Violently Inconsequential Notes (978 views)

[BAZanine]

Every time I hear "Don't Stop Believin'", I get reminded that there are C♯5s in that song. But see, who the hell cares about them considering how overshadowed they are by the B4s? I mean, you could remove them and you'd have effectively lost nothing.

So yeah, discuss notes that make you feel a similar way. Or don't. I'm not your mom.

['S]

How "Making Love (Out of Nothing at All)" has C5, C♯5 and even higher harmonies, but the big bold note is the sustained B4. Exact same for "The Winner Takes it All" actually lol

[Bes]

Blue F♯5 overshadowed by monster E5 (and some blue E5s afterwards)

[Captain Planet]

Very surprising yelps in this song, one of them gets to G#6:

[Bink]

This annoying very boldable F♯4 but Stevie's thresholds start at G♯4

[clem]

Oct 23, 2022 1:10:05 GMT Bink said:

This annoying very boldable F♯4 but Stevie's thresholds start at G♯4

I've considered making an extra spoiler box on my threads for best examples of the singer's mid-range. Maybe it's time!

[Baronessa]

Back when the Whitney Houston thread was still starting the highs at C5 people wanted me to give her a B4 section just because of the "I Will Always Love You" B4, even though the ending is littered with an abundance of other significant notes. After the B4 starts, the C♯5s and E♭5s just don't register whatsoever.