Post by Bink on Aug 12, 2022 6:52:36 GMT
Bernard Fanning (15 August 1969 - )
Vocal Range: D2 - F5
Associated Acts: Powderfinger (1989 - 2010), Solo
Years Active: 1989 -
{Album Ranges}
Powderfinger:
Parables For Wooden Ears (1994): B2 - A4 - D5
Double Allergic (1996): D2 - A4 - F5
Internationalist (1998): E2 - G♯4 - C5
Odyssey Number Five (2000): E♭2 - G♯4 - C♯5
Vulture Street (2003): F♯2 - A4 - D5
Dream Days At The Hotel Existence (2007): F♯2 - A4 - E5
Golden Rule (2009): E2 - A4 - F5
Solo:
Tea & Sympathy (2005): E♭2 - A4 - D5
Departures (2013): G2 - A4
Powderfinger:
Parables For Wooden Ears (1994): B2 - A4 - D5
Double Allergic (1996): D2 - A4 - F5
Internationalist (1998): E2 - G♯4 - C5
Odyssey Number Five (2000): E♭2 - G♯4 - C♯5
Vulture Street (2003): F♯2 - A4 - D5
Dream Days At The Hotel Existence (2007): F♯2 - A4 - E5
Golden Rule (2009): E2 - A4 - F5
Solo:
Tea & Sympathy (2005): E♭2 - A4 - D5
Departures (2013): G2 - A4
Significant High Notes:
F5 ("Boing Boing", "Jewel")
E5 ("All Of The Dreamers", "Glimpse", "Who Really Cares")
D5 ("Pockets", "Sail The Wildest Stretch", "Save Your Skin", "Which Way Home?")
C♯5 ("Jewel", "These Days" studio/Various live versions)
C5 ("Hindley Street", "Odyssey #5", "Who Really Cares")
B4 ("All Of The Dreamers", "The Day You Come", "Head Up in The Clouds", "A Song Called Everything", "This Syrup to Exchange", "Waiting For The Sun", "Which Way Home?", "Wishing On The Same Moon")
B♭4 ("(Baby I’ve Got You) On My Mind", "Like a Dog", "Sail The Wildest Stretch", "Since You’ve Been Gone")
A4 ("Ballad of a Dead Man", "Battleships", "Fathers’ Pyramid", "A Fight About Money", "Head Up in The Clouds", "Iberian Dream", "Limbo Stick", "Love Your Way", "My Happiness", "My Kind of Scene", "Nobody Sees", "Not Finished Just Yet", "Oipic", "Passenger", "Pockets", "Rockin’ Rocks", "Sleeping Rough", "Solution", "Sunsets", "Tail", "Take Me In", "Tell Me How It Ends", "These Days", "This Syrup to Exchange", "Who Really Cares", "Wishing On The Same Moon")
G♯4 ("Already Gone", "(Baby I’ve Got You) On My Mind", "Belter", "Blanket", "Citadel", "Don’t Wanna Be Left Out", "Grave Concern", "I Don’t Remember", "Jc", "Sleeping Rough", "Surviving", "This Syrup to Exchange", "We Should Be Together Now")
G4 ("All Of The Dreamers", "Blanket", "Bridle You", "Burn Your Name", "d.a.f.", "The Day You Come", "Don’t Panic", "Down to The River", "Good Day Ray", "Grave Concern", "How Far Have We Really Come", "Hurried Bloom", "Jewel", "Lost And Running", "My Happiness", "My Kind of Scene", "Not Finished Just Yet", "Odyssey #5", "Pick You Up", "Pockets", "Rockin’ Rocks", "Roll Right By You", "Sail The Wildest Stretch", "Skinny Jean", "A Song Called Everything", "Stand Yourself", "Thrilloilogy", "Turtles Head", "Up & Down & Back Again", "Walking Stick", "Who Really Cares", "Wishing On The Same Moon", "Wish You Well")
