Post by Bink on Nov 1, 2022 6:01:17 GMT
Caroline Esmeralda van der Leeuw (26 April 1981 - )
Vocal Range: C♯3 - F♯5
Significant High Notes:
F♯5 (“That Man”)
E5 (“A Night Like This” live Montreux Jazz Festival 2015)
E♭5 (“Absolutely Me”, “That Man”, “You Don’t Love Me”)
D5 (“Dr. Wanna Do”, “The Maestro”, “Pack Up The Louie”, “Tangled Up”, “Whatchugot”)
C♯5 (“Absolutely Me”, “Black Valentine”, “Just One Dance”, “A Night Like This”, “Tahitian Skies”, “Tell Me How Long”, “That Man”, “Wake Up Romeo”)
C5 (“Back It Up”, “Coming Back As a Man”, “Completely”, “Dr. Wanna Do”, “The Lipstick On His Collar”, “Never Ever”, “One Day”, “Riviera Life”, “Stuck”, “Tangled Up”, “You Don’t Love Me”)
B4 (“Black Valentine”, “Coming Back As a Man”, “Excuse My French”, “If You Go Away (Ne Me Quitte Pas) Live In Glasgow, “Liquid Lunch”, “Just One Dance”, “The Maestro”, “A Night Like This”, “The Other Woman”, “The Wonderful In You”, “Tell Me How Long”, “That Man”)
B♭4 (“Absolutely Me”, “I Belong To You”, “The Ghost of You”, “History Repeating" live Montreux Jazz Festival 2015, “Pack Up The Louie”, “My 2 Cents”, “Never Ever”, “A Night Like This”, “The Other Woman”, “No Charge”, “Riviera Life”, “Stuck”, “Tahitian Skies”, “Wake Up Romeo”, “Whatchugot”, “The Wonderful In You”, “You Don’t Love Me”)
A4 (“Back It Up”, “The Bullet”, “Coming Back As a Man”, “Completely”, “Dr. Wanna Do”, “Excuse My French”, “If You Go Away (Ne Me Quitte Pas)” Live In Glasgow, “I Know That He’s Mine”, “Liquid Lunch”, “The Maestro”, “My 2 Cents”, “Never Ever”, “One Day”, “Tahitian Skies”, “Tangled Up”)
Significant Low Notes:
B♭3 (“Absolutely Me”, “I Belong To You”, “The Lipstick On His Collar”, “My 2 Cents”, “No Charge”, “The Other Woman”, “Riviera Life”, “Tahitian Skies”, “Wake Up Romeo”, “Whatchugot”, “The Wonderful In You”, “You Don’t Love Me”)
A3 (“Back It Up”, “Completely”, “Dr. Wanna Do”, “Liquid Lunch”, “I Know That He’s Mine”, “One Day”, “Tangled Up”)
G♯3 (“Absolutely Me”, “Black Valentine”, “Coming Back As a Man”, “I Belong To You”, “Just One Dance”, “A Night Like This”, “The Other Woman”, “Stuck”, “That Man”, “Whatchugot”)
G3 (“Black Valentine”, “Completely”, “Dr. Wanna Do”, “The Ghost of You”, “The Lipstick On His Collar”, “My 2 Cents”, “Never Ever”, “One Day”, “Pack Up The Louie”, “Tahitian Skies”, “Tangled Up”, “The Wonderful In You”)
F♯3 (“Absolutely Me”, “The Bullet”, “Coming Back As a Man”, “Excuse My French”, “A Night Like This” acoustic version, “One Day”, “Paris”, “Wake Up Romeo”)
F3 (“Back It Up”, “I Belong To You”, “I Know That He’s Mine”, “No Charge”, “Riviera Life”, “Stuck”, “Whatchugot”, “The Wonderful In You”, “You Don’t Love Me”)
E3 (“Black Valentine”, “Excuse My French”, “If You Go Away (Ne Me Quitte Pas)" Live In Glasgow, “Liquid Lunch”, “The Maestro”, “Never Ever”, “Paris”, “Tangled Up”)
E♭3 (“If You Go Away (Ne Me Quitte Pas) Live In Glasgow, “Tangled Up” various live versions)
C♯3 (“The Bullet”)
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Bold marks notes that would be considered impressive
Underline marks obscured notes
Italics mark non-melodic notes
{Questionable Notes}
B♭5 (“Tahitian Skies”[2][4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
B♭5 (“Tahitian Skies”[2][4])
.......................................................
[1] marks yelps and short trills in high range or anacrusis and short dips in low range.
[2] marks notes of questionable identity that cannot be confirmed to be the singer in question.
[3] marks non-melodic notes that don't have a significant enough pitch to warrant inclusion.
[4] marks notes that possess uncertain pitch or have been pitch-shifted.
[5] marks notes that do not fit the previous criteria but are not of a substantial enough quality to warrant counting towards the singer's range.
{Album Ranges}
Deleted Scenes From The Cutting Room Floor (2010): F3 - F♯5
The Shocking Miss Emerald (2013): E3 - D5
Emerald Island (2017): E3 - D5
Deleted Scenes From The Cutting Room Floor (2010): F3 - F♯5
The Shocking Miss Emerald (2013): E3 - D5
Emerald Island (2017): E3 - D5