
Vocal Range: F♯2-F♯5
Associated Acts: The Strokes
Years Active: 1999-Present
Nationality: Northamerican
Albert Hammond Jr. is an american musician and songwritter best known for being one of guitar players from famous indie/rock band The Strokes. He's been with them since first studio album (Is This It) from 2001 (though the band started just with three members, he joined practically since their begininngs.
As his solo career he has realased four albums to the date and one EP. His style on his own music is very similar to The Strokes one, same indie rock, same kind of guitar harmonies, same equalizations/pedals, etc.
Significant High Notes:
F♯5 ("Dvsl" studio version & live from The Observatory )
D5 ("G Up", "GfC", "Scared")
C♯5 ("ScreaMER")
C5 ("Borrowed Time", “Cartoon Music for Superheroes”, "Rocket")
B4 ("Dvsl", "GfC", "In Transit", "Muted Beating” acoustic performance 101 X, “You Won't Be Fooled By This")
B♭4 ("Rocky's Late Night", "Scared")
A4 ("Call an Ambulance", "Coming to Getcha", "Cooker Ship", "Drunched in Crumbs", "Dvsl", "Far Away Truths", "Touché", "Victory at Monterey")
G♯4 ("Back to the 101", "Feed Me Jack Or: How I Learned to Stop Worrying and Love Peter Sellers", "Harder, Harder, Harder", "In My Room", "Muted Beatings", "Rocky's Late Night")
G4 (“& So We Go”, "Born Slippy", "Borrowed Time", "The Boss Americana", "Carnal Cruise", "Caught By My Shadow", "Coming to Getcha", "Cooker Ship", "Drunched in Crumbs", "GfC", "Hard to Live (In the City)", "In My Room", "In Transit", "Razors Edge", "Rocket", "Rude Customer", "Set to Attack", "Tea for Two", "Touché", "Victory at Monterey", "You Won't Be Fooled By This")
F♯4 ("Blue Skies", "Born Slippy", "Carnal Cruise", "Dvsl", "Far Away Truths", "In My Room", "In Transit", "Losing Touch", "Power Hungry", "Razors Edge", "ScreaMER", "Scared", "St. Justice", "Tea for Two", "Touché", "Well...All Right")
F4 ("The Boss Americana", "Call an Ambulance", "Back to the 101", “Cartoon Music for Superheroes”, "Hard to Live (In the City)", "Muted Beatings", "Postal Blowfish", "Side Boob")
E4 ("Back to the 101", "Bargain of a Century", "Borrowed Time", "C of Stoney", "Call an Ambulance", “Cartoon Music for Superheroes”, "G Up", "GfC", "Hard to Live (In the City)".7, "Harder, Harder, Harder", "Losing Touch", "Miss Myrtle", "Power Hungry", "Rocket", "Rude Customer", "Scared", "Side Boob", "Strange Tidings", "Strangers", "Victory at Monterey")
Significant Low Notes:
D3 ("Blue Skies", "Bright Young Thing","Coming to Getcha", "Drunched in Crumbs", "Everyone Gets a Star", "G Up", "In My Room", "Rocket", "Rocky's Late Night", "Set to Attack", "Stop and Go", "Tea for Two")
C♯3 ("Bright Young Thing", "Dvsl", "Harder, Harder, Harder", "In My Room", "Power Hungry", "Strange Tidings", "Well...All Right")
C3 (“& So We Go”, "C of Stoney", "Call an Ambulance", “Cartoon Music for Superheroes”, "Hard to Live (In the City)", "Rude Customer", "Set to Attack", "Stop and Go", "Strangers", "Victory at Monterey")
B2 (“& So We Go”, "Bargain of a Century", "Bathroom Time", "Born Slippy", "C of Stoney", "Call an Ambulance", "Carnal Cruise", "Caught By My Shadow", “Cartoon Music for Superheroes”, "Cooker Ship", "Don't Think Twice", "Everyone Gets a Star", "Razors Edge", "Set to Attack" acoustic performance 101 X, "Strangers", "Tea for Two", "Victory at Monterey")
B♭2 ("Cooker Ship", "Muted Beatings", "Rocky's Late Night", "Stop and Go")
A2 ("Bargain of a Century", "Born Slippy", "Carnal Cruise", "Don't Think Twice", "Dvsl", "Set to Attack" acoustic performance 101 X, "Strangers", "Touché")
G♯2 ("Carnal Cruise", "Muted Beatings")
G2 ("G Up")
F♯2 ("Power Hungry")
*Boldface marks notable passages and examples of the singer's capabilities.
*Blue marks notes sung in a soft falsetto.
*Italics marks non-melodic notes.
*Underlines marks notes in backing vocals or otherwise obscured.
{QUESTIONABLE NOTES}
F♯5 ("Harder, Harder, Harder" (5)
C5 ("You Won't Be Fooled By This" bringing near to C, but could still be an B4)
A4 ("In Transit" could be not a voice)
E2 ("Stop and Go" (3)(5)
A1 ("Strangers" (5)
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
F♯5 ("Harder, Harder, Harder" (5)
C5 ("You Won't Be Fooled By This" bringing near to C, but could still be an B4)
A4 ("In Transit" could be not a voice)
E2 ("Stop and Go" (3)(5)
A1 ("Strangers" (5)
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{ALBUM RANGES}
2006 Yours To Keep: B2-G♯4-D5
2008 ¿Cómo Te Llama): G2-A4-D5
2013 AHJ (EP): G♯2-A4
2015 Momentary Masters: F♯2-A4
2018 Francis Trouble: G♯2-B4-C♯5-F♯5
2006 Yours To Keep: B2-G♯4-D5
2008 ¿Cómo Te Llama): G2-A4-D5
2013 AHJ (EP): G♯2-A4
2015 Momentary Masters: F♯2-A4
2018 Francis Trouble: G♯2-B4-C♯5-F♯5