F♯4 ("Already Gone", "Awake", "Ballad of a Dead Man", "Bridle You", "d.a.f", "Fathers’ Pyramid", "A Fight About Money", "Give", "Golden Rule", "Good Day Ray", "Head Up in The Clouds", "Hope and Validation", "How Far Have We Really Come", "I Don’t Remember", "Living Type", "Love Your Way", "The Metre", "Odyssey #5", "Oipic", "Passenger", "Poison In Your Mind", "Since You’ve Been Gone", "Skinny Jean", "Sleeping Rough", "Songbird", "A Song Called Everything", "Stumblin’", "The Strangest Thing", "Sunsets", "Surviving", "Take Me In", "This Syrup to Exchange", "These Days", "Thrilloilogy", "Trading Places", "Walking Stick", "Wish You Well")
F4 ("(Baby I’ve Got You) On My Mind", "Battleships", "Burn Your Name", "Capoicity", "Celebrity Head", "Don’t Panic", "Don’t Wanna Be Left Out", "Fathers’ Pyramid", "Grave Concern", "Hindley Street", "Hurried Bloom", "Iberian Dream", "Like a Dog", "My Happiness", "Nobody Sees", "Oipic", "Pick You Up", "Sail The Wildest Stretch", "Save Your Skin", "Since You’ve Been Gone", "Solution", "Stand Yourself", "Stumblin’", "Roll Right By You", "Tail", "Think It Over", "This Syrup to Exchange", "Thrill Is Gone", "Turtles Head", "Up & Down & Back Again", "Wash Me Clean", "We Should Be Together Now", "Wishing On The Same Moon")
E4 ("All Of The Dreamers", "Already Gone", "Awake", "Ballad of a Dead Man", "Believe", "Belter", "Blanket", "Bridle You", "Burn Your Name", "Capoicity", "Citadel", "d.a.f", "The Day You Come", "Don’t Panic", "Down to The River", "Drifting Further Away", "Give", "Glimpse", "Golden Rule", "Good Day Ray", "Grave Concern", "Head Up in The Clouds", "Hindley Street", "Hope and Validation", "How Far Have We Really Come", "Hurried Bloom", "Iberian Dream", "I Don’t Remember", "Lemon Sunrise", "Living Type", "Long Way to Go", "Lost and Running", "Love Your Way", "Jewel", "Jc", "My Happiness", "My Kind of Scene", "Not Finished Just Yet", "Oipic", "Passenger", "Pockets", "Poison In Your Mind", "Purple Rain" live Palais Theatre 2016, "Rockin' Rocks", "Save Your Skin", "Skinny Jean", "Sleeping Rough", "Solution", "Songbird", "A Song Called Everything", "Stand Yourself", "The Strangest Thing", "Sunsets", "Surviving", "Take Me In", "Tell Me How It Ends", "These Days", "This Syrup to Exchange", "Thrilloilogy", "Trading Places", "Turtles Head", "Waiting For The Sun", "Walking Stick", "Which Way Home?", "Wish You Well", "Who Really Cares", "Wishing On The Same Moon", "Yesterday's Gone")
Significant Low Notes:
E3 ("All Of The Dreamers", "Already Gone", "Awake", "Ballad of a Dead Man", "Believe", "Belter", "Blanket", "Burn Your Name", "Bridle You", "Citadel", "d.a.f", "The Day You Come", "Don’t Panic", "Down to The River", "Drifting Further Away", "Give", "Glimpse", "Hope and Validation", How Far Have We Really Come", "Hurried Bloom", "Jewel", "Jc", "Lemon Sunrise", "Living Type", "Long Way to Go", "The Metre", "My Kind of Scene", "Private Man", "Purple Rain" live Palais Theatre 2016, "Rockin’ Rocks", "Skinny Jean", "Songbird", "A Song Called Everything", "The Strangest Thing", "Sunsets", "Surviving", "Tail", "Take Me In", "Tell Me How It Ends", "This Syrup to Exchange", "Thrilloilogy", "Trading Places", "Waiting For The Sun", "Whatever Makes You Happy", "Which Way Home?", "Wishing On The Same Moon", "Yesterday's Gone")
E♭3 ("Don’t Wanna Be Left Out", "I Don’t Remember", "Like a Dog", "Limbo Stick", "Pick You Up", "Sail The Wildest Stretch", "Since You’ve Been Gone", "Stumblin’", "Up & Down & Back Again", "We Should Be Together Now")
