Post by sylvia!! on Oct 21, 2022 6:48:13 GMT
Kelson Matthias
Associated Acts: Jarcrew (1995 - 2005, 2014 - Present), Future of the Left (2005 - 2009)
Vocal Range: E2 - C6
Vocal Type: YOUR TENOR SETS THE BAR (so high)
Significant High Notes:
C6 ("Adeadenemyalwayssmellsgood" live at Clwb Ifor Bach 2008, "Boxcar Trend - I'm In Love With Detroit Robotix")
A5 ("Adeadenemyalwayssmellsgood", "Boy Wonder")
G5 ("Sad French Death Metal")
F♯5 ("Squadron No. 9")
E5 ("Sad French Death Metal")
D5 ("Boy Wonder", "I Am Civil Service", "Manchasm", "Komputer", "Wrigley Scott")
C♯5 ("KID THUNDER", "The Lord Hates A Coward", "Money Shot", "Plague Of Onces", "Real Men Hunt In Packs", "Throwing Bricks At Trains")
C5 ("RAY ROMANO", "Sad French Death Metal", "SATURDAY BOYS")
B4 ("Adeadenemyalwayssmellsgood", "Boxcar Trend - I'm In Love With Detroit Robotix", "Capobaby", "Chin Music", "Drink Nike", "Manchasm", "My Gymnastic Past", "Quiet… Is Dead", "Squadron No. 9")
B♭4 ("KID THUNDER", "RAY ROMANO", "SATURDAY BOYS", "Stand By Your Manatee", "You Need Satan More Than He Needs You")
A4 ("Boxcar Trend - I'm In Love With Detroit Robotix", "Boy Wonder", "Defacto Symphony", "I Need To Know How To Kill a Cat", "Kept By Bees", "Komputer", "The Lord Hates A Coward", "Money Shot", "Paris & The New Math", "Plague Of Onces", "RAY ROMANO", "Small Bones, Small Bodies", "Squadron No. 9", "Stand By Your Manatee", "Yin/Post-Yin")
Significant Low Notes:
F♯3 ("Defacto Symphony", "Fingers Become Thumbs!", "Manchasm", "Real Men Hunt In Packs", "Wrigley Scott")
F3 ("Chin Music")
D3 ("Kept By Bees", "Paris & The New Math", "Quiet… Is Dead")
C♯3 ("Arming Eritrea", "You Need Satan More Than He Needs You")
C3 ("Boxcar Trend - I'm In Love With Detroit Robotix", "Capobaby", "KID THUNDER")
B2 ("The Big Wide O", "Fingers Become Thumbs!", "The Hope That House Built")
B♭2 ("KID THUNDER")
A2 ("Adeadenemyalwayssmellsgood", "The Hope That House Built", "Land Of My Formers", "Lapsed Catholics", "Manchasm")
G2 ("Stand By Your Manatee")
F♯2 ("Real Men Hunt In Packs")
E2 ("Lapsed Catholics")
{Questionable Notes}G6 ("Komputer" [5])
A5 ("Money Shot" [1])
G5 ("KID THUNDER" [1])
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[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
A5 ("Money Shot" [1])
G5 ("KID THUNDER" [1])
..................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Discography}Jarcrew
Jarcrew (2003): C3 - G5 - A5 - C6
GHOSTIE (2023): B♭2 - C5 - C♯5
Future of the Left
Curses (2007): F♯2 - A2 - A5
Travels With Myself and Another (2009): E2 - G2 - A2 - B♭4 - D5
Italics Mark EPs
Grey Marks Compilations
Jarcrew (2003): C3 - G5 - A5 - C6
GHOSTIE (2023): B♭2 - C5 - C♯5
Future of the Left
Curses (2007): F♯2 - A2 - A5
Travels With Myself and Another (2009): E2 - G2 - A2 - B♭4 - D5
Italics Mark EPs
Grey Marks Compilations
..................................................
• Blue denotes falsetto and whistle passages.
• Green denotes harshly distorted passages.
• Boldface denotes outstanding passages.
• Italics denote non-melodic and spoken passages.
• Underlines denote obscured and background passages.