D3 ("All Of The Dreamers", "Awake", "Ballad of a Dead Man", "Believe", "Black Tears", "Boing Boing", "Bridle You", "Capoicity", "Celebrity Head", "d.a.f", "Drifting Further Away", "Fathers’ Pyramid", "A Fight About Money", "Golden Rule", "How Far Have We Really Come", "Iberian Dream", "Limbo Stick", "Lost And Running", "My Kind of Scene", "Nobody Sees", "Odyssey #5", "Oipic", "Passenger", "Poison In Your Mind", "Sail The Wildest Stretch", "Save Your Skin", "Since You've Been Gone", "Sink Low", "Solution", "A Song Called Everything", "Stand Yourself", "The Strangest Thing", "Tail", "These Days", "Thrill Is Gone", "Trading Places", "Waiting For The Sun", "Watch Over Me", "Wash Me Clean", "Which Way Home?", "Wish You Well")
C♯3 ("Blanket", "Don’t Panic", "Glimpse", "Grave Concern", "Hope and Validation", "Jc", "Private Man", "Skinny Jean", "Sink Low", "Stumblin’", "Waiting For The Sun")
C3 ("Burn Your Name", "Capoicity", "Celebrity Head", "Don’t Wanna Be Left Out", "Down to The River", "Hindley Street", "Iberian Dream", "Limbo Stick", "Lost And Running", "My Happiness", "My Kind of Scene", "Nobody Sees", "Not Finished Just Yet", "Oipic", "Pick You Up", "Think It Over", "Thrill Is Gone", "Thrilloilogy", "Whatever Makes You Happy")
B2 ("Ballad of a Dead Man", "The Day You Come", "A Fight About Money", "Head Up in The Clouds", "Hope and Validation", "How Far Have We Really Come", "Living Type", "Private Man", "Poison In Your Mind", "Sink Low", "Skinny Jean", "Trading Places", "Watch Over Me", "Which Way Home?", "Wish You Well")
B♭2 ("Roll Right By You", "Sail The Wildest Stretch", "Stand Yourself", "Stumblin’", "Thrill Is Gone", "Wash Me Clean")
A2 ("Awake", "Battleships", "Black Tears", "Down to The River", "Glimpse", "Head Up in The Clouds", "Lost And Running", "Love Your Way", "My Happiness", "My Kind of Scene", "Nobody Sees", "Songbird", "Sunsets", "Trading Places", "Watch Over Me", "Yesterday's Gone")
G♯2 ("Jc", "Like a Dog", "Living Type", "Stumblin’", "Which Way Home?")
G2 ("All Of The Dreamers", "Battleships", "Head Up in The Clouds", "Hindley Street", "Lemon Sunrise", "Like a Dog", "Lost And Running", "My Kind of Scene", "Stand Yourself", "The Strangest Thing", "Trading Places", "Wash Me Clean")
F♯2 ("Ballad of a Dead Man", "A Fight About Money", "The Day You Come", "Don’t Panic")
F2 ("We Should Be Together Now", "Think It Over", "Thrill Is Gone")
E2 ("A Fight About Money", "Lemon Sunrise", "Watch Over Me")
E♭2 ("Thrill Is Gone", "We Should Be Together Now")
D2 ("Boing Boing")
…………………………………….
Blue marks falsetto/head voice notes
Bold marks notes that would be considered impressive (click on the bold to see the note displayed)
Underline marks obscured notes
Italics mark non-melodic notes
{Questionable Notes}
B4 ("(Baby I've Got You) On My Mind"[3])
A4 ("Save Your Skin"[2])
G♯2 ("Private Man"[1])
G2 ("Awake"[1], "Pick You Up"[1])
F2 ("Hindley Street"[1])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
B4 ("(Baby I've Got You) On My Mind"[3])
A4 ("Save Your Skin"[2])
G♯2 ("Private Man"[1])
G2 ("Awake"[1], "Pick You Up"[1])
F2 ("Hindley Street"[1])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.